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Francis Poulenc’in Müzikal Tarzı ve Üflemeli Çalgılar ile Piyano İçin Bestelediği Sextet, FP 100 Üzerine Bir Analiz

Year 2025, Volume: 12 Issue: 1, 179 - 206, 30.06.2025
https://doi.org/10.26650/CONS2025-1625203

Abstract

20. yüzyıl Fransız müziğinin önde gelen temsilcilerinden Francis Poulenc, geleneksel ve modern öğeleri ustaca harmanlayan, özgün bir müzikal dil geliştirmiştir. Neoklasisizm, lirik ifade gücü ve armonik yeniliklerin belirgin bir biçimde öne çıktığı müziğinde, Paris avangardı ve geleneksel Fransız melodilerinin etkileri dikkat çeker. 1940 yılında bestelenen "Sextet" adlı eseri, Poulenc’in bu müzikal dilinin ayrıntılı bir analizine olanak tanımaktadır. Eser, II. Dünya Savaşı'nın başında, Avrupa’nın çalkantılı bir döneminde bestelenmiş olup, bu dönemin getirdiği duygusal yoğunluk ve karakteristik özellikler eserde hissedilmektedir. İlk dinleyici tepkileri olumsuz olsa da zamanla bu eserin müzikal değeri takdir görmüştür. Eserin melodik ve armonik yapısındaki ani duygu değişimleri; melankoli ve neşe arasında gidip gelen dramatik bir etki yaratmıştır. Performans açısından zorluklar barındıran eserin, yazıldığı gibi icra edilmesi, bestecinin ortaya koyduğu derinliği tam anlamıyla yansıtmak adına önem taşımaktadır. Bu bağlamda "Sextet", Poulenc’in yaratıcı dehasını ve 20. yüzyıl müziğine olan katkısını gözler önüne seren bir başyapıt olarak klasik müzik literatüründe önemli bir yere sahiptir.

References

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  • St-Aubin, C. (2008). Francis Poulenc, nostalgia and Parisian popular culture (Unpublished doctoral dissertation). University of Toronto google scholar
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An Analysis of Francı̇ s Poulenc’s Musical Style and His Sextet for Woodwinds and Piano, FP 100

Year 2025, Volume: 12 Issue: 1, 179 - 206, 30.06.2025
https://doi.org/10.26650/CONS2025-1625203

Abstract

Among the leading 20th century French artists, Francis Poulenc has actually created a distinct music language that skillfully mixes conventional plus contemporary aspects. In his songs where neoclassicism, meaningful expression as well as harmonic advancements stand apart plainly, the impacts I’ve the Parisian upper class coupled with convenB tional French tunes stand apart. Made up in 1940, 'Sextet' enables a comprehensive evaluation of this music language of Poulenc. The job was made up at the start of World War II, throughout a rough duration in Europe together with the psychological strength and also particular attributes of this duration are really felt in the job.Although preliminary audience responses were adverse, the music worth of this job has actually been valued gradually. The unexpected modifications of feeling in the melodious as well as harmonic framework of the job developed a significant result rotating in between woe as well as pleasure. It is necessary to carry out the job, which has problems in regards to efficiency, as it was created in order to completely show the deepness of the author. In this context 'Sextet' has an essential area in symphonic music literary works as a work of art that exposes Poulenc's imaginative wizard along with his payment to 20th century songs.

References

  • Akdeniz, A. Ö. (2018). Stravinsky: Rus BaLeLerinin Rus HaLk Müziği iLe İLişkisi. Afyon Kocatepe Üniversitesi Akademik Müzik Araştırmaları Dergisi, 4(7), 21-31. https://doi.org/10.5578/Amrj.66478 google scholar
  • Aubin, J. (2008). Francis Poulenc and His Musical World. University of CaLifornia Press. google scholar
  • CLifton, K. M. (2002). Poulenc's ambivalence: a study in tonality, musical style, and sexuality. Austin: The University of Texas at Austin. google scholar
  • Hell, H. (1978). Poulenc, Francis. Fayard. google scholar
  • Ivry, B. (1996). Francis Poulenc. Phaidon Press. google scholar
  • Levy, J. E. (2021). “I Shan’t Ever Play Down These Influences”: Poulenc’s Neoclassicism as Musical Legacy (UnpubLished master's thesis). University of Denver. google scholar
  • Lim, J. W. (2020). Simply Pleasing and Uniquely Original: Uncovering and Re-Evaluating the Value of Solo Piano Works by Francis Poulenc (UnpubLished doctoral dissertation). University of Maryland, College Park. google scholar
  • Minneman, G. (2019). Francis PouLenc and Surrealism. google scholar
  • Morgan, W. B. (2019). Rhythmic, Phrasing, and Dramatic Concerns in Poulenc's Tel Jour, Telle Nuit (Unpublished doctoral dissertation). Temple University. google scholar
  • Moschard, T. P. (2004). The sacred choral music of Francis Poulenc: a contextual and analytical study (Unpublished doctoral dissertation). Durham University. google scholar
  • MusseLman, S. J. (2007). Cohesion of composer and singer: The Singers of Poulenc (UnpubLished doctoraL dissertation). The Ohio State University. google scholar
  • Romain, E. P. (1978). A Study of Francis PouLenc's Fifteen Improvisations for Piano Solo. (UnpubLished doctoral dissertation). The University Of Southern Mississippi. google scholar
  • Schmidt, C. (2001). Francis Poulenc: A Biography. Cambridge University Press. google scholar
  • Smith, R. (1996). Poulenc and French Chamber Music in the 20th Century. Cambridge University Press. google scholar
  • St-Aubin, C. (2008). Francis Poulenc, nostalgia and Parisian popular culture (Unpublished doctoral dissertation). University of Toronto google scholar
  • Van Der Westhuizen, P. J. (2007). Modeling as Compositional Tool in the Piano Works of Francis Poulenc (UnpubLished doctoraL disser-tation). University of Cincinnati. google scholar
  • Westhuizen, P. (2007). The Music of Poulenc: A Performance Perspective. Oxford University Press. google scholar
There are 17 citations in total.

Details

Primary Language Turkish
Subjects Music (Other)
Journal Section Research Article
Authors

Kaan Civelek 0000-0002-3246-2555

Ayşe Özlem Akdeniz 0000-0003-2383-7121

Publication Date June 30, 2025
Submission Date January 22, 2025
Acceptance Date April 25, 2025
Published in Issue Year 2025 Volume: 12 Issue: 1

Cite

APA Civelek, K., & Akdeniz, A. Ö. (2025). Francis Poulenc’in Müzikal Tarzı ve Üflemeli Çalgılar ile Piyano İçin Bestelediği Sextet, FP 100 Üzerine Bir Analiz. Konservatoryum, 12(1), 179-206. https://doi.org/10.26650/CONS2025-1625203