Review
Research Article
Aim & Scope
"Inonu University Journal of Culture and Art" (IJCA), published by Inönü University State Conservatory, is an international peer-reviewed, scientific, Electronic Journal in which theoretical and applied original research, reviews and compilations in the fields of Culture and art are published. Turkish and English language publications in accordance with its publishing policy, the journal aims to make publications written in English and Turkish languages. IJCA (Inonu University Journal of Culture and Art / Inönü University Journal of Culture and art) uses a double-sided blind refereeing system in which at least two referees are employed for each article.
"Inönü University Journal of Culture and art" (IJCA) is an international peer-reviewed, scientific, Electronic Journal in which theoretical and applied original research, reviews and compilations in the fields of Culture and art are published.
Author Guidelines
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8. Citations: citations must be made in the text using the APA (recently used current) method. Notes should be expressed as footnotes (9 points) under the page. References in the text should be made in the form of the last name of the author(s), the year of the source and the page number. If there is no author name, the institution name should be used instead of the author. Example; (Imik, 2013: 5), (Imik and Poppy, 2011: 15), (Poppy et al., 2000: 10-12), (DPT, 2004: 32).
Ethical Principles and Publication Policy
İnönü Üniversitesi Devlet Konservatuvarı tarafından yayımlanan "İnönü Üniversitesi Kültür ve Sanat Dergisi" uluslararası etik ilkeleri doğrultusunda hazırlanmış yayınları kabul etmektedir.
Price Policy
"İnönü Üniversitesi Kültür ve Sanat Dergisi" ücretsiz bir dergidir.
Journal Boards
Editor-in-Chief
Malatya’da doğdu. 2004 yılında İnönü Üniversitesi Güzel Sanatlar ve
Tasarım Fakültesi Müzik Bölümü Müzikoloji Anabilim Dalı sınavına girerek
burada okumaya hak kazandı. Prof. Ali Sevgi, Prof. Dr. Turan Sağer, Prof. Dr.
Metin Karkın, Prof. Kadir Karkın ve Prof. Server Acim’den Armoni ve Müzik
Teorisi, Prof. Cemal Yurga ve Prof. Dr. Banu Mustan Dönmez’den Müzik
Tarihi, Etnomüzikoloji ve Popüler Müzikler derslerini aldı. 2008 yılında
Müzikoloji Anabilim Dalı 1. si olarak mezun oldu. 2009 yılında İnönü
Üniversitesi Sosyal Bilimler Enstitüsü, Güzel Sanatlar ve Tasarım Fakültesi
Müzik Ana bilim Dalı, Müzik Bilimleri ve Teknolojisi yüksek lisans programı
sınavında 1. olarak bu programda okumaya hak kazandı. 2010 yılında İnönü
Üniversitesi Güzel Sanatlar ve Tasarım Fakültesi Müzik Ana bilim Dalında
Araştırma Görevlisi olarak çalışmaya başladı ve yüksek lisans eğitimini
tamamladı. 2010 yılında İnönü Üniversitesi Sosyal Bilimler Enstitüsü, Müzik
Bilimleri ve Teknolojisi Doktora programında okumaya hak kazandı. 2015
yılında doktora programından mezun oldu. 2016 yılında Dr. Öğr. Üye.
kadrosuna atandı. 2019 yılında ÜAK tarafından Müzikoloji Bilim/Sanat
alanında Doçent unvanı almaya hak kazandı. İnönü Üniversitesi Güzel
Sanatlar ve Tasarım Fakültesi Müzik Bilimleri Anabilim Dalı’nda Müzikoloji
Anabilim Dalı Başkanlığı’nı yürüttü, 2020 yılında İnönü Üniversitesi Devlet
Konservatuarı Türk Halk Müziği Ana Sanat Dalına Doçent olarak atandı.
Aynı kurumda Müdür Yardımcısı ve Türk Halk Müziği Ana Sanat Dalı
Başkanı olarak görevine devam etmektedir.
Müzikoloji, Müzik Sosyolojisi ve Etnomüzikoloji alanlarında ulusal
ve uluslararası bilimsel toplantılarda bildirileri, mesleki ve hakemli dergilerde
makaleleri, uluslararası yayınevlerinde editörlükler ve kitap bölümleri ayrıca
tek ve çok yazarlı “Hatay Arap Ortodoks Müzik Kültürü”; “Etnomüzikoloji
Alan
Çalışmaları-I”
ve
“Türk Siyasal Hayatında Propaganda
Müzikleri” adında üç kitabı bulunmaktadır.
Section Editors
English Language Editor
Turkish Language Editor
Editorial Board
Advisory Board
Web
Mustafa Hilmi BULUT, müzik eğitimi alanında doktora derecesine sahiptir. Lisans, yüksek lisans ve doktora öğrenciliği dönemlerinde Prof. Dr. Ali Uçan, Prof. Dr. Türev Berki, Prof. Ülkü Özgür, Prof. Dr. Şeyda Çilden, Prof. Feridun Büyükaksoy, Prof. Sadettin Ünal, Prof. Kadir Karkın, Prof. Erdal Tuğcular, Prof. Ali sevgi, Prof. Ertuğrul Bayraktar gibi duayen hocalardan dersler almıştır.
“Keman Eğitiminde Sivas Halayları”, “Şarkı Kutusu I”, “Şarkı Kutusu II”, “Zara Yöresi Müziğinin Etnografisi”, “Müzik Bilimsel Araştırma Yazıları”, “Müzikte Özel Öğretim Yöntemleri”, “Ayrıntılı Makam Tanımlarıyla Sekiz Makamda Dokuz Özgün Beste”, “Mustafa Sağyaşar Biyografisi”, “Piyano Eşlikli Mikrotonal Müzikler“, “Keman Özelinde Çalgı Öğretim Yöntem ve Teknikleri”, “Tülay Canik Biyografisi“, “Sevgi Şarkıları I“, “Cumhuriyetin 100. Yılında 100 Sevgi Şarkısı“ adlı kitaplarına ek olarak “Müziğin Büyüleyici Eğlenceli Gerçekleri” adlı bir çeviri kitap ve çok sayıda kitap bölümü yazarıdır.
İspanya, Estonya, Polonya, Amerika, Portekiz, Ukrayna, Endonezya ve Hong Kong'da bulunan üniversitelerde çeşitli bilimsel etkinliklere katılarak Klasik Türk Müziğinin çeşitli formlarında ud ve vokal bireysel konserler vermiştir. Türkiye Cumhuriyeti’nin 100. Kuruluş Yıldönümü anısına “100. Yılında 100 Sevgi Şarkısı“ adlı projesinden ürettiği 107 sevgi şarkısının yanısıra çocuklar ve gençlere yönelik çok sayıda eğitim müziği bestelemiştir. Eserleri Kültür ve Turizm Bakanlı bünyesindeki “Türkiye Musiki Eseri Sahipleri Meslek Birliği“ tarafından telif koruması altındadır. Cumhuriyet Üniversitesi Marşı‘nın bestecisidir.
Bulut, ABD'de University of South Florida School of Music ve Portekiz'de Politecnico de Castelo Branco – Portugal Polytechnics’de “Kemanın Türk Müziğinde Kullanımı” konulu atölye çalışmalarına katılmış ve misafir öğretim üyesi olarak kısa süreli çalışmalarda bulunmuştur. Dekanlık, dekan yardımcılığı, anabilim dalı başkanlığı, bölüm başkanlığı, bölüm, fakülte ve üniversite yönetim kurulu üyelikleri gibi idari görevlerde bulunmuştur. Yüz yüze ve çevrim içi düzenlemiş olduğu dokuz uluslararası müzik sempozyumunun başkanlığını yapmıştır.
Müzik eğitimi ve müzikoloji alanında SCI başta olmak üzere ulusal ve uluslararası endekslerde taranan bilimsel dergilerde yayımlanmış çok sayıda makale ve sempozyum bildirileri mevcuttur. Çok sayıda araştırma projesini koordine etmiş ve yürütmüştür. İyi derecede İngilizce bilen Bulut, Sivas Cumhuriyet Üniversitesi'nde öğretim üyesi olarak çalışmalarına devam etmektedir.
He was born in Ankara in 1974. He completed his primary and secondary education in Istanbul. He began his music education in 1983. After studying classical, acoustic, electric, and bass guitar, he entered Marmara University Atatürk Faculty of Education, Department of Music Education in 1991. In addition to classical guitar, he also worked on Flamenco and Latin American guitar music. He composed and produced arrangements for guitar and chamber music. During 1993–1994, he worked with the “TRT Istanbul Youth Choir” and took part in various concerts. He produced his first film music work in 1994 (Wrong Number – Director: İslam Gemici).
In 1995, he graduated from the undergraduate program of Marmara University Atatürk Faculty of Education, Department of Music. In the same year, he passed the master’s entrance exam of Marmara University Institute of Science. He completed his master’s degree in 1998 with his thesis titled “Flamenco Styles and Their Usability in Guitar Education.” He gave many concerts in Türkiye and abroad, and undertook duties in various scientific and artistic events.
He worked as a guitar instructor at various educational institutions. His works titled Suite de la Caloriferre, Midnight, and Café turc were published in Canada by “Les Productions d’OZ” and are performed by many guitarists in various countries. The premiere performance of Café turc was given by the Alexandria Guitar Quartet in Virginia, USA. The same work was also performed by the Nagiwa Guitar Quartet in Japan and the Alsace Guitar Quartet in France; its CD recording was made in the album titled Viaje Al Sur by the Belgian guitar quartet “Quadrant” (2004). This work is also included in the concert programs of the guitar quartet “Ophris,” founded by French guitarists. The first international performance of his four-guitar composition titled Ongozinou Vidi-Widdoo took place in 2013 at Kennesaw State University in Atlanta, USA, by a guitar quartet formed by Turkish and American guitarists, including himself. The same work was performed again at the same university in 2014 by Jackson Brischler, Danielle Moller, Christopher Campbell, and Mary Akerman. In addition, this work was published in 2013 by “secondaprattica.org.” His “Folk Song Arrangements for Classical Guitar” were performed in Serbia by Mustafa Cirika and Milan Mitic. The same works were also performed at the New York Guitar Seminar in 2012. His three-guitar arrangement (1993) of Sadi Işılay’s work titled Sultan-ı Yegâh Sirto was performed in the United States—Atlanta—by the guitar community “Atlanta Guitar Guild” and the Kennesaw State University Classical Guitar Ensemble (2013). Two-guitar arrangements of Ongozinou Vidi-Widdoo and Café turc were performed in Atlanta in 2016 by Mary Akerman and Robert Teixiera. His solo guitar works Gerçeğin Işıkları and Yağmur were performed in 2012 at Kennesaw State University (Atlanta, USA) by guitarist Mary Akerman. At the same university, Gerçeğin Işıkları was also performed in 2012 by guitarist Andrew Eubanks.
During 1997–1998, he prepared the Flamenco music for the “Carmen” production of the Contemporary Ballet Ensemble and performed it together with the “Istanbul Flamenco Ensemble,” which he founded in the same period. The activities of this ensemble ended after the production.
He prepared a study titled Flamenco Sanatı ve Gitar (The Art of Flamenco and Guitar), consisting of a combination of his graduate theses and special composition studies. With this study, he aims to provide a new perspective on basic guitar education by starting from the structure of Flamenco art. He supported this research with an accompanying Video CD project. The first edition of the work was published by “Bemol Müzik Yayınları” in 2001; the expanded second edition in 2003; and the further expanded and revised third edition by the same publisher in 2006.
In 1999, he completed his military service at the Turkish Military Academy in Ankara. In 1999, he produced and hosted a radio program titled “Gitarcının Günlüğü” (The Guitarist’s Diary) on Burç FM. He also participated as a guest artist in many television and radio programs.
The first edition of his repertoire book titled Klasik Gitar için Halk Şarkıları (Folk Songs for Classical Guitar) was published in 2002, and its second edition—supported by a DVD project—was published in 2006 by “Bemol Müzik Yayınları.” Using especially the repertoire of this book, and also other compositions and arrangements he wrote for two guitars, he gave many concerts with guitarist Ali Erim.
In 2000, he began doctoral studies at Marmara University Institute of Social Sciences, Department of Theology, in the Division of Islamic History and Arts. He graduated from this program in 2004 with his dissertation titled “Temple Music Among Istanbul Non-Muslims in Comparison with Turkish Mosque Music.”
His work titled Klasik Gitar için Kompozisyonlar (Compositions for Classical Guitar) was published in 2004 by “Bemol Müzik Yayınları.” His work titled Gitarda Modal Açılımlar ve Akor Yapıları (Modal Expansions and Chord Structures on the Guitar) was published in 2006 by “Fark Yayınları.”
In 2006, he began working as a guitar–piano duo with pianist Gülnur Sayar. With a new stage approach supported by audiovisual technological possibilities, this duo gave many concerts, and in 2010 their album titled Empati, consisting of original works they prepared, was released by “DLR Müzik Yapım.”
In 2007, he was appointed as an Assistant Professor at Istanbul University Faculty of Theology, as a faculty member in the Department of Turkish Religious Music. On January 8, 2008, as a result of the examination conducted by the Interuniversity Board (ÜAK), he received the title of Associate Professor in the field of “Fine Arts,” branch “Music.”
In February 2009, he was appointed to Kocaeli University Faculty of Fine Arts, Department of Music, Division of Musicology. At the same institution, he served as Head of the Department of Music and Head of the Division of Musicology between 2009 and 2012. During his term, he pioneered the establishment of the “Performance Major.” He also served as the general coordinator of many national-level events such as the “1st and 2nd Hereke Guitar Days” and “Instrument Making Days” (concerts, conferences, panels, etc.).
In 2013, his book titled Klasik Gitar İçin İlahiler (Hymns for Classical Guitar) was published by “Bemol Müzik Yayınları.” In the same year, the second edition of Gitarda Modal Açılımlar ve Akor Yapıları was also published by “Bemol Müzik Yayınları.”
In January 2013, he was appointed as an Associate Professor at Marmara University Faculty of Theology, Department of Turkish Religious Music. In September 2013, he received the title of Professor in the same department.
In 2014, his first solo guitar album titled Tebdil-i Mekan was released via digital music platforms, distributed by “Bora Uslusoy Müzik Atölyesi.”
In 2015, he composed the music for the documentary film titled Meşkten Notaya, broadcast on TRT Türk.
In 2016, the album titled Bebeğime Ninniler (Lullabies for My Baby), which he prepared with Gönül Kazancı Yeprem, was released on digital music platforms, distributed by “Eğlence Fabrikası.”
In 2018, the scores of his compositions and arrangements titled Tebdil-i Mekan (for solo guitar) and Nihavend Longa (for two guitars) were published by “Müzik Eğitimi Yayınları” in the compilation book titled Klasik Gitar için Popüler Dağarcık II, prepared by Yakup Kıvrak. In the same year, his solo guitar arrangement of the hymn titled Severim Ben Seni Candan İçeri was recorded by guitarist Tolgahan Çoğulu in the album titled Microtonal, released by “Ahenk Müzik” (2018).
In 2019, his arrangements for two guitars titled Ali Reis’in Takası and Kanatları Gümüş Yavru Bir Kuş were published in the compilation book titled Klasik Gitar Düetleri Kitap 2, prepared by Kubilay Can and Aylin Can Tüzer and published by “Gece Kitaplığı.”
In 2020, his solo guitar album titled Mini Mini Kızıma Ninni Oyun Dans was released on digital music platforms by Eğlence Fabrikası.
Also in 2020, his solo and duo guitar works written between 1994 and 2009 were recorded by guitarists Behzat Cem Günenç and Onur Yılmaz in the album titled Music of Yeprem Vol-1 and released by “ACM Prodüksiyon.”
In 2021, the video-based educational project titled Türk Müziğinde Solfej Çalışmaları (Solfege Studies in Turkish Music), which he prepared together with Prof. Dr. Başak Harmancı, began to be published on the digital media platform YouTube. With its multi-faceted and flexible approach to musical practice, this project aims to bring a holistic new perspective to Turkish music education.
In 2022, his solo guitar single album titled Dua was released on digital music platforms by Eğlence Fabrikası.
In 2024, his solo guitar single album titled T(Adımlık) was released on digital music platforms by Eğlence Fabrikası.
He currently continues his academic work at Marmara University Faculty of Theology, Department of Turkish Religious Music.
