Sınırlar Ötesinde Yuva Düşlemek: Sandra Cisneros’un “Çığırtkan Kadınlar” Öyküsündeki Bireyselleşme Yolculuğu

Year 2017, , 1 - 26, 22.12.2017

İrfan Cenk Yay

https://doi.org/10.26557/iulitera.328466

Abstract

1980’lerden itibaren Latin Amerika kökenli Amerikalı kadın yazarların ortaya koyduğu

kuramsal ve yazınsal metinler geleneksel feminist okumalara alternatif bir bakış açısı

sağlamıştır. Bu bağlamda Sandra Cisneros, “Sınır Edebiyatı” ve “Sınır Çalışmaları”

alanlarında belki de en önemli ve öncül isimlerden birisi olarak kabul görür. Bu makale,

ilk olarak “Sınır Çalışmaları” alanında öne çıkan isimleri ve alanın kuramsal çerçevesini

ana hatlarıyla ortaya koyduktan sonra Cisneros’un “Woman Hollering Creek” başlıklı

kısa öyküsünün yakın bir okumasını yapar. Öykü, alışılagelmiş “Birinci Dünya ve Üçüncü

Dünya” çerçevesinde, ikili karşıtlığı üzerinden yapılan okumalara yapıbozucu bir yöntem

ile yaklaşarak, alışılagelmiş tematik ve biçemsel birçok sınıra da meydan okur. Ayrıca

bu öykü, Meksika popüler kültüründe yaygın olan fotoroman ve pembe-dizi türlerinin

başarılı bir parodisini yaparak, öykünün başkarakteri olan Cleafílas isimli Meksikalı

göçmen bir kadının Amerika’daki kimlik ve ses arayışını ataerkil düzenin dayattığı

kısıtlı bir cinsiyetçi söylemden kurtararak yeni bir bireysellik formülünü okuyucuya

sunmaktadır. Bu doğrultuda, makale, öyküde kullanılan anlatı stratejilerinin analizini

yaparken, öykünün birbirleriyle etkileşim halinde olan tematik içeriği ve biçemsel

özelliklerini ayrıntılarıyla inceler.

Keywords

Sandra Cisneros, “Woman Hollering Creek”, sınır çalışmaları, fotoroman, pembe-dizi

(Re)Imagining Home Across Borders: The Construction of Selfhood in Sandra Cisneros’s “Women Hollering Creek”

Abstract

Since the 1980s, the literary and theoretical output of American women writers of

Latin-American heritage has offered an alternative reading of feminist literary tradition.

Sandra Cisneros is probably one of the foremost figures within the American context

of “Border Literature” and “Borders Studies” proper. This article firstly outlines the

parameters, theorems and prominent figures of Border Studies, and then examines

Cisneros’ short story “Woman Hollering Creek” which deconstructs the dualistic

mode of thinking in terms of first world vs. third world dichotomy, and defies various

thematic and structural borders. The story is also a parody of the Mexican popular

genres of telenovella (soap opera) and fotonovella (photo novel), and offers a new

form of identity formation through the female protagonist’s quest for finding her own

voice and subjectivity outside the prescribed gender roles attuned to the patriarchal

discourse proposed in the aforementioned popular genres. Hence, this article offers a

close reading of the story’s narrative strategies on a linguistic and semantic level as they

inform its thematic concerns.

Keywords

Sandra Cisneros, “Woman Hollering Creek”, border studies, telenovella, fotonovella

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