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Beyaz Üstünlük ve Etnik/Kadın Kimliğinin İnşası: Louise Erdrich’in Tracks Eserinde Büyüsel Direniş

Year 2024, Issue: 62, 1 - 16, 30.12.2024

Abstract

Yerli Amerikalı kültürel bağlamından beslenen Louise Erdrich’in Tracks eseri, olayların “öteki” ya da alternatif versiyonlarını yansıtır ve belli sosyal, kültürel ve dinsel uygulamaları takip edenlerin bakış açısından resmi tarihin boşluklarını ya da sessizliğini doldurmaya çalışır. Erdrich, büyü ya da doğaüstü unsurları, gerçekçi bir dünya görüşünü altüst etmek ve sömürgeci üstünlüğe direnmek için bir araç olarak kullanmıştır. Bu makale, Tracks’in, Yerli Amerikalı kadınlara büyü aracılığıyla ses vererek, tarihin veya gerçekliğin alternatif versiyonlarına ve geçmiş ile hafızayı anlamaya odaklandığını gösterir. Ayrıca Erdrich’in kadın karakterlerini, kadınların ötekileştirilmesine ve beyaz üstünlüğüne karşı koymak için büyünün gücüyle nasıl donattığını göstermeyi amaçlamaktadır. Bu bakış açısından, Erdrich’in büyüsel gerçekçiliği açıkça politik bir amaca hizmet eder.

References

  • Allen, Paula G. The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Beacon Press, 1986.
  • Bakhtin, Mikhail. Rabelais and His World. Translated by Hélène Iswolsky. Indiana UP, 1984.
  • Cheyfitz, Eric. “Introduction.” The Columbia Guide to American Indian Literatures of the United States Since 1945, edited by Eric Cheyfitz, Columbia UP, 2006, pp. vii-x.
  • ---. “The (Post)Colonial Construction of Indian Country: U.S. American Indian Literatures and Federal Indian Law.” The Columbia Guide to American Indian Literatures of the United States Since 1945, edited by Eric Cheyfitz. Columbia UP, 2006, pp. 1-124.
  • Coltelli, Laura. “Louise Erdrich and Michael Dorris.” Winged Words: American Indian Writers Speak, edited by Laura Coltelli, U of Nebraska P, 1990, pp. 41-52. Erdrich, Louise. Tracks. Harper Collins, 2004.
  • Faris, Wendy B. “Scheherazade’s Children: Magical Realism and Postmodern Fiction.” Magical Realism: Theory, History, Community, edited by Lois P. Zamora and Wendy B. Faris. Duke UP, 1995, pp. 163-190.
  • ---. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Vanderbilt UP, 2004.
  • Friedman, Susan S. “Identity Politics, Syncretism, Catholicism, and Anishinabe Religion in Louise Erdrich’s Tracks.” Religion & Literature, vol. 26, no. 1, 1994, pp. 107-133.
  • Gross, Lawrence W. “The Trickster and World Maintenance: An Anishinaabe Reading of Louise Erdrich’s Tracks.” Studies in American Indian Literatures vol. 17, no. 3, 2005, pp. 48-66.
  • Márquez, Gabriel G. One Hundred Years of Solitude. Translated by Gregory Rabassa. Penguin Books India, 1996.
  • Morace, Robert A. “From Sacred Hoops to Bingo Palaces: Louise Erdrich’s Carnivalesque Fiction.” The Chippewa Landscape of Louise Erdrich, edited by Allan Chavkin, U of Alabama P, 1999, pp. 36-66.
  • Owens, Louis. Other Destinies: Understanding the American Indian Novel. U of Oklahoma P, 1992.
  • Peterson, Nancy J. “History, Postmodernism, and Louise Erdrich’s Tracks.” PMLA, vol. 109, no. 5, 1994, pp. 982-994.
  • Porter, Joy. “Historical and Cultural Contexts to Native American Literature.” The Cambridge Companion to Native American Literature, edited by Joy Porter and Kenneth M. Roemer. Cambridge UP, 2005, pp. 39-68.
  • Radin, Paul. The Trickster: A Study in American Indian Mythology.
  • Routledge and Kegan Paul, 1956.
  • Rushdie, Salman. Midnight’s Children. Vintage, 2006.
  • Sangster, Joan. Regulating Girls and Women: Sexuality, Family and in the Law, Ontario 1920-60. Oxford UP, 2001.
  • Stirrup, David. Louise Erdrich. Manchester UP, 2010.
  • Tankersley, Caleb. “Magical Resistance: Louise Erdrich’s Use of Magic Realism in Tracks and The Plague of Doves.” Proceedings of the Eleventh Native American Symposium, edited by Mark B. Spencer. Southeastern Oklahoma State UP, 2015, pp. 20-34.
  • Velie, Alan. “The Trickster Novel.” Narrative Chance: Postmodern Discourse on Native American Indian Literatures, edited by Gerald Vizenor, U of New Mexico P, 1989, pp. 121-139.
  • Womack, Craig S. Red on Red: Native American Literary Separatism. U of Minnesota P, 1999.

Resisting White Supremacy and Constructing Ethnic/Female Identity: Magical Resistance in Louise Erdrich’s Tracks

Year 2024, Issue: 62, 1 - 16, 30.12.2024

Abstract

Louise Erdrich’s Tracks, which is rooted in Native American cultural context, expresses the ‘other’ or alternative version(s) of events and attempts to fill in fissures or silence of official history from the contexts of the followers of particular social, cultural and religious practices of reality. Erdrich has employed magic or the supernatural to subvert a realist worldview and to resist colonial supremacy. The article aims to show that by giving Native American women a voice using magic, Tracks is centered on the alternative version(s) of history or reality and the notion of comprehending the past and memory. The article also aims to show how Erdrich equips her female characters with the power of magic to resist female marginalization and protest white supremacy. From this perspective, Erdrich’s magical realism serves a political purpose.

References

  • Allen, Paula G. The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Beacon Press, 1986.
  • Bakhtin, Mikhail. Rabelais and His World. Translated by Hélène Iswolsky. Indiana UP, 1984.
  • Cheyfitz, Eric. “Introduction.” The Columbia Guide to American Indian Literatures of the United States Since 1945, edited by Eric Cheyfitz, Columbia UP, 2006, pp. vii-x.
  • ---. “The (Post)Colonial Construction of Indian Country: U.S. American Indian Literatures and Federal Indian Law.” The Columbia Guide to American Indian Literatures of the United States Since 1945, edited by Eric Cheyfitz. Columbia UP, 2006, pp. 1-124.
  • Coltelli, Laura. “Louise Erdrich and Michael Dorris.” Winged Words: American Indian Writers Speak, edited by Laura Coltelli, U of Nebraska P, 1990, pp. 41-52. Erdrich, Louise. Tracks. Harper Collins, 2004.
  • Faris, Wendy B. “Scheherazade’s Children: Magical Realism and Postmodern Fiction.” Magical Realism: Theory, History, Community, edited by Lois P. Zamora and Wendy B. Faris. Duke UP, 1995, pp. 163-190.
  • ---. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Vanderbilt UP, 2004.
  • Friedman, Susan S. “Identity Politics, Syncretism, Catholicism, and Anishinabe Religion in Louise Erdrich’s Tracks.” Religion & Literature, vol. 26, no. 1, 1994, pp. 107-133.
  • Gross, Lawrence W. “The Trickster and World Maintenance: An Anishinaabe Reading of Louise Erdrich’s Tracks.” Studies in American Indian Literatures vol. 17, no. 3, 2005, pp. 48-66.
  • Márquez, Gabriel G. One Hundred Years of Solitude. Translated by Gregory Rabassa. Penguin Books India, 1996.
  • Morace, Robert A. “From Sacred Hoops to Bingo Palaces: Louise Erdrich’s Carnivalesque Fiction.” The Chippewa Landscape of Louise Erdrich, edited by Allan Chavkin, U of Alabama P, 1999, pp. 36-66.
  • Owens, Louis. Other Destinies: Understanding the American Indian Novel. U of Oklahoma P, 1992.
  • Peterson, Nancy J. “History, Postmodernism, and Louise Erdrich’s Tracks.” PMLA, vol. 109, no. 5, 1994, pp. 982-994.
  • Porter, Joy. “Historical and Cultural Contexts to Native American Literature.” The Cambridge Companion to Native American Literature, edited by Joy Porter and Kenneth M. Roemer. Cambridge UP, 2005, pp. 39-68.
  • Radin, Paul. The Trickster: A Study in American Indian Mythology.
  • Routledge and Kegan Paul, 1956.
  • Rushdie, Salman. Midnight’s Children. Vintage, 2006.
  • Sangster, Joan. Regulating Girls and Women: Sexuality, Family and in the Law, Ontario 1920-60. Oxford UP, 2001.
  • Stirrup, David. Louise Erdrich. Manchester UP, 2010.
  • Tankersley, Caleb. “Magical Resistance: Louise Erdrich’s Use of Magic Realism in Tracks and The Plague of Doves.” Proceedings of the Eleventh Native American Symposium, edited by Mark B. Spencer. Southeastern Oklahoma State UP, 2015, pp. 20-34.
  • Velie, Alan. “The Trickster Novel.” Narrative Chance: Postmodern Discourse on Native American Indian Literatures, edited by Gerald Vizenor, U of New Mexico P, 1989, pp. 121-139.
  • Womack, Craig S. Red on Red: Native American Literary Separatism. U of Minnesota P, 1999.
There are 22 citations in total.

Details

Primary Language English
Subjects North American Language, Literature and Culture, Literary Studies (Other), Women's Studies
Journal Section Research Articles
Authors

Md Abu Shahid Abdullah 0000-0003-2311-5073

Early Pub Date December 30, 2024
Publication Date December 30, 2024
Submission Date July 16, 2024
Acceptance Date November 28, 2024
Published in Issue Year 2024 Issue: 62

Cite

MLA Abdullah, Md Abu Shahid. “Resisting White Supremacy and Constructing Ethnic/Female Identity: Magical Resistance in Louise Erdrich’s Tracks”. Journal of American Studies of Turkey, no. 62, 2024, pp. 1-16.

JAST - Journal of American Studies of Turkey