Research Article

COUNTRY IMAGE IN MOVIES: A STUDY ON “HOLOGRAM FOR THE KING” MOVIE

Volume: 12 Number: 1 January 30, 2019
TR EN

COUNTRY IMAGE IN MOVIES: A STUDY ON “HOLOGRAM FOR THE KING” MOVIE

Abstract

Movies are generally used as a tool for disseminating country’s image. In the relevant literature, there is a general understanding that the Arabs are dehumanized and depicted in negative ways in the Hollywood movies. However, “Hologram for the King” has a more realistic and less biased approach with its focus on both the negative and the positive aspects of Saudi Arabia and its people. The aim of this study, is to analyze the representation of Saudi Arabia and its people in the Hollywood movie “Hologram for the King”. Content analysis method is used for the analysis. The findings of the study indicated that, the total duration of the country image in the movie is 28.9 minutes. Political and social character of the country and capacities/competencies of the country were found to have the highest percentage. This result, reflects that movies are and important tool of communication for the country image.

Keywords

References

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Details

Primary Language

English

Subjects

-

Journal Section

Research Article

Authors

Elif Eşiyok This is me
Türkiye

Publication Date

January 30, 2019

Submission Date

September 11, 2018

Acceptance Date

January 30, 2019

Published in Issue

Year 2019 Volume: 12 Number: 1

APA
Dersan Orhan, D., & Eşiyok, E. (2019). COUNTRY IMAGE IN MOVIES: A STUDY ON “HOLOGRAM FOR THE KING” MOVIE. Selçuk İletişim, 12(1), 216-231. https://doi.org/10.18094/josc.458888
AMA
1.Dersan Orhan D, Eşiyok E. COUNTRY IMAGE IN MOVIES: A STUDY ON “HOLOGRAM FOR THE KING” MOVIE. JOSC. 2019;12(1):216-231. doi:10.18094/josc.458888
Chicago
Dersan Orhan, Duygu, and Elif Eşiyok. 2019. “COUNTRY IMAGE IN MOVIES: A STUDY ON ‘HOLOGRAM FOR THE KING’ MOVIE”. Selçuk İletişim 12 (1): 216-31. https://doi.org/10.18094/josc.458888.
EndNote
Dersan Orhan D, Eşiyok E (January 1, 2019) COUNTRY IMAGE IN MOVIES: A STUDY ON “HOLOGRAM FOR THE KING” MOVIE. Selçuk İletişim 12 1 216–231.
IEEE
[1]D. Dersan Orhan and E. Eşiyok, “COUNTRY IMAGE IN MOVIES: A STUDY ON ‘HOLOGRAM FOR THE KING’ MOVIE”, JOSC, vol. 12, no. 1, pp. 216–231, Jan. 2019, doi: 10.18094/josc.458888.
ISNAD
Dersan Orhan, Duygu - Eşiyok, Elif. “COUNTRY IMAGE IN MOVIES: A STUDY ON ‘HOLOGRAM FOR THE KING’ MOVIE”. Selçuk İletişim 12/1 (January 1, 2019): 216-231. https://doi.org/10.18094/josc.458888.
JAMA
1.Dersan Orhan D, Eşiyok E. COUNTRY IMAGE IN MOVIES: A STUDY ON “HOLOGRAM FOR THE KING” MOVIE. JOSC. 2019;12:216–231.
MLA
Dersan Orhan, Duygu, and Elif Eşiyok. “COUNTRY IMAGE IN MOVIES: A STUDY ON ‘HOLOGRAM FOR THE KING’ MOVIE”. Selçuk İletişim, vol. 12, no. 1, Jan. 2019, pp. 216-31, doi:10.18094/josc.458888.
Vancouver
1.Duygu Dersan Orhan, Elif Eşiyok. COUNTRY IMAGE IN MOVIES: A STUDY ON “HOLOGRAM FOR THE KING” MOVIE. JOSC. 2019 Jan. 1;12(1):216-31. doi:10.18094/josc.458888