Machine learning approaches now utilized in audio mastering are transforming traditional workflows. This comparative study examines the effectiveness of supervised and unsupervised methods in the mastering process. Platforms such as LANDR employ supervised models that emulate expert engineers, offering cost-effective options for independent artists, while unsupervised techniques aid spectral balance and dynamic range optimization. The methodology relies on objective metrics—including Distortion Meter, Dynamic Range, Loudness Penalty, Intelligibility, and High Frequency Distortion—along with subjective listening assessments. Statistical analyses show that human engineers surpass AI systems in preserving dynamic range, minimizing distortion, and maintaining sonic clarity, particularly for complex genres like classical and jazz. Empirical research reveals AI mastering causes greater distortion, narrower dynamic range, and higher loudness penalties. In contrast, engineers deliver superior audio quality through broader dynamic range, lower distortion, and enhanced intelligibility. While AI quickly provides reasonable results for simpler styles like Pop and Electronic, human expertise offers advantages for complex compositions where aesthetic judgment is key. These findings indicate that despite technological progress, human know-how remains critically vital in creative decision-making. The study also points to potential for human-machine collaboration in mastering, with AI initially optimizing parameters and engineers making refined aesthetic adjustments to enhance quality. This hybrid approach could unite technological efficiency with artistic excellence. Future work should focus on improving AI's ability to emulate human aesthetic decisions, developing genre-specific mastering, and incorporating techniques like generative adversarial networks to mastering. These advancements may pave the way for hybrid systems fusing human creativity and machine efficiency.
Audio quality Automatic audio mastering Dynamic range Machine learning Unsupervised learning
Approval for this research was obtained with the decision numbered 2024/380 from the Afyon Kocatepe University Social and Human Sciences Scientific Research and Publication Ethics Committee.
No funding and supports
I would like to express my gratitude first to my family, then to our editor and the reviewers who contributed to this study, and to my business partner Özlem Folb for her assistance with the English translation.
Primary Language | English |
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Subjects | Music Technology and Recording |
Journal Section | AI, Metaverse and Advanced Technologies in Art |
Authors | |
Early Pub Date | March 24, 2025 |
Publication Date | |
Submission Date | February 23, 2025 |
Acceptance Date | March 24, 2025 |
Published in Issue | Year 2025 Volume: 6 Issue: 1 |
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