POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION

Fügen Toksöz

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POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION

Abstract

In this article, postmodern American fictionist Donald Barthelme's three short stories The Glass Mountain, The Balloon, and Daumier are analysed in terms of the artist and society relationship in today's mass society where the only criterion is money and the only escape from it is art.

Keywords

Postmodernism, Mass Society, Fiction, Alienation, Surrogate, Art, Artist

References

ARAZ, T. (1999), Coming To Terms With A Postmodern World: Donald Barthelme’s Dissident Stance In Snow White And Others, İstanbul: Çantay Kitabevi
DONALD, B. (1982), Sixty Stories, New York: E.P:Dutton Inc.
DOLTAŞ, D. (1999), Postmodernizm: Tartışmalar ve Uygulamalar, İstanbul: Telos Yayıncılık
McCAFFERY, L. (1982), The Metafictional Muse: The Works of Robert Coover, Donald Barthelme, and William H. Gass, Pittsburgh: University of Pittsburgh Press

Details

Primary Language

English

Subjects

-

Journal Section

-

Authors

Fügen Toksöz This is me

Publication Date

July 1, 2000

Submission Date

-

Acceptance Date

-

Published in Issue

Year 2000 Volume: 1 Number: 2

IZ

https://izlik.org/JA63KA59HC

Cite

RIS / Bibtex

APA

Toksöz, F. (2000). POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION. Doğuş Üniversitesi Dergisi, 1(2), 164-169. https://izlik.org/JA63KA59HC

AMA

1.Toksöz F. POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION. Doğuş Üniversitesi Dergisi. 2000;1(2):164-169. https://izlik.org/JA63KA59HC

Chicago

Toksöz, Fügen. 2000. “POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION”. Doğuş Üniversitesi Dergisi 1 (2): 164-69. https://izlik.org/JA63KA59HC.

EndNote

Toksöz F (July 1, 2000) POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION. Doğuş Üniversitesi Dergisi 1 2 164–169.

IEEE

[1]F. Toksöz, “POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION”, Doğuş Üniversitesi Dergisi, vol. 1, no. 2, pp. 164–169, July 2000, [Online]. Available: https://izlik.org/JA63KA59HC

ISNAD

Toksöz, Fügen. “POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION”. Doğuş Üniversitesi Dergisi 1/2 (July 1, 2000): 164-169. https://izlik.org/JA63KA59HC.

JAMA

1.Toksöz F. POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION. Doğuş Üniversitesi Dergisi. 2000;1:164–169.

MLA

Toksöz, Fügen. “POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION”. Doğuş Üniversitesi Dergisi, vol. 1, no. 2, July 2000, pp. 164-9, https://izlik.org/JA63KA59HC.

Vancouver

1.Fügen Toksöz. POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION. Doğuş Üniversitesi Dergisi [Internet]. 2000 Jul. 1;1(2):164-9. Available from: https://izlik.org/JA63KA59HC