Research Article

Visual representation of Mevlana’s Philosophy in paintings from the middle ages to the present

Volume: 5 Number: Special Issue: Mevlana's Philosophy and Art December 30, 2024
EN

Visual representation of Mevlana’s Philosophy in paintings from the middle ages to the present

Abstract

Mevlevism is a Sufi tradition founded on the teachings of Mevlana Celaleddin Rumi in the 13th century. Known for its unique whirling ritual called the Sema, Mevleviism emphasizes love, compassion, and the unity of all beings. Mevlevi dervishes, or semazenes, express these spiritual concepts through their graceful movements and music. Mevlevism, known for its profound spiritual philosophy, music and whirling rituals, has inspired artists across diverse cultures and periods. The visual language of Mevleviism has captivated miniature painting artists, orientalist painters and Turkish painters who have infused their paintings with these evocative images. Western art sources from the Middle Ages to the present century feature prominent depictions of Mevlevi figures, Sufis, and dervishes. These portrayals often emphasize their distinctive appearances, such as their dance movements, ceremonial attire, and clothing styles, to capture the viewer's attention. While 18th-century European art focused on detailed and captivating depictions of places, figures, and ceremonies, the 19th century saw the emergence of Orientalist influences. This trend evolved significantly in the 20th century, with artists like Osman Hamdi Bey adopting a more allegorical and diverse approach to the subject. The captivating performance of the whirling dervishes and the rich, mystical symbolism associated with Mevlevism continue to inspire artists, offering a deep well of creative possibilities. By analyzing artworks from various regions, the study explores how the Mevlevi's distinct spiritual and cultural motifs—such as the Sema dance, dervish attire, and mystical iconography—have been visually interpreted and reinterpreted. Methodologically, the study utilizes a historical-interpretive approach, assessing both Eastern and Western artistic depictions to reveal evolving perspectives on Mevlevi philosophy. The findings underscore the Mevlevi Order's role as a vital subject in art, embodying both specific religious symbolism and universal themes of spirituality and transcendence.

Keywords

References

  1. Arel, M. (1958). Mevlevi [oil on canvas]. https://i.pinimg.com/
  2. Baytar, İ., and Okkalı, İ. C. (2020). Gelenekten beslenen modernlik: İbrahim Çallı ve mevleviler. GSED, 26 (44), 136-137.
  3. Berger, A. (1960). Mevleviler [printmaking]. (2024) https://www.metmuseum.org/art/collection/search/733907
  4. Cemal Tollu. (2014). Ö. F. Şerifoğlu (Ed.), Cumhurbaşkanlığı Sanat Koleksiyonu I (p. 316). İstanbul: Cumhurbaşkanlığı Publishing
  5. Christies. (2024). Art of the Islamic and Indian Worlds. https://www.christies.com/lot/lot-5125210
  6. Christies. (2024). Arts & Textiles of the Islamic & Indian Worlds. https://www.christies.com/en/lot/lot-5826362
  7. Çallı, İ. (____). Mevleviler [Oil on canvas]. 2024 https://www.rportakal.com/products/ibrahim-calli-mevleviler
  8. Gerome, J. L. (1895). Whirling Dervish. [Oil on canvas]. 2024 https://tr.m.wikipedia.org/wiki/Dosya:Whirling_Dervishes.jpg

Details

Primary Language

English

Subjects

Visual Arts (Other), Painting

Journal Section

Research Article

Early Pub Date

December 30, 2024

Publication Date

December 30, 2024

Submission Date

October 30, 2024

Acceptance Date

December 27, 2024

Published in Issue

Year 2024 Volume: 5 Number: Special Issue: Mevlana's Philosophy and Art

APA
Yavaşca, M. (2024). Visual representation of Mevlana’s Philosophy in paintings from the middle ages to the present. Journal for the Interdisciplinary Art and Education, 5(Special Issue: Mevlana’s Philosophy and Art), 63-83. https://doi.org/10.5281/zenodo.14593909
AMA
1.Yavaşca M. Visual representation of Mevlana’s Philosophy in paintings from the middle ages to the present. JIAE. 2024;5(Special Issue: Mevlana’s Philosophy and Art):63-83. doi:10.5281/zenodo.14593909
Chicago
Yavaşca, Mert. 2024. “Visual Representation of Mevlana’s Philosophy in Paintings from the Middle Ages to the Present”. Journal for the Interdisciplinary Art and Education 5 (Special Issue: Mevlana’s Philosophy and Art): 63-83. https://doi.org/10.5281/zenodo.14593909.
EndNote
Yavaşca M (December 1, 2024) Visual representation of Mevlana’s Philosophy in paintings from the middle ages to the present. Journal for the Interdisciplinary Art and Education 5 Special Issue: Mevlana’s Philosophy and Art 63–83.
IEEE
[1]M. Yavaşca, “Visual representation of Mevlana’s Philosophy in paintings from the middle ages to the present”, JIAE, vol. 5, no. Special Issue: Mevlana’s Philosophy and Art, pp. 63–83, Dec. 2024, doi: 10.5281/zenodo.14593909.
ISNAD
Yavaşca, Mert. “Visual Representation of Mevlana’s Philosophy in Paintings from the Middle Ages to the Present”. Journal for the Interdisciplinary Art and Education 5/Special Issue: Mevlana’s Philosophy and Art (December 1, 2024): 63-83. https://doi.org/10.5281/zenodo.14593909.
JAMA
1.Yavaşca M. Visual representation of Mevlana’s Philosophy in paintings from the middle ages to the present. JIAE. 2024;5:63–83.
MLA
Yavaşca, Mert. “Visual Representation of Mevlana’s Philosophy in Paintings from the Middle Ages to the Present”. Journal for the Interdisciplinary Art and Education, vol. 5, no. Special Issue: Mevlana’s Philosophy and Art, Dec. 2024, pp. 63-83, doi:10.5281/zenodo.14593909.
Vancouver
1.Mert Yavaşca. Visual representation of Mevlana’s Philosophy in paintings from the middle ages to the present. JIAE. 2024 Dec. 1;5(Special Issue: Mevlana’s Philosophy and Art):63-8. doi:10.5281/zenodo.14593909
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