Araştırma Makalesi

The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz

Cilt: 12 Sayı: 1 21 Mart 2026
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The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz

Öz

This study focuses on Rençber Azîz, one of the political examples of Kurdish protest music. Within the scope of the study, the artist's musical production is examined around four main thematic axes: political murders, the search for identity, the experience of loss/disappearance, and social mourning and the longing for an imaginary homeland. Rençber Azîz's selected works are analyzed in terms of both their lyrical structure and socio-political context, with the aim of providing a conceptual framework for the historical function and contemporary meaning of Kurdish protest music. In this context, the study will evaluate in detail how music functions as a tool for rebuilding a people's identity, expressing their grief, and constructing their utopia for the future. The importance of the study stands out in several dimensions: it provides an opportunity for the expression of collective memory on a musical plane; it addresses Zazaki and the Zazas through an artist who is valued on a local and national scale; and, with this quality, it is a first in the context of Zaza music. Methodologically, the study is based on a qualitative research approach, adopting thematic content analysis as its analytical technique. The findings obtained from the study are as follows. Rençber Azîz’s music not only reflects the historical traumas of the Kurdish people but also transforms them into an aesthetic means of coping. The artist constructs his political discourse not through direct messages but through indirect forms such as irony, metaphor, and folk narrative. His multilingual production represents cultural plurality while challenging singular notions of identity. Moreover, by addressing themes such as political assassinations, the search for identity, loss, and the longing for an imagined homeland, he offers a unique example that shapes the aesthetics of resistance within Kurdish protest music.

Anahtar Kelimeler

Kaynakça

  1. Akbaş, A. (2023). Gayatri Chakravorty Spivak ve postkolonyal teori üzerine notlar. Kültür Araştırmaları Dergisi, (19), 292–307. https://doi.org/10.46250/kulturder.1370220
  2. Ambert, A., Adler, P. A., Adler, P., & Detzner, D. F. (1995). Understanding and evaluating qualitative research. Journal of Marriage and Family, *57*(4), 879–893.
  3. Anderson, B. (2020). Hayali cemaatler: Milliyetçiliğin kökenleri ve yayılması (İ. Savaşır, Trans.). İstanbul, Turkey: Metis Yayınları. (Original work published 1983)
  4. Arslan, F. (2016). Devlet aklı, Kürt sorunu ve Ak Parti (Unpublished doctoral dissertation). Selçuk Üniversitesi Sosyal Bilimler Enstitüsü, Konya, Turkey.
  5. Assmann, J. (1992). Das kulturelle Gedächtnis: Schrift, Erinnerung und politische Identität in frühen Hochkulturen. München, Germany: C.H. Beck.
  6. Barca, A. (2021). Zazaca müzik (tematik bir çözümleme) (Unpublished master's thesis). Bingöl Üniversitesi Yaşayan Diller Enstitüsü, Bingöl, Turkey.
  7. Barca, A., & Basuğuy, B. (2021). Müzikle direnme müzikle var olma: Rençber Aziz müziğinde politik tutum. In E. Çağlayan (Ed.), Bingöl dört dağ: Toplum, kültür, sanat, siyaset (pp. 327–339). İstanbul, Turkey: Peywend Yayınları.
  8. Beltekin, N. (2013). Înşayê nasnameyê kurdan de rolê muzîk ê polîtîkî: Muzîkê Rençber Ezîz ser o yew tehlîl. Paper presented at the Kimlik, Kültür ve Değişim Sürecinde Osmanlıdan Günümüze Kürtler Uluslararası Sempozyumu, Bingöl, Turkey.

Ayrıntılar

Birincil Dil

Türkçe

Konular

Uygulamalı Dilbilim ve Eğitim Dilbilimi

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

21 Mart 2026

Gönderilme Tarihi

10 Ekim 2025

Kabul Tarihi

29 Aralık 2025

Yayımlandığı Sayı

Yıl 2026 Cilt: 12 Sayı: 1

Kaynak Göster

APA
Kınsün, A., & Bulukgiray, İ. (2026). The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz. International Journal of Kurdish Studies, 12(1), 22-50. https://doi.org/10.21600/ijoks.1801255
AMA
1.Kınsün A, Bulukgiray İ. The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz. Kurdish Studies. 2026;12(1):22-50. doi:10.21600/ijoks.1801255
Chicago
Kınsün, Abdülbaki, ve İsa Bulukgiray. 2026. “The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz”. International Journal of Kurdish Studies 12 (1): 22-50. https://doi.org/10.21600/ijoks.1801255.
EndNote
Kınsün A, Bulukgiray İ (01 Mart 2026) The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz. International Journal of Kurdish Studies 12 1 22–50.
IEEE
[1]A. Kınsün ve İ. Bulukgiray, “The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz”, Kurdish Studies, c. 12, sy 1, ss. 22–50, Mar. 2026, doi: 10.21600/ijoks.1801255.
ISNAD
Kınsün, Abdülbaki - Bulukgiray, İsa. “The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz”. International Journal of Kurdish Studies 12/1 (01 Mart 2026): 22-50. https://doi.org/10.21600/ijoks.1801255.
JAMA
1.Kınsün A, Bulukgiray İ. The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz. Kurdish Studies. 2026;12:22–50.
MLA
Kınsün, Abdülbaki, ve İsa Bulukgiray. “The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz”. International Journal of Kurdish Studies, c. 12, sy 1, Mart 2026, ss. 22-50, doi:10.21600/ijoks.1801255.
Vancouver
1.Abdülbaki Kınsün, İsa Bulukgiray. The Aesthetics of Resistance in Kurdish Protest Music: Rençber Aziz. Kurdish Studies. 01 Mart 2026;12(1):22-50. doi:10.21600/ijoks.1801255


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