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Visual representation of Mevlana’s Philosophy in paintings from the middle ages to the present

Year 2024, Volume: 5 Issue: Special Issue: Mevlana's Philosophy and Art, 63 - 83

Abstract

Mevlevism is a Sufi tradition founded on the teachings of Mevlana Celaleddin Rumi in the 13th century. Known for its unique whirling ritual called the Sema, Mevleviism emphasizes love, compassion, and the unity of all beings. Mevlevi dervishes, or semazenes, express these spiritual concepts through their graceful movements and music. Mevlevism, known for its profound spiritual philosophy, music and whirling rituals, has inspired artists across diverse cultures and periods. The visual language of Mevleviism has captivated miniature painting artists, orientalist painters and Turkish painters who have infused their paintings with these evocative images. Western art sources from the Middle Ages to the present century feature prominent depictions of Mevlevi figures, Sufis, and dervishes. These portrayals often emphasize their distinctive appearances, such as their dance movements, ceremonial attire, and clothing styles, to capture the viewer's attention. While 18th-century European art focused on detailed and captivating depictions of places, figures, and ceremonies, the 19th century saw the emergence of Orientalist influences. This trend evolved significantly in the 20th century, with artists like Osman Hamdi Bey adopting a more allegorical and diverse approach to the subject. The captivating performance of the whirling dervishes and the rich, mystical symbolism associated with Mevlevism continue to inspire artists, offering a deep well of creative possibilities. By analyzing artworks from various regions, the study explores how the Mevlevi's distinct spiritual and cultural motifs—such as the Sema dance, dervish attire, and mystical iconography—have been visually interpreted and reinterpreted. Methodologically, the study utilizes a historical-interpretive approach, assessing both Eastern and Western artistic depictions to reveal evolving perspectives on Mevlevi philosophy. The findings underscore the Mevlevi Order's role as a vital subject in art, embodying both specific religious symbolism and universal themes of spirituality and transcendence.

References

  • Arel, M. (1958). Mevlevi [oil on canvas]. https://i.pinimg.com/
  • Baytar, İ., and Okkalı, İ. C. (2020). Gelenekten beslenen modernlik: İbrahim Çallı ve mevleviler. GSED, 26 (44), 136-137.
  • Berger, A. (1960). Mevleviler [printmaking]. (2024) https://www.metmuseum.org/art/collection/search/733907
  • Cemal Tollu. (2014). Ö. F. Şerifoğlu (Ed.), Cumhurbaşkanlığı Sanat Koleksiyonu I (p. 316). İstanbul: Cumhurbaşkanlığı Publishing
  • Christies. (2024). Art of the Islamic and Indian Worlds. https://www.christies.com/lot/lot-5125210
  • Christies. (2024). Arts & Textiles of the Islamic & Indian Worlds. https://www.christies.com/en/lot/lot-5826362
  • Çallı, İ. (____). Mevleviler [Oil on canvas]. 2024 https://www.rportakal.com/products/ibrahim-calli-mevleviler
  • Gerome, J. L. (1895). Whirling Dervish. [Oil on canvas]. 2024 https://tr.m.wikipedia.org/wiki/Dosya:Whirling_Dervishes.jpg
  • Gölpınarlı, A. (2006). Mevlâna'dan Sonra Mevlevilik (1st Ed). İnkılâp Publishing.
  • Grierson, R. (2015). The Bashaw of Merryland: The Sixth Baron Baltimore and the Dervises of Pera. Mawlana Rumi Review, 6, 83-103. https://www.jstor.org/stable/26810310
  • Gritchenko, A. (1920). Semazen [Kağıt üzerine suluboya]. (2024) https://www.encyclopediaofukraine.com/display.asp?linkpath=pagesHryshchenkoOleksa.htm
  • Güler, A. (2014). İbrahim Çallı. Doctoral thesis. Mimar SinanFine Arts University, Istanbul, Turkiye.
  • Hamdi, O. (1906). Kaplumbağa Terbiyecisi [Oil on canvas]. https://tr.wikipedia.org/wiki/Kaplumbağa_Terbiyecisi#
  • Türk Dil Kurumu Sözlükleri. (2024). https://sozluk.gov.tr/ İrepoğlu, G., Renda, G., Bull, D. ve Nicolas, E. S. (2003). Lale Devri’nin bir görgü tanığı Jean-Baptiste Vanmour (1st Ed). Koçbank Publishing.
  • Işık, E. (2015). Aşkı meşk etmek (4th Ed). Sufi Publishing.
  • Ministry of Culture and Toruism of Turkiye. Kültür ve Turizm Bakanlığı. (2008). 22/10/2008, 8 no'lu genelge. https://teftis.ktb.gov.tr/
  • Laskaridis Foundation. (2014). Kadiri. (2024) https://tr.travelogues.gr/item.php?view=53715
  • Laskaridis Foundation. (2014). Mevlevis. (2024) https://tr.travelogues.gr/item.php?view=53720
  • Laskaridis Foundation. (2014). Rufais. (2024) https://tr.travelogues.gr/item.php?view=53718
  • Metmuseum. (2024). Collection. https://www.metmuseum.org/art/collection/search/446892
  • Ölçer, N. (2005). Image of the Turks in the 17th century Europe (1st Ed). Sakıp Sabancı Museum Publishing. Roxburgh, D. J. (2005). Turks - a journey of a thousand years 600-1600 (1st Ed). Royal Academy of Art.
  • Shams, E. ve Farrokhfar, F. (2020). Sufis or Demons: Looking at the Social Context of Siyah Qalam’s Paintings. The Medieval History Journal, 23(1), 102-143.
  • Toku, N. (2000). Tasavvufi düşüncenin felsefi yönü. Dinî Araştırmalar, 3(8), 199-211.
  • Tollu, C. (1958). Mevleviler [Oil on canvas]. (2024) https://images.ykykultur.com.tr/upload/image/068-7877.jpg
  • Tollu, C. (1968). Mevleviler [Oil on canvas]. (2024) https://artam.com/muzayede/295-muzayede-cagdas- sanat-eserleri-2/cemal-tollu-1899-1968-mevleviler
  • Tollu, C. (____). Mevleviler [Oil on canvas]. https://archives.saltresearch.org/handle/123456789/11278
  • Turan, F. (2015). Manchester Osmanlı Minyatürleri Albümünde Sufiler. 8th International Turkish Culture Congress proceedings, 2, 1047-1059.
  • Van Mour, J. B. (1720-1737). Whirling Dervishes [Oil on canvas]. (2024). http://hdl.handle.net/10934/RM0001.COLLECT.5697
  • Wikipedia. (2023). Kaplumbağa Terbiyecisi [Oil on canvas]. https://tr.wikipedia.org/wiki/Kaplumbağa_Terbiyecisi
  • Yener, M. (1998). [Oil on canvas]. https://images.ykykultur.com.tr/upload/image/56-8026.jpg
  • Yvon, A. (1879). A Rufai Sufi Ritual [Oil on canvas]. https://www.artnet.com/artists/adolphe-yvon/a-sufi-ritual- GC1CuOYNBgHGfkZxrYV0Uw2
  • Zarcone, T. (2013). Western Visual Representations of Dervishes. Kyoto Bulletin of Islamic Area Studies, 6, 43-58.
  • Zeid, F. N. (1952). Mevleviler [Oil on canvas]. https://artam.com/muzayede/274-cagdas-sanat-eserleri/fahr-el- nisa-zeid-1901-1991-mevleviler
  • Ziletti, F. (1580). Dervish [Printmaking]. https://tr.travelogues.gr/item.php?view=40391
  • Zonaro, F. (1910). Dervish Ceremony [Oil on canvas]. https://www.artnet.fr/artists/fausto-zonaro/dervish- ceremony-x82vlD48dRc0jbz3N-g21g2
Year 2024, Volume: 5 Issue: Special Issue: Mevlana's Philosophy and Art, 63 - 83

Abstract

References

  • Arel, M. (1958). Mevlevi [oil on canvas]. https://i.pinimg.com/
  • Baytar, İ., and Okkalı, İ. C. (2020). Gelenekten beslenen modernlik: İbrahim Çallı ve mevleviler. GSED, 26 (44), 136-137.
  • Berger, A. (1960). Mevleviler [printmaking]. (2024) https://www.metmuseum.org/art/collection/search/733907
  • Cemal Tollu. (2014). Ö. F. Şerifoğlu (Ed.), Cumhurbaşkanlığı Sanat Koleksiyonu I (p. 316). İstanbul: Cumhurbaşkanlığı Publishing
  • Christies. (2024). Art of the Islamic and Indian Worlds. https://www.christies.com/lot/lot-5125210
  • Christies. (2024). Arts & Textiles of the Islamic & Indian Worlds. https://www.christies.com/en/lot/lot-5826362
  • Çallı, İ. (____). Mevleviler [Oil on canvas]. 2024 https://www.rportakal.com/products/ibrahim-calli-mevleviler
  • Gerome, J. L. (1895). Whirling Dervish. [Oil on canvas]. 2024 https://tr.m.wikipedia.org/wiki/Dosya:Whirling_Dervishes.jpg
  • Gölpınarlı, A. (2006). Mevlâna'dan Sonra Mevlevilik (1st Ed). İnkılâp Publishing.
  • Grierson, R. (2015). The Bashaw of Merryland: The Sixth Baron Baltimore and the Dervises of Pera. Mawlana Rumi Review, 6, 83-103. https://www.jstor.org/stable/26810310
  • Gritchenko, A. (1920). Semazen [Kağıt üzerine suluboya]. (2024) https://www.encyclopediaofukraine.com/display.asp?linkpath=pagesHryshchenkoOleksa.htm
  • Güler, A. (2014). İbrahim Çallı. Doctoral thesis. Mimar SinanFine Arts University, Istanbul, Turkiye.
  • Hamdi, O. (1906). Kaplumbağa Terbiyecisi [Oil on canvas]. https://tr.wikipedia.org/wiki/Kaplumbağa_Terbiyecisi#
  • Türk Dil Kurumu Sözlükleri. (2024). https://sozluk.gov.tr/ İrepoğlu, G., Renda, G., Bull, D. ve Nicolas, E. S. (2003). Lale Devri’nin bir görgü tanığı Jean-Baptiste Vanmour (1st Ed). Koçbank Publishing.
  • Işık, E. (2015). Aşkı meşk etmek (4th Ed). Sufi Publishing.
  • Ministry of Culture and Toruism of Turkiye. Kültür ve Turizm Bakanlığı. (2008). 22/10/2008, 8 no'lu genelge. https://teftis.ktb.gov.tr/
  • Laskaridis Foundation. (2014). Kadiri. (2024) https://tr.travelogues.gr/item.php?view=53715
  • Laskaridis Foundation. (2014). Mevlevis. (2024) https://tr.travelogues.gr/item.php?view=53720
  • Laskaridis Foundation. (2014). Rufais. (2024) https://tr.travelogues.gr/item.php?view=53718
  • Metmuseum. (2024). Collection. https://www.metmuseum.org/art/collection/search/446892
  • Ölçer, N. (2005). Image of the Turks in the 17th century Europe (1st Ed). Sakıp Sabancı Museum Publishing. Roxburgh, D. J. (2005). Turks - a journey of a thousand years 600-1600 (1st Ed). Royal Academy of Art.
  • Shams, E. ve Farrokhfar, F. (2020). Sufis or Demons: Looking at the Social Context of Siyah Qalam’s Paintings. The Medieval History Journal, 23(1), 102-143.
  • Toku, N. (2000). Tasavvufi düşüncenin felsefi yönü. Dinî Araştırmalar, 3(8), 199-211.
  • Tollu, C. (1958). Mevleviler [Oil on canvas]. (2024) https://images.ykykultur.com.tr/upload/image/068-7877.jpg
  • Tollu, C. (1968). Mevleviler [Oil on canvas]. (2024) https://artam.com/muzayede/295-muzayede-cagdas- sanat-eserleri-2/cemal-tollu-1899-1968-mevleviler
  • Tollu, C. (____). Mevleviler [Oil on canvas]. https://archives.saltresearch.org/handle/123456789/11278
  • Turan, F. (2015). Manchester Osmanlı Minyatürleri Albümünde Sufiler. 8th International Turkish Culture Congress proceedings, 2, 1047-1059.
  • Van Mour, J. B. (1720-1737). Whirling Dervishes [Oil on canvas]. (2024). http://hdl.handle.net/10934/RM0001.COLLECT.5697
  • Wikipedia. (2023). Kaplumbağa Terbiyecisi [Oil on canvas]. https://tr.wikipedia.org/wiki/Kaplumbağa_Terbiyecisi
  • Yener, M. (1998). [Oil on canvas]. https://images.ykykultur.com.tr/upload/image/56-8026.jpg
  • Yvon, A. (1879). A Rufai Sufi Ritual [Oil on canvas]. https://www.artnet.com/artists/adolphe-yvon/a-sufi-ritual- GC1CuOYNBgHGfkZxrYV0Uw2
  • Zarcone, T. (2013). Western Visual Representations of Dervishes. Kyoto Bulletin of Islamic Area Studies, 6, 43-58.
  • Zeid, F. N. (1952). Mevleviler [Oil on canvas]. https://artam.com/muzayede/274-cagdas-sanat-eserleri/fahr-el- nisa-zeid-1901-1991-mevleviler
  • Ziletti, F. (1580). Dervish [Printmaking]. https://tr.travelogues.gr/item.php?view=40391
  • Zonaro, F. (1910). Dervish Ceremony [Oil on canvas]. https://www.artnet.fr/artists/fausto-zonaro/dervish- ceremony-x82vlD48dRc0jbz3N-g21g2
There are 35 citations in total.

Details

Primary Language English
Subjects Visual Arts (Other), Painting
Journal Section Painting
Authors

Mert Yavaşca 0000-0002-6280-6056

Early Pub Date December 30, 2024
Publication Date
Submission Date October 30, 2024
Acceptance Date December 27, 2024
Published in Issue Year 2024 Volume: 5 Issue: Special Issue: Mevlana's Philosophy and Art

Cite

APA Yavaşca, M. (2024). Visual representation of Mevlana’s Philosophy in paintings from the middle ages to the present. Journal for the Interdisciplinary Art and Education, 5(Special Issue: Mevlana’s Philosophy and Art), 63-83.

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