POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION

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POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION

Öz

In this article, postmodern American fictionist Donald Barthelme's three short stories The Glass Mountain, The Balloon, and Daumier are analysed in terms of the artist and society relationship in today's mass society where the only criterion is money and the only escape from it is art.

Anahtar Kelimeler

Postmodernism, Mass Society, Fiction, Alienation, Surrogate, Art, Artist

Kaynakça

ARAZ, T. (1999), Coming To Terms With A Postmodern World: Donald Barthelme’s Dissident Stance In Snow White And Others, İstanbul: Çantay Kitabevi
DONALD, B. (1982), Sixty Stories, New York: E.P:Dutton Inc.
DOLTAŞ, D. (1999), Postmodernizm: Tartışmalar ve Uygulamalar, İstanbul: Telos Yayıncılık
McCAFFERY, L. (1982), The Metafictional Muse: The Works of Robert Coover, Donald Barthelme, and William H. Gass, Pittsburgh: University of Pittsburgh Press

Ayrıntılar

Birincil Dil

İngilizce

Konular

-

Bölüm

-

Yazarlar

Fügen Toksöz Bu kişi benim

Yayımlanma Tarihi

1 Temmuz 2000

Gönderilme Tarihi

-

Kabul Tarihi

-

Yayımlandığı Sayı

Yıl 2000 Cilt: 1 Sayı: 2

IZ

https://izlik.org/JA63KA59HC

Kaynak Göster

RIS / Bibtex

APA

Toksöz, F. (2000). POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION. Doğuş Üniversitesi Dergisi, 1(2), 164-169. https://izlik.org/JA63KA59HC

AMA

1.Toksöz F. POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION. DOUJ. 2000;1(2):164-169. https://izlik.org/JA63KA59HC

Chicago

Toksöz, Fügen. 2000. “POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION”. Doğuş Üniversitesi Dergisi 1 (2): 164-69. https://izlik.org/JA63KA59HC.

EndNote

Toksöz F (01 Temmuz 2000) POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION. Doğuş Üniversitesi Dergisi 1 2 164–169.

IEEE

[1]F. Toksöz, “POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION”, DOUJ, c. 1, sy 2, ss. 164–169, Tem. 2000, [çevrimiçi]. Erişim adresi: https://izlik.org/JA63KA59HC

ISNAD

Toksöz, Fügen. “POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION”. Doğuş Üniversitesi Dergisi 1/2 (01 Temmuz 2000): 164-169. https://izlik.org/JA63KA59HC.

JAMA

1.Toksöz F. POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION. DOUJ. 2000;1:164–169.

MLA

Toksöz, Fügen. “POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION”. Doğuş Üniversitesi Dergisi, c. 1, sy 2, Temmuz 2000, ss. 164-9, https://izlik.org/JA63KA59HC.

Vancouver

1.Fügen Toksöz. POSTMODERN WORLD, POSTMODERN RELATIONSHIPS: THE ARTIST AND SOCIETY RELATIONSHIP IN BARTHELME’S FICTION. DOUJ [Internet]. 01 Temmuz 2000;1(2):164-9. Erişim adresi: https://izlik.org/JA63KA59HC