Research Article
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Year 2020, Volume: 4 Issue: 1, 34 - 55, 30.06.2020
https://doi.org/10.33906/musicologist.703748

Abstract

References

  • Butler, Judith. (1990). Gender Trouble: Feminism and The Subversion of Identity. New York: Rutledge, Chapman & Hall, Inc.
  • Gourse, Leslie. (1995). Madame Jazz: Contemporary Women Instrumentalists. New York: Oxford University Press.
  • Grant, Margaret Jean. (2006). “A Feminist Analysis of Francis Poulenc’s Sonata for Oboe and Piano” Ph.D. Dissertation, The Graduate School of the University of Cincinnati, Cincinnati: USA.
  • İlbi, Deniz and Karaol, Esra. (2018). “Puccini ve Wagner Operalarında Kadın Karakterlerin İşlenişi” [Female Characters in Puccini and Wagner Operas]. [4th International Music and Dance Congress] Gülbeyaz, Kürşad and Yazıcı, Tarkan (Eds.), (pp. 130-138). Bodrum, Muğla: Müzik Eğitimi Publications. Retrieved from https://www.academia.edu/38095415/Puccini_ve_Wagner_Operalar%C4%B1nda_Kad%C4%B1n_Karakterlerin_%C4%B0%C5%9Fleni%C5%9Fi_Female_Characters_in_Puccini_and_Wagner_Operas_
  • İlbi, Deniz. (2019). “Türkiye’de Enstrüman Çalan Kadın Caz Müzisyenlerinin Toplumsal Cinsiyet Bağlamında İncelenmesi” (Women Jazz Instrumentalists in Turkey within the Context of Gender) Master’s Thesis, Istanbul University Social Sciences Institute, Istanbul: Turkey.
  • Marshall, Gordon. (1998). A Dictionary of Sociology. Oxford: Oxford University Press.
  • Mimaroğlu, İlhan K. (2016). Caz Sanatı (The Art of Jazz). Istanbul: Pan Publishing.
  • Newsom, Jennifer Siebel. [Director] (2011). Miss Representation [Documentary]. USA: Netflix.
  • Nochlin, Linda. (2014). “Why Have There Been No Great Women Artists?” Retrieved from https://www.artnews.com/art-news/retrospective/why-have-there-been-no-great-women-artists-4201/
  • Özkişi, Zeynep Gülçin. (2009). “Toplumsal Cinsiyet Bağlamında Türkiye’de Kadın Besteciler: Tanzimat’tan Günümüze Osmanlı İmparatorluğu ve Türkiye Cumhuriyeti’nde Kadın Besteciler ve Yapıtları” (Female Composers in Turkey in the Context of Gender: In Ottoman Empire and Turkish Republic, from Tanzimat Era to Today, Female Composers and Their Works) Ph.D. Dissertation, Yıldız Teknik University Social Sciences Institute, Istanbul: Turkey.
  • Özkişi, Zeynep Gülçin. (2017). “Müzikte Cinsiyet Rollerine İlişkin Yargılar: Kanon, Gettolaşma ve Toplumsal Cinsiyet Bağlamında Kadın Besteci Sorunu” (Judgements Regarding Gender Roles in Music: Canon, Ghettoization and the Issue of the Woman Composer in the Gender Context) Kadın ve Müzik (Women and Music), Ed. Ersoy Çak, Şeyma and Beşiroğlu, Ş. Şehvar: pp. 63-97. Istanbul: Milenyum Publications.
  • Tucker, Sherrie. (2003). “Women in Jazz” Grove Music Online. https://doi.org/10.1093/gmo/9781561592630.article.J730100
  • Turner, Bryan S. (Ed.) (2006). The Cambridge Dictionary of Sociology. Cambridge: Cambridge University Press.
  • Uyar, Yaprak Melike. (2013). “Türkiye’de Caz Müziğinde Kadın: Çalgı İcracılığına Toplumsal Cinsiyet Merkezli Yaklaşımlar” (Gender Issues and Performance Practices in Jazz: Women Instrumentalists in the Jazz Scene of Turkey) Porte Akademik-Toplumsal Cinsiyet (Gender), (6): 86-97.
  • Woolf, Virginia. (1977). A Room of One’s Own. London: Grafton

Women Jazz Instrumentalists in Turkey within the Context of Gender

Year 2020, Volume: 4 Issue: 1, 34 - 55, 30.06.2020
https://doi.org/10.33906/musicologist.703748

Abstract

In this work, women jazz musicians in Turkey have been examined within the gender studies context. The purpose of this research, of which its theoretical frame was formed with a socio-musicological approach, via female musicians who are active in jazz music in Turkey, is to research and form a descriptive analysis by asking questions, such as: how gender roles affect women's careers, what steps female musicians have to go through in a sector dominated by men in order to be seen and which roles are attributed to women in jazz.
Due to the fact that women jazz musicians who play instruments are a minority, the scope of the subject has been limited to ‘women jazz instrumentalists in Turkey’, and in-depth interviews were conducted with selected sources within this context. The boundaries of the research topic were determined by the conducted interviews, and utilizing the feminist theory, qualitative research methods were used.
With this research, an effort was made at forming a systematic reference about female jazz musicians, which was previously not found in a thorough academic research before in Turkey. The people selected for the examination of their status in the field of jazz were seen as a starting point for the research of the subject, and following the transcription of their interviews, an attempt was made to determine the causes and conclusions of gender inequalities within jazz music in Turkey. Using the implications and the results gathered during the research, there was an intention to place an emphasis on the recognition of women jazz instrumentalists beyond what's known. In conclusion, in this paper, in order to provide support to studies of musicology with a feminist approach, up to date observations were made with the examination of women jazz instrumentalists in Turkey within the gender context.

References

  • Butler, Judith. (1990). Gender Trouble: Feminism and The Subversion of Identity. New York: Rutledge, Chapman & Hall, Inc.
  • Gourse, Leslie. (1995). Madame Jazz: Contemporary Women Instrumentalists. New York: Oxford University Press.
  • Grant, Margaret Jean. (2006). “A Feminist Analysis of Francis Poulenc’s Sonata for Oboe and Piano” Ph.D. Dissertation, The Graduate School of the University of Cincinnati, Cincinnati: USA.
  • İlbi, Deniz and Karaol, Esra. (2018). “Puccini ve Wagner Operalarında Kadın Karakterlerin İşlenişi” [Female Characters in Puccini and Wagner Operas]. [4th International Music and Dance Congress] Gülbeyaz, Kürşad and Yazıcı, Tarkan (Eds.), (pp. 130-138). Bodrum, Muğla: Müzik Eğitimi Publications. Retrieved from https://www.academia.edu/38095415/Puccini_ve_Wagner_Operalar%C4%B1nda_Kad%C4%B1n_Karakterlerin_%C4%B0%C5%9Fleni%C5%9Fi_Female_Characters_in_Puccini_and_Wagner_Operas_
  • İlbi, Deniz. (2019). “Türkiye’de Enstrüman Çalan Kadın Caz Müzisyenlerinin Toplumsal Cinsiyet Bağlamında İncelenmesi” (Women Jazz Instrumentalists in Turkey within the Context of Gender) Master’s Thesis, Istanbul University Social Sciences Institute, Istanbul: Turkey.
  • Marshall, Gordon. (1998). A Dictionary of Sociology. Oxford: Oxford University Press.
  • Mimaroğlu, İlhan K. (2016). Caz Sanatı (The Art of Jazz). Istanbul: Pan Publishing.
  • Newsom, Jennifer Siebel. [Director] (2011). Miss Representation [Documentary]. USA: Netflix.
  • Nochlin, Linda. (2014). “Why Have There Been No Great Women Artists?” Retrieved from https://www.artnews.com/art-news/retrospective/why-have-there-been-no-great-women-artists-4201/
  • Özkişi, Zeynep Gülçin. (2009). “Toplumsal Cinsiyet Bağlamında Türkiye’de Kadın Besteciler: Tanzimat’tan Günümüze Osmanlı İmparatorluğu ve Türkiye Cumhuriyeti’nde Kadın Besteciler ve Yapıtları” (Female Composers in Turkey in the Context of Gender: In Ottoman Empire and Turkish Republic, from Tanzimat Era to Today, Female Composers and Their Works) Ph.D. Dissertation, Yıldız Teknik University Social Sciences Institute, Istanbul: Turkey.
  • Özkişi, Zeynep Gülçin. (2017). “Müzikte Cinsiyet Rollerine İlişkin Yargılar: Kanon, Gettolaşma ve Toplumsal Cinsiyet Bağlamında Kadın Besteci Sorunu” (Judgements Regarding Gender Roles in Music: Canon, Ghettoization and the Issue of the Woman Composer in the Gender Context) Kadın ve Müzik (Women and Music), Ed. Ersoy Çak, Şeyma and Beşiroğlu, Ş. Şehvar: pp. 63-97. Istanbul: Milenyum Publications.
  • Tucker, Sherrie. (2003). “Women in Jazz” Grove Music Online. https://doi.org/10.1093/gmo/9781561592630.article.J730100
  • Turner, Bryan S. (Ed.) (2006). The Cambridge Dictionary of Sociology. Cambridge: Cambridge University Press.
  • Uyar, Yaprak Melike. (2013). “Türkiye’de Caz Müziğinde Kadın: Çalgı İcracılığına Toplumsal Cinsiyet Merkezli Yaklaşımlar” (Gender Issues and Performance Practices in Jazz: Women Instrumentalists in the Jazz Scene of Turkey) Porte Akademik-Toplumsal Cinsiyet (Gender), (6): 86-97.
  • Woolf, Virginia. (1977). A Room of One’s Own. London: Grafton
There are 15 citations in total.

Details

Primary Language English
Subjects Music
Journal Section Articles
Authors

Deniz İlbi 0000-0002-0186-0163

Esra Karaol 0000-0002-9000-8430

Publication Date June 30, 2020
Published in Issue Year 2020 Volume: 4 Issue: 1

Cite

APA İlbi, D., & Karaol, E. (2020). Women Jazz Instrumentalists in Turkey within the Context of Gender. Musicologist, 4(1), 34-55. https://doi.org/10.33906/musicologist.703748