Journal of Palmette

Journal of Palmette aims to publish studies of the highest scientific caliber in the field of Turkish Art, Islamic Art, Byzantine Art, Medieval Arts, European Art, Contemporary Arts. In addition, the journal covers topics in archaeology deemed appropriate, particularly those related to the Late Antique period.

Journal of Palmette publishes research, review, academic translation, introduction and criticism articles articles that will contribute to the literature on Turkish Art, Islamic Art, Byzantine Art, Medieval Arts, European Art, Contemporary Arts. In addition, the journal covers topics in archaeology deemed appropriate, particularly those related to the Late Antique period. The main purpose of the journal is to disseminate the scientific knowledge produced in the field of architecture, decoration, painting and crafts to a wide platform. In doing so, the journal aims to bring together researchers, educational practitioners and policy makers at a common intersection.

The target audience of the journal consists of researchers who are interested in or working in the field of works of art and art styles.

Abstracting and Indexing
Journal of Palmette is covered in the following abstracting and indexing databases;

• DOAJ
• EBSCO - Central & Eastern European Academic Source (CEEAS)
• EBSCO - H. W. Wilson Databases - Art & Architecture Source
• EBSCO - Art Full Text
• ERIH Plus
• ProQuest
• Gale Cengage

To guarantee that all papers published in the journal are maintained and permanently accessible, articles are stored in Dergipark which serves as a national archival web site and at the same time permits LOCKSS to collect, preserve, and serve the content.

Author Guidelines

You can access the Article Submission Guidelines here.

You can access the Article Submission Guidelines video here.

You can download the reference style for use in Mendeley and Zotero here.

For comprehensive information regarding the journal's policies on submission, peer-review, publication, and ethical standards, kindly visit the Policies page. Similarly, for detailed information about the journal, please visit the Aims and Scope page.

Manuscripts submitted for evaluation should be original and not previously presented or published in any electronic or print medium. If a manuscript was previously presented at a conference or meeting, authors should provide detailed information about the event, including the name, date, and location of the organization.

Authors are required to prepare manuscripts in accordance with the relevant guideline listed below:

• Observational original research studies: STROBE guidelines
• Systematic reviews and meta-analysis: PRISMA guidelines (for protocols, please see the PRISMA-P guidelines)
• Qualitative research: SRQR guidelines

To find the right guideline for your research, please complete the questionnaire by Equator Network here.

Journal of Palmette encourages authors to follow the ‘Sex and Gender Equity in Research – SAGER – guidelines’ when preparing their manuscripts to promote the inclusion of sex and gender considerations in research. Before submission, authors can consult EASE Guidelines for Authors and Translators to produce clear, concise and accurate manuscripts that are easy to understand and free of common errors and pitfalls.

The style of manuscripts should follow the Publication Manual of the American Psychological Association (APA), Seventh Edition (2020). (APA 7)

Manuscripts can only be submitted through the journal’s online manuscript submission and evaluation system (https://dergipark.org.tr/en/pub/palmet). Manuscripts submitted via any other medium and submissions by anyone other than one of the authors will not be evaluated.

In addition to the manuscript files, authors are required to submit the following during the initial submission:
- Copyright Agreement and Acknowledgement of Authorship Form
- Title Page

PREPARATION OF THE MANUSCRIPT

Title page: A separate title page should be submitted with all submissions and this page should include:
• The full title (max 10 word) of the manuscript as well as a short title (running head) of no more than 50 characters,
• Name(s), affiliations, academic degree(s), and ORCID IDs of the author(s),
• Grant information and detailed information on the other sources of support,
• Name, address, telephone (including the mobile phone number), and email address of the corresponding author,
• Acknowledgment of the individuals who contributed to the preparation of the manuscript but who do not fulfill the authorship criteria,
• If the author(s) is a member of the journal’s Editorial Board, this should be specified in the title page.

Abstract: The abstract subheadings should be arranged according to the article types. Please check Table 1 below for word count specifications.

Keywords: Each submission must be accompanied by a minimum of three to a maximum of six keywords for subject indexing at the end of the abstract. The keywords should be listed in full without abbreviations.

Manuscript Types
Original Articles: Research articles provide new information based on original research. The acceptance of research articles is typically based on the originality and importance of the research. The main text of a Original Article should be structured with subheadings, including Introduction, Method, Results, Discussion, and Conclusion and Recommendations.

Please check Table 1 for the limitations for Original Articles. You can review the ethical principles flow chart for research articles here.

Review Articles
Review articles that are written by authors with extensive knowledge and expertise in a particular field and a strong track record of publication are welcomed. These authors may even be invited to contribute a review article to the journal. Review articles should provide a comprehensive overview of the current state of knowledge on a topic in the journal’s topic, and should include discussions and evaluations of relevant research.

Please check Table 1 for the limitations for Review Articles.

Promotion Article
Evaluations made for current and important information published in the field of art history can be published after the evaluation of an external referee determined by the Editorial Board and who will be considered an expert on the subject.
Please check Table 1 for the limitations for Book Review.

Book Reviews

The journal welcomes reviews of contemporary and noteworthy books within the journal's scope, provided that they have been reviewed by an external expert on the relevant topic. These reviews should provide a critical evaluation of the book, highlighting its strengths and weaknesses, as well as its relevance to the journal's readership.

Please check Table 1 for the limitations for Book Review.

Type of manuscript	Word limit*	Abstract	References	Tables	Figures
Original Article	10000	250	60	5	25
Review Article	7000	250	50	5	20
Promotion Article	3000	No abstract	20	5	15
Book Reviews	2000	No abstract	20	5	15

*Word limit should not include the abstract, references, tables, and figure legends.

Title Levels

First
Centered, bold, capital initial letters
The text starts with a new paragraph.

Second
Flush left, bold, initial letters uppercase
The text starts with a new paragraph.

Third
Flush left, bold, italic, initial letters uppercase
The text starts with a new paragraph.

Fourth
Bold, capital initial letters, end two points in a row
The text begins on the same line with the title and continues as a standard paragraph.

Tables
Tables should be included in the main document, after the reference list, and they should be numbered consecutively in the order they are referred to within the text. Each table should have a descriptive title placed above it, and any abbreviations used in the table should be defined below the table by footnotes (even if they are defined in the main text). Tables should be created using the "insert table" command of the Word processing software, and they should be arranged clearly to make the data easy to read and understand. The data presented in the tables should not be a repetition of the data presented in the main text, but should support and enhance the main text.

Figures and Figure Legends

Images, graphics and photos should be submitted as separate files in TIFF or JPEG format and attached to the Word document and numbered according to their type. The minimum resolution for each figure should be 300 DPI and figures should be clear and easy to read. Image descriptions should be listed at the end of the main document.

Abbreviations

All acronyms and abbreviations used in the manuscript should be defined at first use, both in the abstract and in the main text. The abbreviation should be provided in parentheses following the definition, and it should be used consistently throughout the paper.

Identifying products

When mentioning a drug, product, hardware, or software program in a manuscript, it is important to provide detailed information about the product in parentheses. This should include the name of the product, the producer of the product, and the city and country of the company.
For example, if mentioning a Discovery St PET/CT scanner produced by General Electric in Milwaukee, Wisconsin, USA, the information should be presented in the following format: "Discovery St PET/CT scanner (General Electric, Milwaukee, WI, USA)." Providing this information helps to ensure that the product is properly identified and credited.

Supplementary Materials

Supplementary materials, including audio files, videos, datasets, and additional documents (e.g., appendices, additional figures, tables), are intended to complement the main text of the manuscript. These supplementary materials should be submitted as a separate section after the references list. Concise descriptions of each supplementary material should be included to explain their relevance to the manuscript. Page numbers are not required for supplementary materials.

References

Both in-text citations and the references must be prepared according to the Publication Manual of the American Psychological Association (APA), Seventh Edition (2020).

While citing publications, preference should be given to the main source and latest, most up-to-date publications. Authors are responsible for the accuracy of references. In the main text of the manuscript, references should be cited by author’s name and the publication year in parenthesis. In the case of direct citations in the main text, only publication year should be stated in parenthesis after the name of the author. Please see below the examples. In the social science articles, page numbers should be stated after the publication year.

Author type	Parenthetical citation	Narrative citation
One author	(Özkan, 2016, s.65)	Özkan (2016)
Two authors	(Köşklü & Geyik, 2007, s.15)	Köşklü & Geyik (2007)
Three or more authors	(Yurttaş vd., 2008, s. 115)	Yurttaş vd. (2008)
Group author with abbreviation: First citation Subsequent citations	(American Psychological Association [APA], 2020) (APA, 2020)	American Psychological Association (APA, 2020) (APA, 2020)
Group author without abbreviation	(Ataturk University, 2020)	Ataturk University (2020)
No author	(“New drug,” 1993) Use an abbreviated version of the title

Reference List
The reference styles for different types of publications are presented in the following examples.

Journal Article: Antunes B. M. M., Cayres S. U., Lira F. S., & Fernandes R. A. (2016) Arterial thickness and Immunometabolism: the mediating role of chronic exercise. Current Cardiology Reviews, 12(1), 47-51.
Journal Article with more than one author: Jerrentrup, A., Mueller, T., Glowalla, U., Herder, M., Henrichs, N., Neubauer, A., & Schaefer, J. R. (2018). Teaching medicine with the help of “Dr. House.” PLoS ONE, 13(3), Article e0193972. https://doi.org/10.1371/journal.pone.0193972

Turkish Article: Akın, Ü., Akın, A., ve Abacı, R. (2007). Öz-duyarlık Ölçeği: Geçerlik ve güvenirlik çalışması [Self-Compassion Scale: The Study of Validity and Reliability]. H. U. Journal of Education, 33(1), 1-10.

Books

By a Single Author: Kimmel, M. S. (2007). The gendered society. Oxford University Press.

By Two or More Authors: DiFonzo, N., & Bordia, P. (2007). Rumor psychology: Social and organizational approaches. American Psychological Association.

By a Corporate (Group) Author: American Sociological Association. (1975). Approaches to the study of social structure. Free Press.

Edited Book: Rhodewalt, F. (Ed.). (2008). Personality and social behavior. Psychology Press.

Book Chapter with Editor(s): McCormack, B., McCance, T., & Maben, J. (2013). Outcome evaluation in the development of person-centred practice. In B. McCormack, K. Manley, & A. Titchen (Eds.), Practice development in nursing and healthcare (pp. 190-211). John Wiley & Sons.

Dissertation or Thesis: Valentin, E. R. (2019, Summer). Narcissism predicted by Snapchat selfie sharing, filter usage, and editing (Thesis No: 19782) [Master's thesis, California State University Dominguez Hills]. CSU ScholarWorks. https://scholarworks.calstate.edu/concern/theses/3197xm925?locale=en

No Author: The universal declaration of human rights. (1974). U.S. Catholic Conference, Division of Latin America.

Web sites: Sparks, Dana. (2018, September 12). Mayo mindfulness: Practicing mindfulness exercises. Mayo Clinic.

PRODUCTION

Once a manuscript has been accepted for publication, it goes through a copy-editing process by professional language editors to ensure that it is clear and well-written. This process may involve correcting grammar, punctuation, and formatting errors, as well as making changes to improve the overall clarity and readability of the manuscript.

After the copy-editing process is complete, the manuscript is published online as an "ahead-of-print" publication, which means that it is available to readers before it is included in a scheduled issue of the journal. This allows readers to access the latest research as soon as it becomes available.

Before the manuscript is officially published, the corresponding author is sent a PDF proof of the accepted manuscript for review. The corresponding author is asked to review the proof and approve it for publication within a specified time period, typically 2 days. This is an important step in the publication process, as it allows the author to catch any errors or make any final changes before the manuscript is published.

Ethical Principles and Publication Policy

Open Access Policy

Journal of Palmette is an open access publication.

Starting on March 2024, all content published in the journal is licensed under the Creative Commons Attribution-NonCommercial (CC BY-NC) 4.0 International License which allows third parties to use the content for non-commercial purposes as long as they give credit to the original work. This license allows for the content to be shared and adapted for non-commercial purposes, promoting the dissemination and use of the research published in the journal.

The content published before March 2024 was licensed under traditional copyright but was always open access.

All published content is available online, free of charge at https://dergipark.org.tr/en/pub/palmet.

When using previously published content, including figures, tables, or any other material in both print and electronic formats, authors must obtain permission from the copyright holder. Legal, financial and criminal liabilities in this regard belong to the author(s).

Copyright Policy

Journal of Palmette requires each submission to be accompanied by a Copyright Agreement and Acknowledgement of Authorship form (available for https://dergipark.org.tr/en/pub/palmet). By signing this form, authors retain the copyright of their work and agree that the article, if accepted for publication by the Journal of Palmette will be licensed under a Creative Commons Attribution-NonCommercial (CC BY-NC) 4.0 International License which permits third parties to share and adapt the content for non-commercial purposes by giving the appropriate credit to the original work.

Authors retain the copyright of their published work in the Journal of Palmette.

Self-Archiving Policy

Authors retain the right to self-archive their work on their institutional or personal websites, as well as in open access repositories, after publication. It is expected that authors appropriately acknowledge the original publication and include the DOI number when sharing their articles. Additionally, authors are requested to provide a link from the deposited version to the URL of the publisher's website. This requirement is intended to safeguard the integrity and authenticity of the scientific record, with the online published version on the publisher's website clearly identified as the definitive version of record.

Publication Fee Policy

Journal of Palmette is funded by the Atatürk University.

Authors are not required to pay any fees during the evaluation and publication process.

Advertising Policy

Journal of Palmette accepts digital advertisements on its website. These ads must be approved by the journal's Editorial Board and management, and must be clearly labeled as advertisements. Advertisers have no influence on editorial decisions or advertising policies.

Those interested in advertising in the journal should contact the Editorial Office.

Peer Review Process

Manuscripts submitted to Journal of Palmette will go through a double anonymized peer-review process where both authors and reviewers are anonymous to each other. Each submission will be reviewed by at least two external, independent peer reviewers who are experts in their fields in order to ensure an unbiased evaluation process.

Submissions will first go through a technical evaluation process during which the editorial office staff will ensure that the manuscript was prepared and submitted in accordance with the journal’s guidelines. Submissions that do not conform to the journal’s guidelines will be returned to the submitting authors with technical correction requests.

Submissions that conform to the journal’s guidelines will be assigned to the Editor in Chief who will assess each submission’s suitability to the journal in terms of scope and quality. Submissions that are not suitable for the journal can be rejected at this stage.

For papers that are suitable for the journal, the Editor in Chief will work with Editors who will recruit reviewers for the manuscript. Once assigned, Editors can decide to reject a manuscript, continue with the peer review process, or request revisions before further peer-review.

Editors will submit their recommendations that are based on reports submitted by the reviewers to the Editor in Chief. Revised manuscripts will be reassessed by the Editors who will aim to work with the original reviewers to make a new recommendation.

The Editor in Chief is the final authority in the decision-making process for all submissions.

In the event of delays, authors will be informed of the reason for the delay and given the opportunity to withdraw their manuscript.

Once the peer-review process is completed, the authors will receive anonymous peer-review reports along with the editorial decision on their manuscript. Peer-review reports will not be posted publicly in any medium. The submitted material is considered confidential and must not be used in any way until after its publication. If it is suspected that a reviewer has appropriated an author’s ideas or data, the Editorial Board will handle the matter in accordance with the relevant COPE’s guideline.

Authors can recommend peer-reviewers during submission. The handling editor is the sole authority to decide whether or not recommended peer-reviewers will be invited to evaluate the manuscript.

Peer reviewers are required to adhere to the principles of COPE's Ethical Guidelines for Peer-reviewers and these guidelines provide a framework for reviewers to follow in order to ensure the integrity and fairness of the peer review process. The Editorial Board follows COPE’s relevant flowchart to minimize peer review manipulation. If there is suspicion of peer review manipulation after publication, the Editorial Board will follow the appropriate flowchart of COPE.

Potential peer reviewers should inform the Editor of any possible conflicts of interest before accepting an invitation to review a manuscript. Informing the editor of any potential conflicts of interest allows them to make an informed decision about whether or not to invite the potential reviewer to participate in the review process. It also helps to ensure the integrity and transparency of the review process.

Communications between Editors and peer reviewers contain confidential information that should not be shared with third parties.

If the Editor-in-Chief or any of the associate editors is listed as an author on a submission, the editor concerned is removed from the evaluation process. Journal of Palmette will employ external editors to conduct the peer review process for manuscripts submitted by its editor-in-chief or associate editors. The process for appointing external editors is as follows: Atatürk University Coordinatorship of Scientific Journals seeks out an expert in the field from outside Atatürk University and independent of the author's institution, and sends an invitation to review the manuscript. The invited editor is requested to create a record in the system and to manage and oversee the double-blind peer-review process. The invited editor acts independently when making decisions. The invited editor participating in the evaluation of the manuscript will be listed on the journal’s website together with their contact information. To maintain neutrality, we preserve the confidentiality of reviewers. Reviewers and external editors are required to disclose any potential conflicts of interest in order to promote transparency and ensure a reliable evaluation process. The final decision regarding the manuscript is made by the invited editor.

If an article's peer review is an exception to the journal’s usual policy, the type of the review it received will be displayed on the article to ensure the transparency and accountability of the review process.

Revisions

Submitting authors of manuscripts that require a “minor revision” or a “major revision” will receive the decision letter from the Editor in Chief. The decision letter will include the suggestions of the reviewers and editors along with a deadline to submit the revised and updated version of the manuscript.

When submitting a revised version of a paper, authors must submit a detailed “Response to the reviewers” that states point by point how each issue raised by the reviewers has been covered and where it can be found (each reviewer’s comment, followed by the author’s reply and line numbers where the changes have been made) as well as an annotated copy of the main document.

Revised manuscripts must be submitted within the time frame specified in the decision letter. If the revised version of the manuscript is not submitted within the allocated time, the revision option may be canceled. If the submitting author(s) believe that additional time is required, they should request an extension before the initial period is over.

Publication Ethics

Journal of Palmette aims to adhere to the guidelines and core practices set forth by several organizations, including the Committee on Publication Ethics (COPE) guidelines and the Principles of Transparency and Best Practice in Scholarly Publishing (joint statement by COPE, DOAJ, OASPA, WAME). These guidelines and recommendations are designed to promote transparency, integrity, and best practices in scholarly publishing. By adhering to these standards, the journal aims to ensure that the research it publishes is of high quality and meets the ethical standards of the scientific community.

Authors are advised to use EASE Ethics Checklist for Authors to ensure that their manuscripts comply with ethical standards and practices.

All research involving human subjects, medical records, or human tissues must be reviewed and approved by a reviewer board, such as an institutional review board (IRB) or ethics committee, before it is conducted. The name of the ethics committee that reviewed and approved the research, as well as the ethics committee approval number and date, should be included in the Methods section of the manuscript when it is submitted for publication. Additionally, the journal may require authors to provide a copy of the ethics committee approval as part of the manuscript submission process. This is to ensure that the research has been properly reviewed and approved, and to allow the journal to verify that the research meets the ethical standards required for publication.

If a study is exempted from the ethics committee approval, the authors must present a statement from the ethics committee explaining the reason for the exemption. This is to ensure that the research was reviewed by an ethics committee and that the decision to exempt the study was made in accordance with the relevant guidelines and regulations.

If a manuscript is submitted to Journal of Palmette without ethics committee approval, the journal will review the manuscript according to the COPE’s Research, Audit and Service Evaluations guideline. This guideline provides guidance on how to handle manuscripts that do not have ethics committee approval, and allows the journal to assess the risks and potential ethical concerns associated with publishing the research.

If the journal determines that the lack of ethics committee approval is a significant concern, the manuscript may be rejected after editorial review. This is to ensure that the journal maintains high ethical standards and only publishes research that has been properly reviewed and approved by an ethics committee.

For manuscripts concerning research involving human subjects, it is required to include a statement indicating that written informed consent was obtained from all participants. Informed consent should be documented in writing, and a copy of the informed consent form should be retained by the researchers for future reference.

In the case of research involving children under the age of 18, the parent or guardian of the child must provide informed consent on behalf of the child. This is because children are considered to be a vulnerable population and may not have the capacity to fully understand the risks and benefits of participating in research.

Information on informed consent should be provided in the Material and Methods section of the manuscript, along with any other relevant details about how the research was conducted.

If the manuscript reports the findings of a survey or interviews, the author must confirm that the participants gave their informed consent to participate in the study and for their personal details to be recorded if that is the case. If quotations or other attributable statements are included, these must be deidentified, or the manuscript must state that the person agreed to be named in the manuscript.

It is the responsibility of the authors to protect the anonymity of study participants, and to ensure that the research is conducted in a way that respects their privacy and confidentiality. This is especially important for photographs that may reveal the identity of patients, as the publication of such photographs without proper consent could potentially violate the rights of the individuals depicted.

To protect the anonymity of participants in photographs, the authors should obtain signed releases from the participants or their legal representatives. These releases should indicate that the participants have given their consent for the publication of the photographs, and should specify any restrictions or conditions on the use of the photographs. Information on the publication approval for photographs should be provided in the manuscript.

Plagiarism and Ethical Misconduct

All submissions are screened by a similarity detection software (Crossref Similarity Check Powered by iThenticate) multiple times during the peer-review and/or production processes.

When you are discussing others' (or your own) previous work, make sure that you cite the material correctly in every instance.

Authors are strongly recommended to avoid any form of plagiarism and ethical misconduct that are exemplified below.

• Citation manipulation: The practice of manipulating the number of citations received by an author, journal, or other publication through various means, such as self-citation, excessive citation of articles from the same journal, or the inclusion of honorary citations or citation stacking.

• Self- plagiarism (text-recycling): The practice of using overlapping sections or sentences from the author's previous publications without properly citing them. This is considered to be a form of plagiarism, as it involves using someone else's work (in this case, the author's own work) without proper attribution.

• Salami slicing: The practice of using the same data from a research study in several different articles. This is considered to be unethical, as it involves reporting the same hypotheses, population, and methods of a study in multiple papers.

• Data Fabrication: The addition of data that never occurred during the gathering of data or experiments. This is considered to be a form of research misconduct, as it involves presenting false or misleading information as if it were real data.

• Data Manipulation/Falsification: The practice of manipulating research data with the intention of giving a false impression. This can include manipulating images, removing outliers or "inconvenient" results, changing data points, and other forms of manipulation. This is also considered to be a form of research misconduct, as it involves presenting false or misleading information as if it were real data.

In the event of alleged or suspected research misconduct such as plagiarism, citation manipulation, or data falsification/fabrication, the Editorial Board will follow the appropriate COPE flowcharts to ensure that the allegations or suspicions are handled in a fair, transparent, and consistent manner.

AUTHORSHIP

To become a writer, the following criteria must be met.

1. Substantial contributions to the conception or design of the work; or the acquisition, analysis, or interpretation of data for the work.

2. Drafting the work or reviewing it critically for important intellectual content.

3. Final approval of the version to be published.

4. Agreement to be accountable for all aspects of the work in ensuring that questions related to the accuracy or integrity of any part of the work are appropriately investigated and resolved.

In addition to being accountable for the parts of the work they have done, authors should also be able to identify which co-authors are responsible for specific other parts of the work to ensure that the contributions of all authors are accurately and appropriately acknowledged. Authors may use CRediT (Contributor Roles Taxonomy) to provide information about individual contributions at the time of submission. It is expected that all authors agreed upon their individual contributions as shared by the corresponding author. The authors’ contribution statement will be published with the final article and should accurately reflect contributions to the work.

Furthermore, authors should have confidence in the integrity of the contributions of their co-authors. This means that they should trust that their co-authors have conducted the research in an ethical and responsible manner, and that the data and results presented in the manuscript are accurate and reliable.

Individuals who do not meet all four of the authorship criteria should not be included as authors on the manuscript. However, they can still be acknowledged on the title page of the manuscript for their contributions to the research in order to recognize the contributions of these individuals and to provide transparency about who was involved in the research.

If the editorial board suspects a case of ghost, honorary or gift authorship, the submission will be suspended and the relevant COPE flowchart and COPE Policy on authorship and contributorship will be followed.

Change of Authorship

Any requests for changes to authorship, such as the removal or addition of authors, or changes in the order of authors, should be submitted to the editorial office with a letter stating the reasons for the change. The letter must be signed by all authors, including any who have been removed.

The journal’s Editorial Board will handle all requests for changes to authorship in a consistent and transparent manner, following the relevant COPE flowchart guidelines. These procedures are in place to protect the integrity of the research and the reputation of all involved authors.

Declaration of Interests

Authors must reveal any relationships or interests that may lead to an inappropriate influence or bias in their work. This should be done by disclosing any possible conflicts of interest through the online submission system while submitting their manuscript.

Journal of Palmette also requires and encourages individuals involved in the peer review process of submitted manuscripts to disclose any existing or potential competing interests that might lead to potential bias.

The Editorial Board will handle cases of potential competing interests of editors, authors, or reviewers within the scope of relevant COPE flowcharts.

Artificial Intelligence Policy

The use of generative artificial intelligence (GAI) tools in articles published in the journal must be conducted within an ethical, transparent, and responsible framework. This policy defines the boundaries for the use of AI-assisted tools for authors, editors, and reviewers.

The journal follows the guidelines established by the Committee on Publication Ethics (COPE) and ICMJE regarding the use of GAI-supported technologies in the manuscript preparation process. GAI tools cannot be accepted or listed as authors in academic or scientific studies. GAI has no authorship or evaluative authority; scientific publications must be based on the researcher’s original ideas and findings. GAI may be used for language editing during manuscript preparation (and this must be clearly stated in the article).

The journal is committed to supporting copyright and publication ethics regulations. Due to ongoing legal uncertainties or potential copyright violations related to AI-generated visual content, the use of such materials is generally not permitted in our publications, except in the following cases:

For visuals directly referenced in research on artificial intelligence, a statement must be included in the note section indicating that the image was generated using generative AI and specifying which GAI was used. Example: Note. The image was generated using artificial intelligence (DALL·E, OpenAI, 2026). This statement must also be described in detail in the article before the references.

Responsible and human-controlled use of generative GAI is essential. To ensure that the use of generative GAI systems is explainable and auditable, authors must verify the accuracy and appropriateness of AI-generated visuals and clearly describe the GAI methodology used in the manuscript. All content generated using generative GAI must comply with scientific standards and ethical rules.

Authors may use generative AI tools for language editing, proofreading, or technical improvement. However, the scientific content, analyses, and conclusions of the study remain entirely the responsibility of the authors. Original idea generation and hypothesis development are the responsibility of the author. Interpretation of findings, discussion, and conclusions must not be delegated to generative AI. Methods used in data analysis generated by GAI may raise ethical concerns. GAI systems cannot be listed as authors. If GAI is used, this must be clearly disclosed in the manuscript. The authors bear final responsibility for the accuracy and ethical compliance of AI-generated content. Confidential patient data, ethics committee–required data, or copyrighted materials must not be uploaded to GAI systems. GAI tools cannot create the scientific content of the study.

Editors may use GAI-supported systems for limited purposes such as language quality checks or similarity analysis during preliminary evaluation. However, editorial decisions are made solely by editors. Confidential patient data, ethics committee–required data, or copyrighted materials must not be uploaded to GAI systems.

Reviewers may not upload manuscript content under review to any GAI system, as this would violate data confidentiality. Reviewers may use AI tools only for language editing of the text they themselves have written. Reviewers are responsible for the scientific content of their reports.

Failure to provide proper disclosure, incomplete disclosure, or prohibited use constitutes a violation. In such cases, one or more of the following sanctions may be applied: manuscript rejection, post-publication retraction, editorial sanctions imposed by the journal, and institutional notification procedures.

Financial Disclosure

Journal of Palmette requires authors to disclose any financial support they received to conduct their research. This information should be included in the funding statement, which should be provided when the manuscript is submitted to the journal.

The funding statement should include the name of any granting agencies, the grant numbers, and a description of each funder's role in the research. If the funder had no role in the research, this should be stated in the funding statement as well. This information is important for readers to understand the potential biases and conflicts of interest that may exist in the research.

Post-Publication Correction Requests and Retractions

All post-publication correction requests are subject to editorial review. The editorial board will review the request and determine whether the correction is necessary and appropriate. The decision to publish a correction will be based on the nature of the error, its potential impact on the article, and the availability of supporting evidence. The editorial board may also consult with the authors, reviewers, and other experts as needed to make its decision. If the correction request is approved, the article will be corrected in the journal's archive.

The Editorial Board reviews cases following journal policies and COPE guidelines.

If misconduct allegations are made by whistleblowers directly, the Editorial Board will follow the relevant COPE’s flowchart. The journal will act in accordance with the COPE's flowchart on how to respond to whistleblowers when concerns are raised about a published article on a social media site.

In some cases, an ombudsperson may be assigned to resolve claims that cannot be resolved internally.

To investigate potential ethical misconduct, the editorial board may share information with other editors-in-chief to conduct investigations more efficiently and effectively. If communication with the editor-in-chief is necessary, the editorial board will follow the relevant COPE's recommendations.

If necessary, the journal may also contact institutions to inform them of suspected misconduct by researchers and provide evidence to support these concerns, following COPE guidelines in the process.

In the event of ethical misconduct concerns, the editors will investigate the case according to COPE guidelines. If the investigation verifies the concern, the editors may issue a retraction notice. The retraction notice will be published in the journal and the article's record will be updated to reflect the retraction. The article will remain in the archives of the journal, but it will be clearly marked as retracted. The article's record will also be updated in the relevant indexes to reflect the retraction.

Withdrawal Requests

Withdrawal requests for an article are reviewed by the editorial board of the journal. To request the withdrawal of an article, the authors must send a letter signed by all authors stating their request and the reasons for withdrawal to the journal editor. The editorial board will then review the request and make a decision based on the reasons provided by the authors. If the request is approved, the article will be withdrawn from the journal and the authors will be notified of the decision. It is important to note that authors should not submit their work to another journal for evaluation until the withdrawal request has been approved. This is to avoid any potential conflicts of interest or duplication of publication.

Appeals and Complaint

The editorial board of the journal is responsible for addressing appeals and complaints in accordance with the guidelines and recommendations of the COPE. If an author has an appeal or complaint, they should contact the editorial office directly to discuss their concerns. The editorial board will review the case and make a decision based on COPE guidelines.

The editor-in-chief has the final authority in the decision-making process for all appeals and complaints. In some cases, an ombudsperson may be assigned to resolve claims that cannot be resolved internally. It is important to note that the journal follows a fair and transparent process for handling appeals and complaints, with the goal of preserving the integrity of the scientific record.

Preprint Policy

Journal of Palmette does not consider preprints as prior publication, which means that authors are allowed to present and discuss their findings on a non-commercial preprint server before submitting their work to the journal.

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If the article is accepted and published in the journal, it is the responsibility of the authors to update the archived preprint and link it to the published version of the article. This helps to ensure that readers can easily access the most up-to-date and accurate information.

Permission Policy

As of the March 2024 issue, the journal's content is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).

Atatürk University is the copyright holder of content published before March 2024.

Under this license, users are allowed to share, adapt, reproduce and distribute the journal's content for non-commercial purposes, provided that they give appropriate credit to the original author and the journal.

Disclaimer

The statements or opinions expressed in the manuscripts published in the journal reflect the views of the author(s) and not the views of the editors, editorial board, and/or publisher. The editors, editorial board, and publisher are not responsible for the content of the manuscripts and do not necessarily endorse the views expressed in them. It is the responsibility of the authors to ensure that their work is accurate and well-researched, and the views expressed in their manuscripts are their own. The editors, editorial board, and publisher simply provide a platform for the authors to share their work with the scientific community.

Price Policy

Journal of Palmette is funded by the Atatürk University. Authors are not required to pay any fees during the evaluation and publication process.

Indexes

Other Indexes

	DOAJ
	Gale Cengage
	EBSCO - Art Full Text
	ERIH Plus
	ProQuest
	EBSCO - Central & Eastern European Academic Source (CEEAS)
	EBSCO - H. W. Wilson Databases - Art & Architecture Source

Journal Boards

Editör

Assoc. Prof. Dr. Gül GEYİK Department of Art History, Ataturk University, Faculty of Letters, Erzurum, Türkiye

Islamic Arts, Art History

Yardımcı Editörler

Asst. Prof. Dr. Esra HALICI ATATURK UNIVERSITY, FACULTY OF LETTERS, DEPARTMENT OF ART HISTORY, ART HISTORY PR.

Ataturk University, Faculty of Literature, Department of Art
History, Western Arts- Erzurum/Turkey

Art History, Contemporary Art

Assoc. Prof. Dr. Demet OKUYUCU Atatürk Üniversitesi

Byzantine Art

Assoc. Prof. Dr. Muhammet ARSLAN KAFKAS UNIVERSITY

Erzurum’da dünyaya geldi. İlk, orta ve lise tahsillerini Erzurum’da tamamladı. 2006 yılında Atatürk Üniversitesi Edebiyat Fakültesi Sanat Tarihi Bölümü’nden derece ile mezun oldu. 2017 yılında, “Anadolu Selçuklu Çağı Cami ve Mescit Mimarisi” adlı tez çalışması ile “Doktor” unvanı aldı. Kars Kafkas Üniversitesi Fen-Edebiyat Fakültesi Sanat Tarihi Bölümü’nde “Doç. Dr.” olarak çalışmaktadır. Erzurum ve İstanbul V Nolu Kültür Varlıklarını Koruma Kurulu üyeliği yaptı. Halen Erzurum Kültür Varlıklarını Koruma Kurulu üyesidir. 2019 yılından beri Ani Örenyeri Kazı Başkanı ve Ani Arkeolojik Alanı Alan Başkanı olarak görev yapmaktadır. Ayrıca 6 Şubat 2023 tarihli depremlerin ardından Hatay Afet Bölgesi Kazı Başkanlığına atanarak dünyada bir ilk olarak “enkaz arkeolojisi” metodolojisini uyguladı. Türk kültürü ve Anadolu Selçuklu mimarisi başta olmak üzere Türk-İslam şehirleri ve mimarisi üzerine çalışmalar yaptı. Ulusal ve uluslararası sempozyumlarda birçok tebliğ sundu, konferanslar verdi ve panelistlik yaptı. Ulusal ve uluslararası dergi ve yayınlarda 50’den fazla bilimsel çalışması yayınlandı. Çeşitli radyo ve televizyonlarda çok sayıda kültür ve sanat programlarına katıldı. Popüler dergi ve gazetelerde kültür ve sanat üzerine yazılar yazdı. Akademisyen Ülfet Hanım ile evli olup “Zeynep” adında bir kız çocuğuna sahiptir.

Islamic Arts, History of Architecture, Art History, Urban in Art History , Urban Aesthetics in Art History, Art History, Theory and Criticism (Other), Archeology of Seljuk, History of Seljuk

Yayın Kurulu

Prof. Dr. Haldun ÖZKAN Department of Turkish-Islamic Arts, Atatürk Universıty, Faculty of Letters, Erzurum, Türkiye

Islamic Arts, History of Architecture, Art History, Byzantine Art

Prof. Dr. Gülgün KÖROĞLU Mimar Sinan Güzel Sanatlar Üniversitesi

Lisans eğitimini İstanbul Üniversitesi Edebiyat Fakültesi Arkeoloji ve Sanat tarihi Bölümünde 1986 yılında tamamladıktan sonra, Yüksek Lisans ve Doktora eğitimini Mimar Sinan Üniversitesi Sosyal Bilimler Enstitüsü’nde Batı Sanatı ve Çağdaş Sanatlar Programında sonuçlandırdı. Yüksek Lisans tezi Bizans Sanatında Kadın Takıları, doktora tez çalışması ise Bizans Sanatında İkonoklazma Dönemi Mimarisi ve Mimariye Bağlı Resim Sanatı konusundadır. Mimar Sinan Güzel Sanatlar Üniversitesi Sanat Tarihi Bölümü’nde öğretim üyesi olarak görev yapmaktadır. Bilimsel çalışmaları Ortaçağ arkeolojisi, küçük el sanatları ve Ortaçağ mimarisi üzerinde yoğunlaşmıştır. Geç Antik ve Ortaçağ Hristiyan dönemi yerleşimlerinde sürdürülen arkeolojik kazılarda gün ışığına çıkarılan ve müzelerde yer alan önemli küçük buluntuları yayınlamıştır. 2010 yılında başlayan ve halen sürdürülmekte olan Sinop’taki Balatlar Yapı Topluluğu arkeolojik kazısının başkanıdır.

Painting History, Art History, Byzantine Art, Medieval Age Archeology

Asst. Prof. Dr. Zerrin KÖŞKLÜ ATATÜRK ÜNİVERSİTESİ

Islamic Arts, Art History

Prof. Dr. Simge ÖZER PINARBAŞI İstanbul Üniversitesi Edebiyat Fakültesi

Visual Cultures, Contemporary Art

Yabancı Dil Editörü

Asst. Prof. Dr. Ülfet DOĞAN ARSLAN KAFKAS ÜNİVERSİTESİ, FEN-EDEBİYAT FAKÜLTESİ

British and Irish Language, Literature and Culture, Anatolia Language, Literature and Culture, World Languages, Literature and Culture (Other), Children's Literature, Digital Literature, Literary Theory, Ecocriticism, Young Adult Literature, Comparative and Transnational Literature, Modernist/Postmodernist Literature, Popular and Genre Literature, Romantic Literature, Reinessance Literature, New Media, Environment and Culture, Migrant Cultural Studies, Consumption and Everyday Life, Culture, Representation and Identity, Cultural Theory, Postcolonial Studies, Arts and Cultural Policy, Advertising Analysis, Turkish Folklore (Other), Design Culture and Social Context

Dil Editörü

Asst. Prof. Dr. Esma SÖNMEZ ÖZ ATATURK UNIVERSITY, FACULTY OF LETTERS, DEPARTMENT OF AMERICAN CULTURE AND LITERATURE, DEPARTMENT OF AMERICAN CULTURE AND LITERATURE

Linguistics, Discourse and Pragmatics, Sociolinguistics, Textlinguistics

Asst. Prof. Dr. Funda TÜRKBEN AYDIN MARDIN ARTUKLU UNIVERSITY, FACULTY OF LETTERS, DEPARTMENT OF PERSIAN LANGUAGE AND LITERATURE, PERSIAN LANGUAGE AND LITERATURE PR.

Language Studies, Translation Studies, Linguistics, Persian Language, Literature and Culture

Danışma Kurulu

Assoc. Prof. Dr. Muhammed Lütfi KINDIĞILI Ataturk University, Faculty of Fine Arts, Department of Basic Education

Islamic Arts, Cultural and Natural Heritage

Assoc. Prof. Dr. Meryem ACARA SİVAS CUMHURİYET ÜNİVERSİTESİ

Byzantine Art, Medieval Age Archeology

Prof. Dr. Zekiye UYSAL Çanakkale Onsekiz Mart Üniversitesi

Ceramic Glaze, Traditional Turkish Arts (Other), Crafts, History of Architecture, Art History, Turkish-Islamic Archeology in the Middle Ages

Prof. Dr. Selçuk SEÇKİN Mimar Sinan Fine Arts University, Faculty of Arts and Sciences

Islamic Arts, History of Architecture, Art History

Prof. Dr. Yusuf BİLEN SÜLEYMAN DEMİREL ÜNİVERSİTESİ, GÜZEL SANATLAR FAKÜLTESİ

Ornamentation, Architectural, Fine-Arts in Turkish Islamic Art, Line in Turkish Islamic Art, Turkish-Islamic Arts History

Prof. Dr. Ahmet ÇAYCI NECMETTİN ERBAKAN ÜNİVERSİTESİ

Konya doğumlu olup Arkeoloji-Sanat Tarihi alanında lisans eğitimi almıştır. Genel bağlamıyla İslam Sanatları özel olarak Anadolu Selçuklu Sanatı üzerine araştırmalar ve neşriyat gerçekleştirmektedir. Ortaçağ Arkeolojisi konusunda aktif olarak kazı çalışmalarına devam etmektedir. Lisans ve Lisansüstü düzeyde öğrenci yetiştirmeye gayret sarf etmektedir.

Islamic Arts, History of Architecture, Art History, Archaeology

Prof. Dr. Nilay ÇORAĞAN Erciyes Üniversitesi

Art History

Prof. Dr. Üzlifat ÖZGÜMÜŞ İSTANBUL ÜNİVERSİTESİ-CERRAHPAŞA

EĞİTİM

• 1972-1978 İstanbul Kız Lisesi
• 1978-1982 İstanbul Üniversitesi,Edebiyat Fakültesi,Estetik
ve Sanat Tarihi Kürsüsü
• 1982-1984 İ.Ü.Edebiyat Fakültesi,Sanat Tarihi Bölümü,
Master derecesi
• 1985-1991 Mimar Sinan Üniversitesi,Batı Sanatı ve Çağdaş
Sanatlar Anabilim Dalı, Doktora derecesi.
• 2000 Doçentlik derecesi.
• 2010 Profesörlük derecesi
PROFESYONEL DENEYİM
• 1981-1982 İznik Çini Fırınları Kazısı
• 1983 Anadolu Medeniyetleri Sergisi,Askeri Müze’de Osmanlı
Çadırları Restorasyonu
• 1983-1991 Türkiye Şişe ve Cam Fabrikaları A.Ş.Cam Müzesi Uzmanlığı
• 1985 İznik Tiyatrosu Kazısı
• 1988 25 Nisan-12 Mayıs,Anadolu Cam Sanatı Sergisi kuratörlüğü,
Kuyucu Murat Paşa Medresesi
• 1998-2002 İstanbul Üniversitesi,Edebiyat,Fakültesi,Sanat Tarihi
Anabilim Dalı’nda ders vermiştir

• 2001-2007 Marmara Üniversitesi,Güzel Sanatlar
Fakültesi,Seramik ve Cam Bölümü’nde
ders vermiştir.
• 2007- Marmaray-Sirkeci Kazıları
• 2009 Aya İrini Kazısı
• 2008-2016 Doğuş Üniversitesi,Sanat ve Tasarım Fakültesi,
Endüstri Ürünleri Tasarımı Bölümü
• 2010 - 2014 Doğuş Üniversitesi,Sanat ve Tasarım Fakültesi,
Endüstri Ürünleri Tasarımı Bölümü Başkanı
• 2010 - 2016 Doğuş Üniversitesi,Sanat ve Tasarım Fakültesi ,
Fakülte Kurulu Üyesi
• 2010- Nif-Olympos Dağı Kazıları
• 2010 - Sinop Balatlar Kilisesi Kazısı
• 2016- İstanbul Üniversitesi-Cerrahpaşa, Teknik Bilimler MYO,
El Sanatları Bölüm Başkanı
• 2018 - Afrodisyas Kazıları

KATILDIĞI TOPLU ETKİNLİKLER

• 1998 26-27 Nisan,1.Uluslararası Anadolu Cam Sanatı Sempozyumu,
İstanbul.
• 2000 1-4 Kasım,1.Uluslararası İznik/Nicaea Sempozyumu,
İznik.
• 2008 5-6 Mayıs, Marmaray-Metro Kurtarma Kazıları Sempozyumu,
İstanbul
• 2009 20-25 Eylül,18th Congress of International Association for
The History of Glass,Selanik
• 2009 14-16 Ekim, XIII.Ortaçağ ve Türk Dönemi Kazıları ve
Sanat Tarihi Araştırmaları Sempozyumu, Denizli
• 2009 26-28 Ekim,Uluslararası Geç Antik Dönem Cam
Sanatı Sempozyumu,İzmir
• 2010 06 Nisan ''Dünden Bugüne İstanbul’da Cam” Semineri,
İstanbul Üniversitesi
• 2010 17-20 Haziran,Anadolu Antik Cam Araştırmaları Sempozyumu,
Kaunos
• 2010 11-12 Ekim , Camgeran 2010 Uluslararası Katılımlı
Uygulamalı Cam Sempozyumu, Eskişehir.

• 2011 30 Mayıs-02 Haziran’’ Landscapes of
Ionia:Towns inTransition’’,İzmir.
• 2011 19-21 Eylül 14 th International Congress of Turkish Art,
Paris ,College de France.
• 2011 6-8 Ekim II.ODTÜ Arkeometri Çalıştayı,Ankara
• 2011 2 Kasım Cam Arkeolojisinde Son Gelişmeler,
İzmir,Institut Français.

• 2012 26 Nisan ‘’ Traditional Elements in Contemporary Glass Design
of Turkey’’ Amsterdam ,Gerrit Reitveld Academie,

• 2012 18 Mayıs ’’Migration period in the Czech Republic:
Prague-Zličín spectacular finds’’ , İstanbul Üniversitesi

• 2012 21 Mayıs ‘’1.Uluslararası Odunpazarı Festivali’’,
Eskişehir

• 2012 17-21 Eylül ‘’19th Congress of the International
Association for the History of Glass’’ ,Piran,Slovenya
• 2013 11-12 Mart ’’ 1.Arkeoloji ve Sanat Tarihi Çalıştayı ‘’
İstanbul Üniversitesi
• 2014 22 Mart ‘’Eski Eser Yapılarda Restorasyon Uygulamaları
Semineri’’,Yıldız Sarayı
• 2014 15 Nisan ‘’Glassprintist Sempozyum’’, MSGSÜ
• 30.05.2015 III.Uluslararası Denizli Cam Bienali
• 06-10 Eylül 2015 20th Congress of the International
Association for the History of Glass, Fribourg,İsviçre
• 29.02.2016 Rabia Özakın,Üzlifat Özgümüş,Umut Çelik,Serra Kanyak ,
Gravürlerde Ayasofya’’, Engravist İstanbul Gravürleri Sempozyumu
• 12-14 Ekim 2016. Üzlifat Özgümüş,Rabia Özakın, Umut Çelik,
Serra Kanyak.
" Koruma Ve Onarım İlkeleri Bağlamında Pencere Camları’’
‘’ Belgeleme Yöntemleri ve Güncel Uygulamalar’’.
III. Tarihi Eserleri Koruma Onarım Çalıştayı:Cam Eserler.
Sualtı Arkeoloji Enstitüsü.Bodrum.

• 12-13 Ekim 2016. Üzlifat Özgümüş,Rabia Özakın, Umut Çelik,
Serra Kanyak.‘’Revzen(Alçı Pencere) Üretiminde Geçmişten
Günümüze Gelenek - Zanaatkâr-Atölye İlişkisi ve Değişimi’’,
Sanatta Gelenek,Gelenekte Sanat Sempozyumu,FSM Üniversitesi,
İstanbul
• 10-11 Mart 2017.Gelenekli Türk Sanatlarının Dünü,Bugünü ve
Geleceği Çalıştayı,Ankara
• 17-19 Nisan 2017, Üzlifat Özgümüş,Rabia Özakın, Umut Çelik,
Serra Kanyak.‘’Osmanlı Pencerelerinin Dünü Bugünü ve Geleceği’’,
II. Arkeoloji Ve Sanat Tarihi Çalıştayı,İstanbul Üniversitesi ,
Güzel Sanatlar Bölümü
• 25-26 Nisan 2018,‘’Akhaimenid Kesme Camları’’,İ.Ü.Güzel Sanatlar
Bölümü III.Arkeoloji ve Sanat Tarihi Çalıştayı,İstanbul
• 03-07 Eylül 2018 21st Congress of the International
Association for the History of Glass, İstanbul,Türkiye
• 2-5.Mayıs 2019 V.Uluslararası Denizli Cam Bienali,Denizli

ÜYE OLDUĞU BİLİMSEL VE MESLEKİ KURULUŞLAR

• Association Internationale pour L’ Histoire du Verre
(International Association for the History of Glass -AIHV)

• Kültür Bilincini Geliştirme Vakfı
ULUSAL DERGİLERDE YAYIN KURULU ÜYELİĞİ

• Sanat Tarihi Araştırmaları Dergisi 13(1996 )İstanbul

• Sanat Tarihi Araştırmaları Dergisi 14(1998)İstanbul

• Sanat Tarihi Araştırmaları Dergisi 15(2000)İstanbul

• Sanat Tarihi Araştırmaları Dergisi 16(2002)İstanbul

ULUSLARARASI PROJELER

• Silk Road Project
Nottingham University, Department of Archaeology
(proje ortağı)
ULUSAL PROJELER
• ‘’ İstanbul Yeni Cami Hünkar Kasrı Camlarının Arkeometrik Yönden İncelenmesi ve Değerlendirilmesi ‘’
ODTÜ Fen Bilimleri Enstitüsü -Arkeometri / Kimya Bölümü ve Ankara Üniversitesi -Mühendislik Fakültesi Jeoloji Mühendisliği Bölümü ile DAP Projesi(2011) (Proje ortağı)

• ‘’İstanbul’daki Osmanlı Dönemi (15-17.yüzyıl) Yapılarında Alçı Pencerelerin Envanteri, Yapım Tekniği ve Malzeme Özellikleri Üzerine Bir Araştırma’’
Yıldız Teknik Ünivesitesi,Milli Saraylar ve Tarihi Yapılar M.Y.O. , Teknik Programlar Bölümü ile BAP projesi
(Proje ortağı)

DANIŞMANLIKLAR

• T.C. Cumhurbaşkanlığı Milli Saraylar Danışma Kurulu Üyesi
• Selçuklu Uygarlığı Müzesi –Kayseri
• Kuzgun Acar -Kuşlar Heykeli restorasyonu
• Atilla Onaran-Balerin heykeli restorasyonu
• Hüseyin Anka Özkan-Yankı heykeli restorasyonu
• İMÇ Binalarındaki Sanat Eserlerinin restorasyonu
• Gılaf-ı Reyya Sergisi

KONFERANSLAR

• 07.05.2007 ‘Cumhuriyetin 50.Yılı Heykelleri’
Kültür Bilincini Geliştirme Vakfı
• 2007 ‘Cam Sanatı’
Kültür Bilincini Geliştirme Vakfı
• 18.12.2008 ‘Marmaray-Metro İnşaatı Sirkeci Bölgesi Kazılarından Cam Buluntular’
Suna-İnan Kıraç Vakfı İstanbul Araştırmaları Enstitüsü
• 12.02.2009 ‘Batılılaşma Dönemi İstanbul Mimarisi’
Beyazıt Devlet Kütüphanesi Salonu
• 23.12.2009 ‘Marmaray-Sirkeci Kazıları Antik Camları’
İstanbul Arkeoloji Müzeleri
• 06.04.2010 ‘Dünden Bugüne İstanbul’da Cam’
İstanbul Üniversitesi ,Rektörlük
• 07.03.2011’Marmaray-Sirkeci Kazıları Cam Buluntuları’
Marmara Üniversitesi Fen-Edebiyat Fakültesi Sanat Tarihi Bölümü
• 18.02.2012 ‘’Camın Serüveni’’
Kilyos Kültür ve Sanat Merkezi
• 31.08.2012 ‘’Nif(Olympos) Dağı Cam Buluntuları’’
Nif (Olympos)Kazı Evi
• 02.10.2012 ‘’Arkeoloji ve Sanat Tarihi Bilimlerinde Cam’’
Goethe Institute,İzmir
• 02.10.2012 ‘Anadolu Camcılığı ’’
9 Eylül Üniversitesi,Arkeoloji Bölümü,İzmir
• 17.03.2013 ‘’Cam Sanatı’’
Fest Travel
• 23.02.2014 ‘’Cam sanatı’’
Cam Ocağı Vakfı
• 25.10.2014 ‘’Yaşayan Mitoloji’’
Kilyos Kültür Derneği
• 30.05.2015 ‘’Anadolu Camcılığı’’
III.Uluslararası Denizli Cam Bienali
• 05.Nisan 2016 ‘’Mimaride Cam’’
TÜRKEV, Türkiye Tarihi Evleri Koruma Derneği
• 10 Ekim 2019 ‘’Cam Sanatı’’
Antonina Sanat Galerisi

Architectural History, Theory and Criticism, Visual Cultures, Art History

Prof. Dr. Emel Emine NAZA DÖNMEZ İSTANBUL ÜNİVERSİTESİ

Architectural Heritage and Conservation, Islamic Arts

Assoc. Prof. Dr. Hasan UÇAR EGE ÜNİVERSİTESİ, EDEBİYAT FAKÜLTESİ, SANAT TARİHİ BÖLÜMÜ, SANAT TARİHİ ANABİLİM DALI

Turkish-Islamic Arts History

Prof. Dr. Ahmet Ali BAYHAN ORDU ÜNİVERSİTESİ

History of Architecture, Art History

Prof. Dr. Erdal ESER CUMHURİYET ÜNİVERSİTESİ

Turkish-Islamic Archeology in the Middle Ages, Urban Archeology

Prof. Dr. Evangelia ŞARLAK

EVANGELIA SARLAK PROFESÖR E-Posta Adresi Telefon (Is) Telefon (Cep) Adres Öğrenim Bilgisi 1999 Tez adı: Post-Bizans Dönemi İstanbul kiliselerinde duvardan bağımsız ikonalar (2001) Tez Danışmanı:(PROF.DR. FİLİZ ÖZER) Doktora 1/Haziran/2001 İSTANBUL TEKNİK ÜNİVERSİTESİ/SOSYAL BİLİMLER ENSTİTÜSÜ/SANAT TARİHİ (DR)/ 1986 Tez adı: 19. yüzyılda İstanbul Rum Ortodoks kiliseleri (1996) Tez Danışmanı:(PROF.DR. FİLİZ ÖZER) Yüksek Lisans 1/Haziran/1996 İSTANBUL TEKNİK ÜNİVERSİTESİ/SOSYAL BİLİMLER ENSTİTÜSÜ/SANAT TARİHİ (YL) (TEZLİ)/ 1981 (1986) Lisans 15/Haziran/1986 İSTANBUL ÜNİVERSİTESİ/EDEBİYAT FAKÜLTESİ/ARKEOLOJİ VE SANAT TARİHİ BÖLÜMÜ/ Akademik Görevler PROFESÖR ISIK ÜNIVERSITESI/GÜZEL SANATLAR FAKÜLTESI/GÖRSEL SANATLAR BÖLÜMÜ 2012 PROFESÖR ISIK ÜNIVERSITESI/GÜZEL SANATLAR FAKÜLTESI/GÖRSEL SANATLAR BÖLÜMÜ 2012 (ikonografi ve sembolizasyon) PROFESÖR ISIK ÜNIVERSITESI/GÜZEL SANATLAR FAKÜLTESI/GÖRSEL SANATLAR BÖLÜMÜ/GÖRSEL SANATLAR ANABILIM DALI (1 Mart 2012 Kadro Ataması ve Ünvan 2012 Degisikligi) DOÇENT ISIK ÜNIVERSITESI/FEN-EDEBIYAT FAKÜLTESI/SOSYOLOJI BÖLÜMÜ/SANAT TARIHI 2006 ANABILIM DALI YARDIMCI DOÇENT ISIK ÜNIVERSITESI/IKTISADI VE IDARI BILIMLER FAKÜLTESI/ISLETME 2002-2006 BÖLÜMÜ/ISLETME ANABILIM DALI ÖGRETIM GÖREVLISI ISIK ÜNIVERSITESI/IKTISADI VE IDARI BILIMLER FAKÜLTESI/ISLETME 1998-2002 BÖLÜMÜ/ISLETME ANABILIM DALI 1 Yönetilen Tezler: Yüksek Lisans 2023 ATEŞ SİBEL, (2023). Türk çağdaş sanatında sürdürülebilirlik temelinde atığın nesnel dönüşümü, Işık Üniversitesi->Lisansüstü Eğitim Enstitüsü->Diğer (Tamamlandı) 1. 2022 KAYMAKCI CEREN, (2022). Sahne sanatları perspektifinden teatral ve skenografik resim okumaları, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Bilimi Ana Bilim Dalı (Tamamlandı) 2. ATEŞ ENVER, (2022). İstanbul'daki Rum Ortodoks kiliselerinde Zoodokhos Pigi ikonaları, Mimar Sinan Güzel Sanatlar Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Tarihi Ana Bilim Dalı (Tamamlandı) 3. TUTAR ENER SELEN, (2022). 2000 sonrası Türkiye takı sanatında inanç sembolizmi, İstanbul Teknik Üniversitesi->Lisansüstü Eğitim Enstitüsü->Sanat Tarihi Ana Bilim Dalı (Tamamlandı) 4. 2021 ÖZKAN FATMA AYSUN, (2021). Horoz imgesinin plastik sanatlara yansıması: Türkiye'de Erken Cumhuriyet Döneminden günümüze çağdaşı Batı sanatıyla bir karşılaştırma, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Görsel Sanatlar Ana Bilim Dalı (Tamamlandı) 5. 2020 TOMRUK AYŞE ŞEYDA, (2020). Duvar resimlerinde kullanılan kadın figürünün, dönemler arası toplum yaşayışlarındaki kadın olgusuna nasıl ışık tuttuğu ve toplumların kadın olgusuna duvar resmi üzerinden bakışı, Işık Üniversitesi->Lisansüstü Eğitim Enstitüsü->Görsel Sanatlar Ana Bilim Dalı (Devam Ediyor) 6. DÖVEN ECE MELİS, (2020). Türkı̇ye'de Contemporary İstanbul'a alternatı̇f çağdaş sanat fuarları, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Kuramı ve Eleştiri Ana Bilim Dalı (Tamamlandı) 7. 2018 OSMANOĞLU ÖZLEM, (2018). İstanbul Rum-Ortodoks kiliselerinde epitafion işlemeleri ve ikonografileri, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Kuramı ve Eleştiri Ana Bilim Dalı (Tamamlandı) 8. 2017 ÖZ BAYSAL EZGİ, (2017). Kent - bellek ilişkisinde güncel sanat pratikleri: İstanbul'u belgelemek, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat ve Tasarım Ana Bilim Dalı (Tamamlandı) 9. 2015 COŞKUN MELİS, (2015). Deniz Bilgin sanatının ikonografik çözümlemesi, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Kuramı ve Eleştiri Ana Bilim Dalı (Tamamlandı) 10. YAPRAKKIRAN ERKAN, (2015). Türkiye'de yeni ekspresyonist resimde beden imgesi, Işık Üniversitesi- >Sosyal Bilimler Enstitüsü->Sanat Kuramı ve Eleştiri Ana Bilim Dalı (Tamamlandı) 11. 2012 TATLICI GİZEM, (2012). İtalya'da 1960'lardaki Arte Povera Hareketi ve çağdaş Türk sanatına yansıması, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Bilimi Ana Bilim Dalı (Tamamlandı) 12. KİLİMCİ PELİN, (2012). Anish Kapoor'un mekan ve malzeme anlayışı, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Bilimi Ana Bilim Dalı (Tamamlandı) 13. ÇUBUKÇU EMRE, (2012). Pop art akımının mobilya tasarımıyla ilişkisi ve etkisi, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Bilimi Ana Bilim Dalı (Tamamlandı) 14. 2011 ONUREL RUHİYE, (2011). Süleyman Peygamber'i tasvir eden Osmanlı minyatürlerinde hibritler ve kökenleri, İstanbul Teknik Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Tarihi Ana Bilim Dalı (Tamamlandı) 15. Doktora 2018 TATLICI GİZEM, (2018). Görsel belleğin izinde Türk resminde yemek kültürü, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Bilimi Ana Bilim Dalı (Tamamlandı) 16. ONUREL RUHİYE, (2018). Kıyamet ve son yargı tasvirlerinde hibrit ikonografisi, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Diğer (Tamamlandı) 17. KİLİMCİ PELİN, (2018). Sanatta mikroskobik görüntülerin dünyada ve Türkiye'deki yansımaları, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Bilimi Ana Bilim Dalı (Tamamlandı) 18. 2017 2 KAYA GÜLDEHEN, (2017). Sanat alıcılarının sanatı değerlendirme yaklaşımları: Türkiye örneği, Işık Üniversitesi->Sosyal Bilimler Enstitüsü->Sanat Bilimi Ana Bilim Dalı (Tamamlandı) 19. Projelerde Yaptığı Görevler: Post-Earthquake Recovery Initiatives in Antakya, , Diğer Resmi Kurum ve Kuruluşlar, 1. Danışman:EVANGELİA ŞARLAK, , 01/04/2023 (Devam Ediyor) (ULUSLARARASI) Hollanda Konsolosluğu Kültür Ofisi MATRA, ARAŞTIRMA PROJESİ, Danışman:EVANGELİA ŞARLAK, , 2. 01/01/2015 - 04/10/2015 (ULUSAL) Galata Rum İlkokulu Kültür Merkezi Projesi, ARAŞTIRMA PROJESİ, Yürütücü:EVANGELİA ŞARLAK, , 3. 20/12/2013 - 29/04/2014 (ULUSAL) Erasmus Plus (KA220-HED - Cooperation partnerships in higher education (EU), Diğer Resmi Kurum 4. ve Kuruluşlar, Danışman:EVANGELİA ŞARLAK, , 01/01/2023 (Devam Ediyor) (ULUSLARARASI) The Post-Earthquake Documentation Project, Damage Assesment , Diğer Resmi Kurum ve Kuruluşlar, 5. Araştırmacı:EVANGELİA ŞARLAK, , 01/04/2023 (Devam Ediyor) (ULUSLARARASI) Sanat ve Teknoloji Deneyimleme Projesi, Özel Kuruluşlar, Yürütücü, , 27/10/2016 - 07/12/2016 6. (ULUSAL) SÜRDÜRÜLEBİLİRLİLİK ÇERÇEVESİNDE BATILILAŞAN İSTANBUL İstanbul un Kültür Başkenti Ünvanının Proje Sürdürebilirliliği çerçevesinde projenin uluslararası platforma taşınması YUNANİSTAN ATİNA SELANİK YANYA MİDİLLİ 2012 AMERİKA BİRLEŞİK DEVLETLERİ CHİCAGO 2013 , ARAŞTIRMA PROJESİ, Danışman:EVANGELİA ŞARLAK, , 01/12/2008 - 31/12/2010 (ULUSAL) 7. Azınlıkların Kültürel Miras AraştırmasıKültürel Mirası Koruma Merkezi Hrant Dink Vakfı Anadolu 8. Kültür, ARAŞTIRMA PROJESİ, Danışman:EVANGELİA ŞARLAK, , 01/01/2014 - 30/12/2014 (ULUSAL) U S Ambassadors Fund For Cultural PreservationAFCP 2014, ARAŞTIRMA PROJESİ, 9. Danışman:EVANGELİA ŞARLAK, , 01/01/2014 - 03/12/2014 (ULUSAL) 10. Merkez Rum Lisesi Vakfı, DİĞER, Danışman, 2012-2014) 11. BATILILAŞAN İSTANBUL UN RUM MİMARLARI, DİĞER, Proje Danışmanı, 2008-2010) 12. 2010 İSTANBUL AVRUPA KÜLTÜR BAŞKENTİ PROJESİ, DİĞER, Proje Danışmanı, 2008-2010) İdari Görevler 01.01.2024 Kalite Kurulu Üyeliği IŞIK ÜNİVERSİTESİ/SANAT, TASARIM VE MİMARLIK FAKÜLTESİ/GÖRSEL SANATLAR BÖLÜMÜ 01.07.2020 Fakülte Yönetim Kurulu Üyeliği IŞIK ÜNİVERSİTESİ/SANAT, TASARIM VE MİMARLIK FAKÜLTESİ/GÖRSEL SANATLAR BÖLÜMÜ 01.07.2020 Fakülte Kurulu Üyeliği IŞIK ÜNİVERSİTESİ/SANAT, TASARIM VE MİMARLIK FAKÜLTESİ/GÖRSEL SANATLAR BÖLÜMÜ 04.02.2017 Komisyon Başkanlığı IŞIK ÜNİVERSİTESİ/SANAT, TASARIM VE MİMARLIK FAKÜLTESİ/GÖRSEL SANATLAR BÖLÜMÜ 2019-2021 Dekan IŞIK ÜNİVERSİTESİ/GÜZEL SANATLAR FAKÜLTESİ 2018-2019 Dekan IŞIK ÜNİVERSİTESİ/GÜZEL SANATLAR FAKÜLTESİ Ödüller Cultural Heritage Preservation” International Visitors Programme, Amerika Dış İşleri, AMERİKA BİRLEŞİK DEVLETLERİ, 2004 1. L’Union Européenne: des racines et un heritage culturel commun, facteur de cohésion et de de solidarité”, LE HAVRE ÜNİVERSİTESİ FRANSA, FRANSA, 2003 2. Dersler * Öğrenim Dili Ders Saati 2023-2024 Lisans Tarih Öncesinden Rönesansa Sanat Türkçe 3 3 Istanbul Kültür Sanat Mimarlık Türkçe 3 Modern Sanat Türkçe 3 Mitoloji Türkçe 3 Tasarım Tarihi I Türkçe 3 Rönesanstan Modern Döneme Sanat Türkçe 3 Çagdas Mimarlık Türkçe 3 Tasarım Tarihi II Türkçe 3 Yüksek Lisans Global Sanat Türkçe 3 2022-2023 Lisans Rönesanstan Modern Döneme Sanat Türkçe 3 Tarih Öncesinden Rönesansa Sanat Türkçe 3 Tasarım Tarihi I Türkçe 3 Tasarım Tarihi II Türkçe 3 Mitoloji Türkçe 3 Istanbul Kültür Sanat Mimarlık Türkçe 3 2021-2022 Lisans Tasarım Tarihi I Türkçe 3 Tarih Öncesinden Rönesansa Sanat Türkçe 3 Rönesanstan Modern Döneme Sanat Türkçe 3 Mitoloji Türkçe 3 Eserler Uluslararası hakemli dergilerde yayımlanan makaleler: 1. ŞARLAK EVANGELİA (2024). Stylistic Analysis of the Holy Icons From Saint George Church in Yeniköy, İstanbul. Athens Journal of History, 10(2), 97-112., Doi: 10.30958/ajhis_10i2 (Yayın No: 9062697) 2. ARICI ŞEFİK,KOÇAR GÜNNUR (2015). The Effect of Adding Maize Silage as a Co Substrate for Anaerobic Animal Manure Digestion. International Journal of Green Energy, 12(5), 453-460., Doi: 10.1080/15435075.2013.848361 (Yayın No: 1902248) 3. ŞARLAK EVANGELİA (2013). Şarlak Eva An Object s Traces in Memories and Cultural Journey The Trident of Halil Akdeniz. Contemporary Practices ARTS, 130-137. (Yayın No: 316041) B. Uluslararası bilimsel toplantılarda sunulan ve bildiri kitaplarında (proceedings) basılan bildiriler : SARLAK EVANGELIA (2024). Integration of Icon Symbolism in Contemporary Turkish Art and Stylistic Experiences. Past and Present – Atiner (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 9062749) 1. SARLAK EVANGELIA (2024). Susta&nab&l&ty &n Cultural her&tage after the earthquake: Pursu&ng the cultural memory of Antakya’. Urban Futures– Cultural Pasts Sustainable CiEes, Cultures and Crafts (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 9062751) 2. 4 SARLAK EVANGELIA (2023). 'Stylistic Analysis Of The Holy Icons From Saint George Church In Yenikoy,Istanbul'. 21st Annual International Conference on History & Archaeology: From Ancient to Modern (Özet Bildiri/Sözlü Sunum) (Yayın No: 9059976) 3. SARLAK EVANGELIA (2023). ‘Documentation And Assesment Of Architectural Heritage Of The Greek (Rums) And JewishPeople In Izmir. Past and Present – Built and Social (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 9059988) 4. ONUREL RUHIYE, SARLAK EVANGELIA (2015). AN ANALOGICAL SURVEY:HYBRID FIGURES ON THE APOCALYPSE SCENES IN CHRISTIAN ICONS AND IN OTTOMAN MINIATURES. 15. Uluslararası Türk Sanatı Kongresi / 15th International Congress of Turkish Art (Özet Bildiri/Sözlü Sunum) (Yayın No: 7796938) 5. SARLAK EVANGELIA (2011). A typical Analysis of Prophet Solomon Depictions A Comparison of Ottoman Miniature and Christian Art. TÜRK SANATI KONGRESI (Tam Metin Bildiri/Davetli Konusmacı) (Yayın No: 357179) 6. SARLAK EVANGELIA (2013). Problems on Cultural Heritage in Turkey and a New and Distinctive Approach. Conflits de mémoire et de représentations chez les acteurs du patrimoine urbain : France – Roumanie – Turquie (/) (Yayın No: 316046) 7. ONUREL RUHIYE, SARLAK EVANGELIA (2011). A TYPOLOGICAL ANALYSIS OF PROPHET SOLOMON DEPICTIONS: A Comparison between Ottoman Miniature and Christian Icon Art. 14. Uluslararası Türk Sanatı Kongresi / 14th International Congress of Turkish Art (Özet Bildiri/Sözlü Sunum) (Yayın No: 7796924) 8. SARLAK EVANGELIA (2010). Hatıralardaki Özlem Sile den Göç Eden Rum ların belleklerindeki Izler. Ufuk'ta Bir Isık (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 316071) 9. SARLAK EVANGELIA (2010). Ottoman Period Church Architecture and Ornamentation in Istanbul. Religious Culture in Ottoman Anatolia: Monuments, Memory, and Material Culture (Özet Bildiri/Sözlü Sunum) (Yayın No: 316077) 10. SARLAK EVANGELIA (2010). Rum Architects and Their Domed Greek Orthodox Churches that marked the change in the physical features of Istanbul. , Restoration projects for multicultural heritage monuments and sites of Istanbul –Cultural Capital of Europe (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 357199) 11. SARLAK EVANGELIA (2009). The Dramatic and Anxious Expectancy Of a Unique Building in Istanbul The Greek Orphanage in Istanbul. Themes In Eurpoean History, (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 316080) 12. SARLAK EVANGELIA (2005). Integrating Turkey into Eurpe Art as a Major Determinant of Culture. 7th ICCEES World Congress in Berlin, (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 316081) 13. SARLAK EVANGELIA (2004). Symbolism in Istanbul Domes Through the Christian Celestial Times to The Otoman. SECAC Southeasthen College Art Conference (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 316102) 14. SARLAK EVANGELIA (2003). Iconographers of Istanbul After The Conquest. BASEES-The British Association For Slovanic and East European Studies Conference (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 316107) 15. SARLAK EVANGELIA (2003). Russian Influence on The Icons of The Istanbul After The Conquest. BASEES-Spiritual Spaces of Russian in Culture: meaning of Place and Religion in Russia Past and Present,, 1(1), 1-1. (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 316111) 16. C. Yazılan ulusal/uluslararası kitaplar veya kitaplardaki bölümler: C1. Yazılan ulusal/uluslararası kitaplar: İstanbul un 100 Kilisesi (2010)., ŞARLAK EVANGELİA, Kültür A.Ş., Editör:Şarlak, Basım sayısı:1, Sayfa Sayısı 177, ISBN:978-6055-592-38-7, Türkçe(Bilimsel Kitap) (Yayın No: 21055) 1. İstanbul daki Hıristiyan Mezarlıklarındaki Mimarlık ve Sanat (2005)., ŞARLAK EVANGELİA, Derin, Basım sayısı:1, Sayfa Sayısı 230, ISBN:77777, Türkçe(Bilimsel Kitap) (Yayın No: 21056) 2. C. Yazılan ulusal/uluslararası kitaplar veya kitaplardaki bölümler: C2. Yazılan ulusal/uluslararası kitaplardaki bölümler: Muş Risk Altındaki Mimari Miras, Bölüm adı:(Surp Garabet/ Surp Sarkis) (2023)., ŞARLAK EVANGELİA, Anadolu Kültür A.Ş., Basım sayısı:1, Sayfa Sayısı 5, ISBN:978-605-5276-24-9, Türkçe(Bilimsel Kitap) (Yayın No: 9059922) 1. Düşünce Durakları Çapraz Sorgulamalar Gülfem Epsilon 978-625-414-434-9 4-5-6 2023 Balkan Naci İslimyeli'nin Atölyesinde yapmış olduğ... See 2. 5 (Bilimsel Kitap) (Yayın No: 9059903) Mush Architectural Heritage at Risk I, Bölüm adı:(Reports on Surp Garabet and Surp Sarkis Risk Analysis Matrix) (2023)., ŞARLAK EVANGELİA, Anadolu Kültür A.Ş., Basım sayısı:1, Sayfa Sayısı 5, ISBN:978-605-5276-23-2, İngilizce(Bilimsel Kitap) (Yayın No: 9059945) 3. History and Culture Essays on the European Past, Bölüm adı:(The dramatic and anxious anticipation of a unique building in Istanbul: The Greek Orhanage in Prinkipo,) (2012)., ŞARLAK EVANGELİA, ATINER, Editör:Nicolas Pappas, Basım sayısı:1, Sayfa Sayısı 500, ISBN:867, İngilizce(Bilimsel Kitap) (Yayın No: 316048) 4. Greek Architects of Istanbul In the Era of Westernization, Bölüm adı:(Greek Orthodox Churches that Marked the Change in the Physical Features of the 19th. Century) (2011)., ŞARLAK EVANGELİA, Oikos, Editör:Hasan Kuruyazıcı*Eva Şarlak, Basım sayısı:3, Sayfa Sayısı 10, ISBN:978-960-99027-0-2, İngilizce(Bilimsel Kitap) (Yayın No: 316056) 5. Batılılaşan İstanbul un Rum Mimarları, Bölüm adı:(19.yüzyıl da İstanbul’un fiziksel çehresinin değişimesine rol oynayan kubbeli Rum Ortodoks kiliseleri’) (2010)., ŞARLAK EVANGELİA, Tavaslı, Editör:Hasan Kuruyazıcı-Eva Şarlak, Basım sayısı:2, Sayfa Sayısı 13, ISBN:978-605-88247-0-6, Yunanca(Bilimsel Kitap) (Yayın No: 316052) 6. Ufuk ta Bir Işık, Bölüm adı:(Şile’den Göç Eden Rum’ların belleklerindeki İzler’) (2010)., ŞARLAK EVANGELİA, Işık Üniversitesi, Basım sayısı:1, Sayfa Sayısı 70, ISBN:978-975-6494-01-1, Türkçe(Bilimsel Kitap) (Yayın No: 316065) 7. Antiquity and Modernity A Celebration of European History and Heritage in the Olympic Year 2004, Bölüm adı:(An Overview of External and Internal Ornamental Elements in the Greek Orthodox Churches in Istanbul) (2005)., ŞARLAK EVANGELİA, ATINER, Basım sayısı:1, Sayfa Sayısı 500, ISBN:960-87822-8-7, İngilizce(Bilimsel Kitap) (Yayın No: 21058) 8. Interpreting the Past Essays from the 4th International Conference on European History, Bölüm adı:(A Silent Space in the Midst of City Chaos) (2005)., ŞARLAK EVANGELİA, ATINER, Basım sayısı:1, Sayfa Sayısı 443, ISBN:978-960-6672-27-9, İngilizce(Bilimsel Kitap) (Yayın No: 21060) 9. Themes In European History, Bölüm adı:(A Unique Approach to the Revival Architecture in Istanbul : The Fener Greek Male Highschool (Megale Shole Tou Genous) (2005)., ŞARLAK EVANGELİA, ATINER, Editör:Michael Aradas and Nicholas C.J.Pappas,, Basım sayısı:1, Sayfa Sayısı 250, ISBN:960-88672-7-4, İngilizce(Bilimsel Kitap) (Yayın No: 357157) 10. D. Ulusal hakemli dergilerde yayımlanan makaleler : 1. ŞARLAK EVANGELİA (2024). RUM ARCHITECTS AND THEIR DOMED GREEK ORTHODOX CHURCHES THAT MARKED THE CHANGE IN THE PHYSICAL FEATURES OF ISTANBUL. Palmet Dergisi, 1(1), 57- 76. (Kontrol No: 9061615) 2. ŞARLAK EVANGELİA (2010). İstanbul Silüetinde Özgün Bir Yapı Fener Rum Lisesi Megale Schole Tou Genous . Batılılaşan İstanbul'un Rum Mimarları(13) (Kontrol No: 316061) 3. ŞARLAK EVANGELİA (2002). İstanbul Kiliselerinde Bulunan İkonalara Genel Bir Bakış . Sanat Tarihi Dergisi(279), 20 (Kontrol No: 316090) 4. ŞARLAK EVANGELİA (2002). Post Bizans Döneminde İstanbul da İkona Üreten Ressamlar ve Üslup Özellikleri. İTÜ DERGİSİ(1), 59 (Kontrol No: 316094) E. Ulusal bilimsel toplantılarda sunulan ve bildiri kitaplarında 1. ŞARLAK EVANGELİA (2023). Balkan Naci İslimyeli'nin Atölye Çalışmaları. Balkan Naci Anma Günü (Tam Metin Bildiri/Davetli Konuşmacı) (Yayın No: 9060016) 2. ŞARLAK EVANGELİA (2023). A Silent Space in the Middst of the City Chaos: Şişli Metamorphosis Greek Orthodox Cemetry. Τόποι και Πρόσωπα της Πόλης (Tam Metin Bildiri/Davetli Konuşmacı) (Yayın No: 9060006) 3. ŞARLAK EVANGELİA (2023). Balkan Naci İslimyeli Düşünce Duraklarında. T.C.Kültür ve Turizm Bakanlığı 'Balkan Naci İslimyeli'nin İzinden (Tam Metin Bildiri/Davetli Konuşmacı) (Yayın No: 9060023) 4. ŞARLAK EVANGELİA (2023). IN THE WAKE OF DISAPPEARING TRACES: CULTURAL HERITAGE OF THE GREEKS (RUMS) IN ADRIANOUPOLIS. In)Tangible Heritage(s) Design, Culture, Technology Past, Present, Future (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 9061623) 5. ŞARLAK EVANGELİA (2012). Şişli Hristiyan Mezarlarında Üslup Çeşitliliği. Ölüm, Mekan ve Sanat (Tam Metin Bildiri/Sözlü Sunum) (Yayın No: 316047) Diğer Yayınlar 1. ŞARLAK EVANGELİA (2012). Bir Nesnenin Belleklerde İzleri ve Kültürlerarası Yolculuğu Üç Çatallı Asa. Çağdaş Sanat 1985(10) (Ulusal) (Hakemsiz) (MAKALE Özgün Makale) (Yayın No: 316049) 2. ŞARLAK EVANGELİA (2005). İstanbulda Osmanlı Dönemi Rum Ortodoks Dini Mimarisi Avrupa Yakası Boğaz Kiliseleri. Efsanelerden Günümüze İstanbul(2), 107-115. (Ulusal) (Hakemsiz) (MAKALE Özgün Makale) (Yayın No: 316116) 6 3. ŞARLAK EVANGELİA (2000). Osmanlı Dönemi Rum Ortodoks Dini mimarisi 2. ARKEOLOJİ VE SANAT(94), 25 (Ulusal) (Hakemsiz) (MAKALE Özgün Makale) (Yayın No: 316085) 4. ŞARLAK EVANGELİA (1999). Osmanlı Dönemi Rum Ortodoks Dini mimarisi I. ARKEOLOJİ VE SANAT(93), 2 (Ulusal) (Hakemsiz) (MAKALE Özgün Makale) (Yayın No: 316083) 5. ŞARLAK EVANGELİA (1997). Athos Dağının Gizemi. MOZAİK(27), 34 (Ulusal) (Hakemsiz) (MAKALE Özgün Makale) (Yayın No: 316088) Teknik Not, Vaka Takdimi, Araştırma notu vb. 1. Araştırma Notu, ŞARLAK EVANGELİA (2024). Deprem Sonrası Hatay Kültürel Mirasın Sürdürülebilirliği T24 Yıllık Ocak-Aralık Yıl 6 / Sayı İhlas Editörlük 1. İstanbul da Kuş Evleri, Kitap, Konuk Editör, Kültür, 01.11.2010 2. Greek Architects of Istanbul In the Era Of Westernization, Kitap, Editör, OLKOS Batılılaşan İstanbul un Rum Mimarları Oi Romoi Architektones Tis Polis Stin Periodo Tou Ekdikitismou, Kitap, Editör, Tavaslı, 25.11.2010 3. Üniversite Dışı Deneyim Tour Operatörü/ 1989-1992 outgoing Hürtur Turizm (Hürriyet Gazetesi Turizm Acentası), , (Diğer) Profesyonel Turist Rehberliği/Turizm Bakanlığı 1984-1989 Turizm , Rehberlik, (Diğer) Rapor Sarılar Ayios Georgios Kilisesi Sanat tarihi raporu, Hatay depreminde yıkılan yapının sanat tarihi 663362 raporu, Hatay Yüksek Anıtlar Kurulu, Rapor, 04.02.2024 (Ulusal) Tokaçlı Meryem Ana Kilisesi Sanat Tarihi Raporu, Hatay Deprem Sonrası Yıkıılan Kilisenin Sanat Tarihi 663361 raporu, Hatay / Yüksek Anıtlar Kurulu, Rapor, 15.01.2024 (Ulusal) Çalıştay Kamusal Alanda Sanat: Katılımcılık, Kamusal Alanda Sanat hakkında , Yunt Sanat etkileşim alanı, 663363 Çalıştay, 08.06.2024 -08.06.2024 (Ulusal)

History of Architecture, Byzantine Art, Contemporary Art, Classical Period Archeology

Prof. Dr. Şerife TALİ ORDU ÜNİVERSİTESİ, FEN-EDEBİYAT FAKÜLTESİ, SANAT TARİHİ BÖLÜMÜ

History of Architecture

Prof. Dr. Yunus BERKLİ Atatürk Üniversitesi, Güzel Sanatlar Fakültesi

Computing Applications in Arts and Humanities, Aesthetics, Cultural and Natural Heritage, Painting History, Art History, History of Advertising

Prof. Dr. Fevziye EKER Ordu Üniversitesi

Art History, Archaeological Science, Ceramics in Archeology, Hellenistic Period Archeology, Classical Period Archeology, Greek and Roman Period Archeology, Archaeology (Other)

Assoc. Prof. Dr. Zeynep ÇAKMAKÇI DOKUZ EYLÜL ÜNİVERSİTESİ, EDEBİYAT FAKÜLTESİ

Art History, Byzantine Art, Medieval Age Archeology, Cultural Heritage Collections and Interpretations, Medieval Cities

Prof. Selman CAN MARMARA ÜNİVERSİTESİ

Islamic Arts, History of Architecture, Art History, Architectural

Prof. Dr. Ayşe BUDAK NEVŞEHİR HACI BEKTAŞ VELİ ÜNİVERSİTESİ

Art History

Assoc. Prof. Ahmet YAVUZYILMAZ NECMETTİ ERBAKAN ÜNİVERSİTESİ

History of Architecture, Turkish-Islamic Archeology in the Middle Ages, Turkish Islamic Arts (Other)

Assoc. Prof. Dr. Burak Muhammet GÖKLER ATATURK UNIVERSITY

Visual Cultures, Islamic Arts, History of Architecture, Art History

Assoc. Prof. Dr. Tümay HAZİNEDAR COŞKUN Celal Bayar Üniversitesi

Art History, Medieval Age Archeology

Assoc. Prof. Dr. Aytül PAPİLA Beykent Üniversitesi

History of Architecture, Painting History, Contemporary Art

Prof. Dr. Hasan BUYRUK ORDU ÜNİVERSİTESİ

Ordu Üniversitesi Sanat Tarihi Bölümü Bizans Sanatı Anabilim dalında Profesör.

Creative Arts and Writing, Art History, Byzantine Art

Prof. Dr. Mustafa ÇETİNASLAN SELÇUK ÜNİVERSİTESİ

Islamic Arts, History of Architecture, Art History

Prof. Dr. Nurşen ÖZKUL FINDIK Ankara Hacı Bayram Veli Üniversitesi

Islamic Arts, Art History

Prof. Dr. Ömür BAKİRER

History of Architecture

Prof. Dr. Abdulkadir DÜNDAR ANKARA ÜNİVERSİTESİ, İLAHİYAT FAKÜLTESİ

1962 yılında Yozgat/Sorgun’da doğan Dündar, ilkokulu Babalı Köyü’nde, ortaöğretimini ise Sorgun İmam-Hatip Lisesi’nde 1982’de tamamladı. 1983 yılında girdiği Ankara Üniversitesi İlahiyat Fakültesi’nden 1988’de mezun oldu. 1988-1990 yılları arasında İstanbul’da Başbakanlık Osmanlı Arşivi’nde “Arşiv Elemanı” olarak görev yaptı. 1990 yılında Ankara Üniversitesi İlahiyat Fakültesi Türk İslam Sanatları Tarihi Anabilim Dalı’na Araştırma Görevlisi olarak atandı. Aynı fakülte ve anabilim dalında 2002’de Yardımcı Doçent, 2006’da Doçent, 2012’de ise Prof. Dr. unvanlarını aldı. Ankara Üniversitesi İlahiyat Fakültesi Türk-İslam Sanatları Tarihi Anabilim Dalı’nda, anabilim dalı başkanı ve Öğretim Üyesi Prof. Dr. olarak görev yapmaktayken, 13 Eylül 2019’da Yozgat Bozok Üniversite İlahiyat Fakültesi Dekanlığı’na atandı. Hâlen dekanlık görevi devam etmektedir. Kendi fakültesi dışında, Kırıkkale Üniversitesi İslami İlimler Fakültesi’nde, Yıldırım Bayezid Üniversitesi İslami İlimler Fakültesi’nde, Kırgızistan Oşh Devlet Üniversitesi İlahiyat Fakültesi hazırlık ve birinci sınıf öğrencilerinin Bolu’da eğitim gördükleri yıllarda bu öğrencilere Türk İslam Sanatları Tarihi derslerini ve Gazi Üniversitesi Edebiyat Fakültesi Sanat Tarihi Bölümü’nde Epigrafi ve Nümizmatik derslerini, Ankara Hacı Bayram Veli Üniversitesi Edebiyat Fakültesi Sanat Tarihi Bölümü’nde Epigraf ve Nümizmatik derslerini, 2021-2022 yılları güz döneminnde Anadolu Üniversitesi Açık Öğretim Fakültesi’nde İslam Sanatları dersini, 2020-2024 yıllarında Yozgat Bozok Üniversitesi İlahiyat Fakültesi’nde İslam Sanatları Tarihi dersini verdi. Kilis’teki Osmanlı Devri Mimari Eserleri, Arşivlerdeki Plan ve Çizimler Işığı Altında Osmanlı İmar Sistemi ( XVIII. ve XIX. Yüzyıl), Çorum Cami ve Mescitleri, Osmanlı Devleti’nde Mimarlık ve Mimarlar, Osmanlı Mutasarrıfı Çapanoğlu Mahmud Celâleddin(Celâl) Bey’in Hâtıraları(Hakkı Acun ile birlikte) adlı yayınlanmış kitapları bulunmaktadır. Çalışma alanları, erken dönem İslam sanatı ve mimarisi, Osmanlı dönemi sanatı, mimarisi, mimarları, Hassa Mimarlar Teşkilatı, Ehl-i Hiref, tamir ve termim faaliyetleri, Türk İslam sanatının arşiv kaynakları, sanat ve mimari eserlerin inşalarında arka planı ve yapımlarından sonra devamlarını sağlayan etkenler, kaybolan tarihi ve kültürel varlıklar gibi konulardır. Dündar, evli ve iki çocuk babası olup İngilizce ve Arapça bilmektedir.

Aesthetics in Architecture, Architectural, History of Advertising, Religion, Society and Culture Studies