YAPAY ZEKÂ İLE SAHNE TASARIMINDA KODLANMIŞ GÖRSEL KOMPOZİSYONUN YENİDEN TASARIMI

Memet Ali Zeren

doi:10.35379/cusosbil.1695965

TR EN

Abstract

YAPAY ZEKÂ İLE SAHNE TASARIMINDA KODLANMIŞ GÖRSEL KOMPOZİSYONUN YENİDEN TASARIMI

Abstract

Bu çalışma, yapay zekâ destekli görsel üretim teknolojilerinin sahne tasarımındaki estetik ve düşünsel etkilerini disiplinler arası bir perspektiften ele almaktadır. Son yıllarda dijital ortamda geliştirilen üretim araçlarının, mekân tasarımı süreçlerinde yeni ifade biçimlerinin ortaya çıkmasına olanak sağladığı gözlemlenmektedir. Görsel kompozisyonun yeniden tanımlanmasına neden olan bu teknolojik yaklaşımlar, sahneleme pratiklerinde hem işlevsel hem de algısal düzeyde dönüşümlere yol açmaktadır. İnsan ve makine etkileşimine dayalı yaratım modelleri, geleneksel tasarım anlayışını sorgulayan ve alternatif estetik düzenler öneren bir yapı sergilemektedir. Çalışma, güncel kuramsal yaklaşımlar doğrultusunda yapay üretimli imgelerin taşıdığı anlam katmanlarını inceleyerek, çağdaş sahne tasarımının yaratıcı potansiyelini genişletme yönündeki olanaklarını irdelemektedir. Kavramsal çözümlemeler ve uygulamaya dönük örnekler aracılığıyla, sahne tasarımının değişen yapısı anlaşılmaya çalışılmış; bu dönüşümün yaratıcı süreçlere kazandırdığı yeni açılımlar yorumlanmıştır. Ayrıca, dijital üretimin sezgisel olmayan doğasıyla ortaya çıkan estetik kararların öngörülemezliği ve çoklu anlam üretimi üzerinden, izleyici deneyiminin yeniden şekillenişine dair çıkarımlar sunulmuştur. Böylece, yapay zekânın yalnızca teknik bir araç değil, yaratıcı ortak olarak sahneleme sanatında üstlendiği rol kapsamlı biçimde değerlendirilmektedir.

Keywords

REDESIGNING ENCODED VISUAL COMPOSITION IN STAGE DESIGN THROUGH ARTIFICIAL INTELLIGENCE

Abstract

This study addresses the aesthetic and intellectual effects of artificial intelligence-supported visual production technologies on stage design from an interdisciplinary perspective. It is observed that the production tools developed in digital environment in recent years have enabled the emergence of new forms of expression in spatial design processes. These technological approaches, which redefine visual composition, lead to transformations in staging practices at both functional and perceptual levels. Creation models based on human-machine interaction exhibit a structure that challenges traditional notions of design and proposes alternative aesthetic orders. In line with current theoretical approaches, the study examines the layers of meaning embedded in artificially generated images and explores their potential to expand the creative capacity of contemporary stage design. Through conceptual analyses and practical examples, the evolving nature of stage design is examined, and the new possibilities introduced by this transformation into creative processes are interpreted. Furthermore, the study offers insights into the reshaping of audience experience through the unpredictability of aesthetic decisions and the multiplicity of meanings arising from the non-intuitive nature of digital production. Accordingly, artificial intelligence is evaluated not merely as a technical tool but as a creative collaborator within the field of stage design.

Keywords

References

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Details

Primary Language

Turkish

Subjects

Fine Arts

Journal Section

Research Article

Authors

Memet Ali Zeren ^*
0000-0001-8757-3001
Türkiye

Publication Date

June 17, 2026

Submission Date

May 9, 2025

Acceptance Date

March 16, 2026

Published in Issue

Year 2026 Volume: 35

DOI

https://doi.org/10.35379/cusosbil.1695965

IZ

https://izlik.org/JA69XJ62SM

Cite

RIS / Bibtex

APA

Zeren, M. A. (2026). YAPAY ZEKÂ İLE SAHNE TASARIMINDA KODLANMIŞ GÖRSEL KOMPOZİSYONUN YENİDEN TASARIMI. Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 35. https://doi.org/10.35379/cusosbil.1695965

AMA

1.Zeren MA. YAPAY ZEKÂ İLE SAHNE TASARIMINDA KODLANMIŞ GÖRSEL KOMPOZİSYONUN YENİDEN TASARIMI. Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 2026;35. doi:10.35379/cusosbil.1695965

Chicago

Zeren, Memet Ali. 2026. “YAPAY ZEKÂ İLE SAHNE TASARIMINDA KODLANMIŞ GÖRSEL KOMPOZİSYONUN YENİDEN TASARIMI”. Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 35 (June). https://doi.org/10.35379/cusosbil.1695965.

EndNote

Zeren MA (June 1, 2026) YAPAY ZEKÂ İLE SAHNE TASARIMINDA KODLANMIŞ GÖRSEL KOMPOZİSYONUN YENİDEN TASARIMI. Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 35

IEEE

[1]M. A. Zeren, “YAPAY ZEKÂ İLE SAHNE TASARIMINDA KODLANMIŞ GÖRSEL KOMPOZİSYONUN YENİDEN TASARIMI”, Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, vol. 35, June 2026, doi: 10.35379/cusosbil.1695965.

ISNAD

Zeren, Memet Ali. “YAPAY ZEKÂ İLE SAHNE TASARIMINDA KODLANMIŞ GÖRSEL KOMPOZİSYONUN YENİDEN TASARIMI”. Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 35 (June 1, 2026). https://doi.org/10.35379/cusosbil.1695965.

JAMA

1.Zeren MA. YAPAY ZEKÂ İLE SAHNE TASARIMINDA KODLANMIŞ GÖRSEL KOMPOZİSYONUN YENİDEN TASARIMI. Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 2026;35. doi:10.35379/cusosbil.1695965.

MLA

Zeren, Memet Ali. “YAPAY ZEKÂ İLE SAHNE TASARIMINDA KODLANMIŞ GÖRSEL KOMPOZİSYONUN YENİDEN TASARIMI”. Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, vol. 35, June 2026, doi:10.35379/cusosbil.1695965.

Vancouver

1.Memet Ali Zeren. YAPAY ZEKÂ İLE SAHNE TASARIMINDA KODLANMIŞ GÖRSEL KOMPOZİSYONUN YENİDEN TASARIMI. Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 2026 Jun. 1;35. doi:10.35379/cusosbil.1695965

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İmtiyaz Sahibi (Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Adına)

Hüseyin GÜLER

Econometric and Statistical Methods, Statistics

Editor

Mustafa YAŞAR

Psychological Counseling Education, Adult Education, Early Childhood Education, Educational Psychology

Mizanpaj Editörü

Mustafa Can KIZGINDEMIR

Information Systems User Experience Design and Development, Visual Communication Design, Graphic Design, Video Design, Web Design

Son Okuyucu

Ayşenur SÖYÜ

Religious Studies (Other)

Alan Editörü

C. Hakan ÇUHADAR

Music, Interpretation in Western Classical Music, Theories of Music, Musicology and Ethnomusicology

Marella BODUR ÜN

Comparative Political Movement, Gender and Politics, Political Sociology, European Union-Turkiye Relations, Globalisation, International Relations Theories

Engin ÇETIN

Turkish Language and Literature, Old Turkic Language (Orhon, Uyghur, Karahan), Historical North East Turkish Language (Khwarezm, Kipchak, Chagatai)

Ebru ÖZGÜR GÜLER

Econometric and Statistical Methods, Quantitative Decision Methods

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Equity and Trusts Law

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Education, Curriculum and Instration , Mathematics Education

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Turkish Islamic Literature, Classical Turkish Literature of Ottoman Field

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Built Environment and Design, Interior Architecture , Sustainable Architecture

Fatma ŞAHIN

Archaeological Science, Ceramics in Archeology, Early Bronze Age Archeology, Neolithic Age Archeology, The Archaeology of Middle Bronze Age

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Cinema Sociology, Cinema Theories, Cinema History

Birsel AYBEK

Education

AB

Almıla BURGAÇ ÇIL

International Economics

Raziye GÜNAY BILALOĞLU

Early Childhood Education

Mustafa MAVAŞOĞLU

Applied Linguistics and Educational Linguistics

Özlem USLU

Fine Arts Education, Museum Education, Photography, Interdisciplinary Art, Installation

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İlksun Didem ÜLBEĞI

Industrial Organisation, Entrepreneurship, Organizasyon, Organisation and Management Theory, Organisational Planning and Management, Organisational Behaviour, Strategy, Management and Organisational Behaviour (Other)