ALIENS IN LIGHT IN AUGUST
Abstract
Alienation is a feeling of not harmoniously blending in. This feeling can manifest itself in various sorts such as physical, psychological, economical, mental, social, religious, political or spiritual. Even though the term ‘alienation’ is not widely used in American literature, it is an issue that manifested itself quite frequently and vigorously in the literary works of several writers of the twentieth century. Among various contemporary authors to grapple with this issue of alienation, William Faulkner’s vivid accounts of twentieth century man’s quest for self in his literary works reveal the reader the morbid facets of the sense of being alienated. This paper tries to find out the traces of alienation in several characters and delve into the roots of their isolation in Faulkner’s Light in August.
Keywords
References
- ALLISON, C. F., (2003), Fear, Love and Worship, USA : Regent College Publishing.
- CAMUS, A., (1989), The Stranger, Vintage Books.
- DUVALL, J.N., (2007), ““Why Are You So Black?” Faulkner’s Whiteface Minstrels, Primitivism, and Perversion,” in A Companion to William Faulkner, edited by Richard C. Moreland, Blackwell Publishing.
- ELLISON, R., (1995), “Twentieth-Century Literature and the Black Mask of Humanity,” in Shadow and Act, Vintage Publications.
- FAULKNER, W., (2002), Light in August, Modern Library.
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- GELFANT, B.H., (1973), “The Imagery of Estrangement: Alienation in Modern American Fiction,” in Alienation: Concept, Term and Meanings. New York: Seminar Press.
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Details
Primary Language
English
Subjects
Archaeology
Journal Section
Research Article
Publication Date
February 13, 2015
Submission Date
February 13, 2016
Acceptance Date
-
Published in Issue
Year 2012 Number: 28