FEMINISMS IN PAM GEMS’ PLAY DUSA, FISH, STAS AND VI
Abstract
Keywords
References
- Aston, E. (1994). An Introduction to Feminism and Theatre, Routledge, London.
- Aston, E. (2000). “Pam Gems: Body Politics and Biography”, The Cambridge Companion to Modern British Women Playwrights, (Ed: E. Aston and J. Reinelt), Cambridge UP, Cambridge. 157-173.
- Austin, G. (1990). Feminist Theories for Dramatic Criticism, The University of Michigan Press, Ann Arbor, Michigan.
- Case, S. E. (1988). Feminism and Theatre, Methuen, New York.
- Churchill, C. (1996). Plays: 2 Softcops, Top Girls, Fen, Serious Money, Bloomsburry Methuen Drama, London.
- Burkman, K. H. (1993). “The Plays of Pam Gems: Personal/Political/Personal”, British and Irish Drama since 1960, (Ed. J. Acheson), St. Martin’s Press, London. 190-201.
- Dere, Ö. (2009). Feminist Voices in Post-War British Drama: Pam Gems’s Dusa, Fish, Stas and Vi and Loving Women, Caryl Churhcill’s Vinegar Tom and Top Girls and Sarah Daniels’s Ripen Our Darkness and Beside Herself. (Unpublished M.A. Thesis). Atılım University, Ankara.
- Dimple, G. (2003). Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream since c. 1980, Peter Lang Publishing, New York. Retrieved from the ProQuest.
Details
Primary Language
English
Subjects
British and Irish Language, Literature and Culture
Journal Section
Research Article
Authors
Ayça Ülker Erkan
Türkiye
Publication Date
January 15, 2018
Submission Date
March 11, 2017
Acceptance Date
July 14, 2017
Published in Issue
Year 2018 Number: 30