Bir Dünya İmparatorluğunun Evini Yeniden Düşünmek: İslam Estetiği Bağlamında Topkapı Sarayı

The original article was published on March 15, 2026. https://dergipark.org.tr/en/pub/osmed/article/1708953

Erratum Note

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Abstract

Bu makale, yaklaşık 400 yıl boyunca Osmanlı İmparatorluğu’nda “devlet evi” olarak işlev gören Topkapı Sarayı’nın mekânsal organizasyonu ve tasarım tercihleri üzerinde İslam ilkelerinin etkisini incelemektedir. Saray, devlet dairelerinden ibadethanelere, medreselerden kütüphanelere, köşklerden kabul salonlarına kadar çeşitli işlevlere hizmet eden yapıların oluşturduğu bir komplekstir. Ancak, bütüncül bir değerlendirme yapıldığında, Osmanlı Devleti ve Sultanı’nın ikametgâhı olarak işlev görmüştür. Bu çalışma, İslam inancının kaynaklarından olan Kur’an-ı Kerim ve Hadis-i Şeriflere referansla, İslam'daki hane estetiğini ele almakta ve bir evin sahip olması gereken şartlar olarak tanımlanabilecek bu ilkelerin sarayın mimarî teşkilatına nasıl yansıdığını incelemektedir. Saray; mahremiyet, mekânsal boyutlar (genişlik-yükseklik), tevazu/sadelik, esneklik (seyyâliyet), maneviyat ( İslamî hayatı destekleme) ve kıbleye yönelme gibi ölçütler üzerinden değerlendirilecektir. Bu çalışma, İslami hane ilkeleri ile imparatorluk saray mimarisi arasındaki ilişkiye dair yeni bir bakış açısı sunarak Osmanlı İmparatorluğu’nun estetik ve kültürel mirasına dair anlayışımızı derinleştirmektedir.

Keywords

• Topkapı Sarayı
• Osmanlı saray mimarisi
• İslam estetiği
• Osmanlı kültürel mirası

Revisiting the House of a World Empire in the Light of Household Aesthetics of Islam: The Case of Topkapi Palace

The original article was published on March 15, 2026. https://dergipark.org.tr/en/pub/osmed/article/1708953

Erratum Note

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Abstract

This essay examines the impact of Islamic principles on the spatial organization and preferences of Topkapi Palace, which functioned as the "state house" of the Sultan for approximately 400 years. Although the Palace is a complex of buildings serving diverse functions—ranging from state offices and places of worship to madrasas, libraries, mansions, and reception halls—when evaluated collectively, it was the residence of the Ottoman state and its Sultan. By referencing the Quran and the hadiths of Prophet Mohammed, the two pillars of Islamic doctrine, this essay explores the household aesthetics in Islam, which define the conditions for a house, and how these principles influenced the spatial organization of the palace. In light of the Qur’an and Sunnah, the Palace will be evaluated based on privacy, spatial dimensions (width-height), humility/ simplicity, flexibility (seyyāliyet), spirituality (supporting Muslim life), and orientation towards the qibla. This study provides new insights into the relationship between Islamic household principles and imperial palatial architecture, enriching our understanding of the aesthetic and cultural legacy of the Ottoman Empire.

Keywords

• topkapi palace
• household aesthetics in islam
• ottoman cultural heritage
• ottoman palatial architecture

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