Hinduizm ve Terakota Tapınaklar

Kemal Uludağ; Gökçe Özer Eröz

doi:10.20488/www-std-anadolu-edu-tr.292731

Research Article

Hinduizm ve Terakota Tapınaklar

Year 2016, Volume: 6 Issue: 2, 210 - 227, 27.12.2016

Kemal Uludağ , Gökçe Özer Eröz

https://doi.org/10.20488/www-std-anadolu-edu-tr.292731

Abstract

Kültür olgusunun içeriğini oluşturan inanç, gelenek, düşünce biçimi gibi unsurlar sa-
natın da var olmasındaki en önemli etmenler arasında yer almaktadır. Dolayısıyla kültürel öğeler ve sanat birbirinden bağımsız düşünülmemektedir. Kültürel öğeler içerisinde
önemli bir güce sahip olan din olgusu, Hindistan’ın her alanına yayılmıştır. Bu noktadan
hareketle Hindistan günümüzde de halen din ve sanat ilişkisini yaşatan örneklerden biri
olarak araştırılmaya değer bir özellik taşımaktadır. Bu bağlamda, en eski dinlerden biri
olan Hinduizm kil malzemenin sıklıkla kullanıldığı bir dindir. Günümüzde de aktif olarak varlık gösteren Hinduizm kapsamında yapılan terakota tapınaklar bu durumun en
somut örnekleridir. Bu araştırmada, Hinduizm etkisinde oluşturulan terakota tapınaklar
örneklerle incelenmektedir.

Keywords

Hindistan, Hinduizm, Tapınak, Terakota

References

Banerji, A. (1994). Early Indian Terracotta Art, Circa 2000-300 B.C., Northern And Western India. New Delhi: Harman Publishing House
Dehejia, V. (2007). Understanding Hinduism and Hindu Art. Courtesy of Metropolitan Museum of Art http://www. metmuseum.org/toah/hd/hind/hd_hind.htm http://www.phs.poteau.k12.ok.us/williame/APAH/readings/Hindu-Budd- hist%20Met%20pamphlets.pdf (Erişim Tarihi: 02.01. 2014)
Desai,D. (1985). Erotic Sculpture of India. New Delhi: Munshiram Manoharlal Publisher Pvt. Ltd.
Eliade, M.(2003). Dinsel İnançlar ve Düşünceler Tarihi. Cilt:1. (Çev: A.Berktay). İstanbul: Kabalcı Yayınevi
Erbaş, A. (2010). Yaşayan Dünya Dinleri. Editörlü yayın. Eskişehir: Anadolu Üniversitesi
Erinç, S.M. (2004). Kültür Sanat, Sanat Kültür. Ankara: Ütopya Yayınevi
Goetz, H. (1964). The Art Of India : Five Thousand Years Of Indian Art. New York: Greystone Press
Jones,G., Palffy,G. (2014). Dinler Kitabı (Çev: A. F. Yıldırım). İstanbul: ALFA basım yayım Dağıtım Ltd.Şti.
Karataş, İ.E. (1999). Hint dinlerinde Tanrı anlayışı (Hinduizm örneği). Yüksek Lisans. Uludağ Üniversitesi / Sosyal Bi- limler Enstitüsü
Kaya, K. (2001). Hinduizm. Ankara: Dost Kitabevi
Miller, D. (1985). Ideology and the Indus Civilization. Journal of Anthropological Archaeology. Volume 4, Issue 1, March 1985, Pages 34-71
Perryman, J. (2000). Traditional pottery of India. London : A. & C. Black
Satyawadi, S. (1994). Proto-Historic Pottery Of Indus Valley Civilisation, Study Of Painted Motifs. New Delhi: D.K. Print- world (P). Ltd.
Speight, C., Toki, J. (2004). Hands in clay. 5th ed. Boston : McGraw-Hill
Şenel, A. (2014). İnsanlık Tarihi : Kemirgenlerden Sömürgenlere. Ankara : İmge Kitabevi
Verma, N. (1986). The Terracottas of Bihar. New Delhi: Ramanand Vidya Bhawan, A.R. Printers
Görsel 1.Mohenjo-Daro’da bulunan Ana Tanrıça Figürü
Kaynak :Verma, N. (1986). The Terracottas of Bihar. New Delhi: Ramanand Vidya Bhawan, A.R. Printers Görsel 2.Indus Vadisi’nde bulunan çok renkli kilden yapılmış kap Kaynak:http://www.ancientarttaiyo.com/Gallery/IndusIMG/indus%20valley%20pottery%203.jpg(Erişim Tarihi: 14.10.2014)
Görsel 3. Tamluk’ta bulunan terakota kabartma
Kaynak: Desai,D. (1985). Erotic Sculpture of India. New Delhi: Munshiram Manoharlal Publisher Pvt. Ltd. Görsel 4. Dakshineswar Kali Tapınağı, ana tapınak, Kalküta/ Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 5. Mahalle arasında yer alan sunak, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 6. Jor Bangla-Kesta Rai Tapınağı, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 7. Jor Bangla-Kesta Rai Tapınağı –detay, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 8. Jor Bangla-Kesta Rai Tapınağı –detey, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 9. Char-chala ve “At-chala” tapınak örnekleri
Kaynak: http://chitrolekha.com/wp-content/uploads/2013/03/pic5.jpg (Erişim Tarihi: 04.01. 2015) Görsel 10. Bengal’de bulunan Sribati Tapınak Kompleksi
Görsel 11. Bengal’de bulunan Sribati Tapınak Kompleksi- terakota detaylar
Kaynak: http://sagar-sen.blogspot.com.tr/2014_10_01_archive.html (Erişim Tarihi: 12.01. 2015) Görsel 12. Madan-Mohan Tapınağı, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 13. Madan-Mohan Tapınağı, detay, Bishnipur / Hindistan Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 14. Shyam Rai Tapınağı, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 15. Shyam Rai Tapınağı, detay, Bishnipur / Hindistan Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)

Hinduism and Terracotta Temples

Year 2016, Volume: 6 Issue: 2, 210 - 227, 27.12.2016

Kemal Uludağ , Gökçe Özer Eröz

https://doi.org/10.20488/www-std-anadolu-edu-tr.292731

Abstract

Elements like belief, tradition, method of thinking, which constitute the content of cultural
phenomena, are also considered among the most important factors in the existence
of art. Therefore, cultural items and art are not considered independent. Religious phenomenon,
having a prominent power among cultural items, has spread to all areas of India.
Taking this into consideration, today India is one example that still preserves the relationship
between religion and art, which is worth researching. In this context, Hinduism is one
of the oldest religions where clay material is often used. Even today, the terracotta temples
which still exist are considered the most concrete examples of this situation in Hinduism.
In this study, terracotta temples created under the influence of Hinduism will be examined
with examples.

Keywords

India, Hinduism, Temple, Terracotta

References

Banerji, A. (1994). Early Indian Terracotta Art, Circa 2000-300 B.C., Northern And Western India. New Delhi: Harman Publishing House
Dehejia, V. (2007). Understanding Hinduism and Hindu Art. Courtesy of Metropolitan Museum of Art http://www. metmuseum.org/toah/hd/hind/hd_hind.htm http://www.phs.poteau.k12.ok.us/williame/APAH/readings/Hindu-Budd- hist%20Met%20pamphlets.pdf (Erişim Tarihi: 02.01. 2014)
Desai,D. (1985). Erotic Sculpture of India. New Delhi: Munshiram Manoharlal Publisher Pvt. Ltd.
Eliade, M.(2003). Dinsel İnançlar ve Düşünceler Tarihi. Cilt:1. (Çev: A.Berktay). İstanbul: Kabalcı Yayınevi
Erbaş, A. (2010). Yaşayan Dünya Dinleri. Editörlü yayın. Eskişehir: Anadolu Üniversitesi
Erinç, S.M. (2004). Kültür Sanat, Sanat Kültür. Ankara: Ütopya Yayınevi
Goetz, H. (1964). The Art Of India : Five Thousand Years Of Indian Art. New York: Greystone Press
Jones,G., Palffy,G. (2014). Dinler Kitabı (Çev: A. F. Yıldırım). İstanbul: ALFA basım yayım Dağıtım Ltd.Şti.
Karataş, İ.E. (1999). Hint dinlerinde Tanrı anlayışı (Hinduizm örneği). Yüksek Lisans. Uludağ Üniversitesi / Sosyal Bi- limler Enstitüsü
Kaya, K. (2001). Hinduizm. Ankara: Dost Kitabevi
Miller, D. (1985). Ideology and the Indus Civilization. Journal of Anthropological Archaeology. Volume 4, Issue 1, March 1985, Pages 34-71
Perryman, J. (2000). Traditional pottery of India. London : A. & C. Black
Satyawadi, S. (1994). Proto-Historic Pottery Of Indus Valley Civilisation, Study Of Painted Motifs. New Delhi: D.K. Print- world (P). Ltd.
Speight, C., Toki, J. (2004). Hands in clay. 5th ed. Boston : McGraw-Hill
Şenel, A. (2014). İnsanlık Tarihi : Kemirgenlerden Sömürgenlere. Ankara : İmge Kitabevi
Verma, N. (1986). The Terracottas of Bihar. New Delhi: Ramanand Vidya Bhawan, A.R. Printers
Görsel 1.Mohenjo-Daro’da bulunan Ana Tanrıça Figürü
Kaynak :Verma, N. (1986). The Terracottas of Bihar. New Delhi: Ramanand Vidya Bhawan, A.R. Printers Görsel 2.Indus Vadisi’nde bulunan çok renkli kilden yapılmış kap Kaynak:http://www.ancientarttaiyo.com/Gallery/IndusIMG/indus%20valley%20pottery%203.jpg(Erişim Tarihi: 14.10.2014)
Görsel 3. Tamluk’ta bulunan terakota kabartma
Kaynak: Desai,D. (1985). Erotic Sculpture of India. New Delhi: Munshiram Manoharlal Publisher Pvt. Ltd. Görsel 4. Dakshineswar Kali Tapınağı, ana tapınak, Kalküta/ Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 5. Mahalle arasında yer alan sunak, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 6. Jor Bangla-Kesta Rai Tapınağı, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 7. Jor Bangla-Kesta Rai Tapınağı –detay, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 8. Jor Bangla-Kesta Rai Tapınağı –detey, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 9. Char-chala ve “At-chala” tapınak örnekleri
Kaynak: http://chitrolekha.com/wp-content/uploads/2013/03/pic5.jpg (Erişim Tarihi: 04.01. 2015) Görsel 10. Bengal’de bulunan Sribati Tapınak Kompleksi
Görsel 11. Bengal’de bulunan Sribati Tapınak Kompleksi- terakota detaylar
Kaynak: http://sagar-sen.blogspot.com.tr/2014_10_01_archive.html (Erişim Tarihi: 12.01. 2015) Görsel 12. Madan-Mohan Tapınağı, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 13. Madan-Mohan Tapınağı, detay, Bishnipur / Hindistan Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 14. Shyam Rai Tapınağı, Bishnipur / Hindistan
Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)
Görsel 15. Shyam Rai Tapınağı, detay, Bishnipur / Hindistan Kaynak: Gökçe Özer Eröz kişisel arşiv (2015)

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Details

Journal Section	Articles
Authors	Kemal Uludağ Gökçe Özer Eröz This is me
Publication Date	December 27, 2016
Published in Issue	Year 2016 Volume: 6 Issue: 2

Cite

APA	Uludağ, K., & Özer Eröz, G. (2016). Hinduizm ve Terakota Tapınaklar. Sanat Ve Tasarım Dergisi, 6(2), 210-227. https://doi.org/10.20488/www-std-anadolu-edu-tr.292731

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