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The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz
Abstract
This study focuses on Rençber Azîz, one of the political examples of Kurdish protest music. Within the scope of the study, the artist's musical production is examined around four main thematic axes: political murders, the search for identity, the experience of loss/disappearance, and social mourning and the longing for an imaginary homeland. Rençber Azîz's selected works are analyzed in terms of both their lyrical structure and socio-political context, with the aim of providing a conceptual framework for the historical function and contemporary meaning of Kurdish protest music. In this context, the study will evaluate in detail how music functions as a tool for rebuilding a people's identity, expressing their grief, and constructing their utopia for the future. The importance of the study stands out in several dimensions: it provides an opportunity for the expression of collective memory on a musical plane; it addresses Zazaki and the Zazas through an artist who is valued on a local and national scale; and, with this quality, it is a first in the context of Zaza music. Methodologically, the study is based on a qualitative research approach, adopting thematic content analysis as its analytical technique. The findings obtained from the study are as follows. Rençber Azîz’s music not only reflects the historical traumas of the Kurdish people but also transforms them into an aesthetic means of coping. The artist constructs his political discourse not through direct messages but through indirect forms such as irony, metaphor, and folk narrative. His multilingual production represents cultural plurality while challenging singular notions of identity. Moreover, by addressing themes such as political assassinations, the search for identity, loss, and the longing for an imagined homeland, he offers a unique example that shapes the aesthetics of resistance within Kurdish protest music.
Keywords
References
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- Assmann, J. (1992). Das kulturelle Gedächtnis: Schrift, Erinnerung und politische Identität in frühen Hochkulturen. München, Germany: C.H. Beck.
- Barca, A. (2021). Zazaca müzik (tematik bir çözümleme) (Unpublished master's thesis). Bingöl Üniversitesi Yaşayan Diller Enstitüsü, Bingöl, Turkey.
- Barca, A., & Basuğuy, B. (2021). Müzikle direnme müzikle var olma: Rençber Aziz müziğinde politik tutum. In E. Çağlayan (Ed.), Bingöl dört dağ: Toplum, kültür, sanat, siyaset (pp. 327–339). İstanbul, Turkey: Peywend Yayınları.
- Beltekin, N. (2013). Înşayê nasnameyê kurdan de rolê muzîk ê polîtîkî: Muzîkê Rençber Ezîz ser o yew tehlîl. Paper presented at the Kimlik, Kültür ve Değişim Sürecinde Osmanlıdan Günümüze Kürtler Uluslararası Sempozyumu, Bingöl, Turkey.
Details
Primary Language
Turkish
Subjects
Applied Linguistics and Educational Linguistics
Journal Section
Research Article
Publication Date
March 21, 2026
Submission Date
October 10, 2025
Acceptance Date
December 29, 2025
Published in Issue
Year 2026 Volume: 12 Number: 1
APA
Kınsün, A., & Bulukgiray, İ. (2026). The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz. International Journal of Kurdish Studies, 12(1), 22-50. https://doi.org/10.21600/ijoks.1801255
AMA
1.Kınsün A, Bulukgiray İ. The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz. International Journal of Kurdish Studies. 2026;12(1):22-50. doi:10.21600/ijoks.1801255
Chicago
Kınsün, Abdülbaki, and İsa Bulukgiray. 2026. “The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz”. International Journal of Kurdish Studies 12 (1): 22-50. https://doi.org/10.21600/ijoks.1801255.
EndNote
Kınsün A, Bulukgiray İ (March 1, 2026) The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz. International Journal of Kurdish Studies 12 1 22–50.
IEEE
[1]A. Kınsün and İ. Bulukgiray, “The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz”, International Journal of Kurdish Studies, vol. 12, no. 1, pp. 22–50, Mar. 2026, doi: 10.21600/ijoks.1801255.
ISNAD
Kınsün, Abdülbaki - Bulukgiray, İsa. “The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz”. International Journal of Kurdish Studies 12/1 (March 1, 2026): 22-50. https://doi.org/10.21600/ijoks.1801255.
JAMA
1.Kınsün A, Bulukgiray İ. The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz. International Journal of Kurdish Studies. 2026;12:22–50.
MLA
Kınsün, Abdülbaki, and İsa Bulukgiray. “The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz”. International Journal of Kurdish Studies, vol. 12, no. 1, Mar. 2026, pp. 22-50, doi:10.21600/ijoks.1801255.
Vancouver
1.Abdülbaki Kınsün, İsa Bulukgiray. The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz. International Journal of Kurdish Studies. 2026 Mar. 1;12(1):22-50. doi:10.21600/ijoks.1801255