David Greig’in Europe/Avrupa Adlı Eseri: Küreselleşme, Hareketlilik ve Sığınmacılık

Abstract

Tanınmış İskoçyalı tiyatro yazarı David Greig eserlerinde günümüz dünyasında hareketliliğin çeşitli türlerini anlatır. Bu çalışmanın amacı, David Greig’in temel olarak hareketlilik, seyahat ve göç konularını ele aldığı Europe (Avrupa) oyununu Una Chaudhuri’nin “geopathology” kavramını kullanarak yorumlayarak, esere yeni bir bakış açısı kazandırmaktır. Chaudhuri bir insanın mekan kaynaklı sıkıntılarını anlatmak için “geopathology” ve“geopathic bozukluk” terimlerini benimsemiştir. Greig birçok eserinde günümüz dünyasında çeşitli sebeplerden dolayı yer değiştirmek ve göç etmek zorunda kalan sığınmacıların hayatlarına dikkat çekmektedir. 1994 yılında yazdığı Europe (Avrupa) oyunu 1990lı yıllarda Balkanlardaki çalkantılı ve huzursuz dönemi anlatmaktadır. Bu çalışma geopathology, hareketlilik, seyahat, ve kimlik gibi konuları Greig’in Europe eserinin ortak temaları olarak keşfederek, Avrupa mitinin hem bir ütopya hem de bir distopya olduğunu gösterir. Çalışma ayrıca, Avrupa’nın bir geopathology sembolü olduğu, ütopik bir geleceği temsil ettiği, ayrıca Avrupa kavramının evsizlik, yurtsuzluk, köksüzlük ve hareketlilik ile ilgisini araştırır. Eser “geopathology” yani mekan sorunsalını dramatik ve yapısal bir araç olarak kullanarak, günümüz dünyasının göçmenlik sorununun aciliyetine dikkat çekmektedir.  

Keywords

• David Greig,Europe,Hareketlilik,Geopathology

David Greig’s Europe: Staging Globalization, Mobility and Refugehood

Abstract

The acclaimed Scottish playwright David Greig depicts contemporary mobility of various kinds. Focusing principally on mobility and travel in David Greig’s Europe, this paper aims at exploring the notion of “geopathology” in Una Chaudhuri’s sense, and thus brings a new perspective in the interpretation of the play. Chaudhuri has appropriated the term “geopathology” and “geopathic disorders” to describe the suffering caused by one’s location. Greig is fascinated with the contemporary world which is determined by actual dislocations of immigration and refugehood. His 1994 play Europe alludes to the Balkan unrest in the 1990s, and this paper attempts to explore such isues as geopathology, mobility, travel, and identity as the connecting substance of Greig’s Europe. The paper describes the Europe myth both as utopia and dystopia with the following themes: Europe as a symbol of geopathology, Europe as the embodiment of a utopic future, and Europe as the language of homelessness, rootlessness and hence mobility. It will be argued that the play incorporates “geopathology” as a dramatic and structural device and calls for an urgency for the contemporary refugee problem.

Keywords

• David Greig,Europe,Mobility,Geopathology

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