FEMINISMS IN PAM GEMS’ PLAY DUSA, FISH, STAS AND VI
Öz
Anahtar Kelimeler
Kaynakça
- Aston, E. (1994). An Introduction to Feminism and Theatre, Routledge, London.
- Aston, E. (2000). “Pam Gems: Body Politics and Biography”, The Cambridge Companion to Modern British Women Playwrights, (Ed: E. Aston and J. Reinelt), Cambridge UP, Cambridge. 157-173.
- Austin, G. (1990). Feminist Theories for Dramatic Criticism, The University of Michigan Press, Ann Arbor, Michigan.
- Case, S. E. (1988). Feminism and Theatre, Methuen, New York.
- Churchill, C. (1996). Plays: 2 Softcops, Top Girls, Fen, Serious Money, Bloomsburry Methuen Drama, London.
- Burkman, K. H. (1993). “The Plays of Pam Gems: Personal/Political/Personal”, British and Irish Drama since 1960, (Ed. J. Acheson), St. Martin’s Press, London. 190-201.
- Dere, Ö. (2009). Feminist Voices in Post-War British Drama: Pam Gems’s Dusa, Fish, Stas and Vi and Loving Women, Caryl Churhcill’s Vinegar Tom and Top Girls and Sarah Daniels’s Ripen Our Darkness and Beside Herself. (Unpublished M.A. Thesis). Atılım University, Ankara.
- Dimple, G. (2003). Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream since c. 1980, Peter Lang Publishing, New York. Retrieved from the ProQuest.
Ayrıntılar
Birincil Dil
İngilizce
Konular
İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü
Bölüm
Araştırma Makalesi
Yazarlar
Ayça Ülker Erkan
Türkiye
Yayımlanma Tarihi
15 Ocak 2018
Gönderilme Tarihi
11 Mart 2017
Kabul Tarihi
14 Temmuz 2017
Yayımlandığı Sayı
Yıl 2018 Sayı: 30