Research Article

East versus West in the Iconography of Roman Mosaics: Selected Examples of Shared Themes

Number: 10 November 30, 2017
  • David Parrısh *
EN TR

East versus West in the Iconography of Roman Mosaics: Selected Examples of Shared Themes

Abstract

This article deals with a few different artistic themes represented by mosaicists in both the eastern and western

halves of the Roman empire. The themes I discuss are the Triumph of Dionysos and the subject of the hunt, both

of which were popular primarily for decorating the main reception room of private homes. Dionysos’s triumph

evokes worldly happiness and prosperity, and the hunt, of either realistic or mythological type, reflects a popular

aristocratic pastime as well as the manly quality of courage in the face of danger, or virtus. In general, the

direction of artistic influence flowed from west to east, but in at least one instance, the trend in imagery moved

in the opposite direction. It is shown how eastern and western craftsmen developed regional preferences in the

ways they depicted the shared themes, partly shaped by local historical and economic circumstances.

Keywords

References

  1. C. Abadie-Reynal – R. Ergeç (co-dir.), 2012, Zeugma I. Fouilles de l’habitat (1), La mosaïque de Pasiphaë, Paris, De Boccard Edition – Diffusion.
  2. J. M. Bairrão Oléiro, 1992, Conimbriga. Casa dos Repuxos. Corpus dos mosaicos romanos de Portugal, Conventus Scallabitanus I, Conimbriga.
  3. J. Balty, 1977, Mosaïques antiques de Syrie, Brussels, Musées royaux d’art et d’histoire.
  4. J. Balty, 1990, La mosaïque de Sarrîn (Osrhoène), Paris, Librairie Orientaliste Paul Geuthner.
  5. F. Baratte, 1978, Catalogue des mosaïques romaines et paléochrétiennes du musée du Louvre, Paris, Editions de la Réunion des musées nationaux.
  6. A. Belis, 2016, Roman Mosaics in the J. Paul Getty Museum, Los Angeles, J. Paul Getty Museum.
  7. M. Blanchard-Lemée, 2005, “Le triclinium à la mosaïque dionysiaque de Sétif (Algérie)”, CMGR IX,1, 291-301.
  8. M. Blanchard-Lemée – M. Ennaïfer - Hédi et Latifa Slim, 1995, Sols de l’Afrique romaine. Mosaïques de Tunisie, Paris, Imprimerie Nationale Editions.

Details

Primary Language

Turkish

Subjects

Archaeology

Journal Section

Research Article

Authors

David Parrısh * This is me
United States

Publication Date

November 30, 2017

Submission Date

November 28, 2016

Acceptance Date

July 11, 2017

Published in Issue

Year 2017 Number: 10

APA
Parrısh, D. (2017). Roma Mozaiklerinin İkonografisinde Doğu Batı’ya Karşı: Ortak Konulardan Seçilmiş Örnekler. Journal of Mosaic Research, 10, 259-284. https://doi.org/10.26658/jmr.357095
AMA
1.Parrısh D. Roma Mozaiklerinin İkonografisinde Doğu Batı’ya Karşı: Ortak Konulardan Seçilmiş Örnekler. JMR. 2017;(10):259-284. doi:10.26658/jmr.357095
Chicago
Parrısh, David. 2017. “Roma Mozaiklerinin İkonografisinde Doğu Batı’ya Karşı: Ortak Konulardan Seçilmiş Örnekler”. Journal of Mosaic Research, nos. 10: 259-84. https://doi.org/10.26658/jmr.357095.
EndNote
Parrısh D (November 1, 2017) Roma Mozaiklerinin İkonografisinde Doğu Batı’ya Karşı: Ortak Konulardan Seçilmiş Örnekler. Journal of Mosaic Research 10 259–284.
IEEE
[1]D. Parrısh, “Roma Mozaiklerinin İkonografisinde Doğu Batı’ya Karşı: Ortak Konulardan Seçilmiş Örnekler”, JMR, no. 10, pp. 259–284, Nov. 2017, doi: 10.26658/jmr.357095.
ISNAD
Parrısh, David. “Roma Mozaiklerinin İkonografisinde Doğu Batı’ya Karşı: Ortak Konulardan Seçilmiş Örnekler”. Journal of Mosaic Research. 10 (November 1, 2017): 259-284. https://doi.org/10.26658/jmr.357095.
JAMA
1.Parrısh D. Roma Mozaiklerinin İkonografisinde Doğu Batı’ya Karşı: Ortak Konulardan Seçilmiş Örnekler. JMR. 2017;:259–284.
MLA
Parrısh, David. “Roma Mozaiklerinin İkonografisinde Doğu Batı’ya Karşı: Ortak Konulardan Seçilmiş Örnekler”. Journal of Mosaic Research, no. 10, Nov. 2017, pp. 259-84, doi:10.26658/jmr.357095.
Vancouver
1.David Parrısh. Roma Mozaiklerinin İkonografisinde Doğu Batı’ya Karşı: Ortak Konulardan Seçilmiş Örnekler. JMR. 2017 Nov. 1;(10):259-84. doi:10.26658/jmr.357095

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