Research Article

Theories of the End of the Novel

Number: 39 June 22, 2018
TR EN

Theories of the End of the Novel

Abstract

Compared to the other literary genres, the novel is the most recent form that emerged, for example, in English Literature with the rise of the bourgeoisie in the late eighteenth century. It was the work of Defoe, Richardson and Fielding in England in the same period of time that popularised the novel especially among the middle class readers. In contrast to the classical genres, particularly the epic, the novel was about common man. It depicted the everyday life of ordinary individuals. During the nineteenth century, the novel developed and became a fully established genre. It was the era of the most refined examples of the genre in English Literature. In the twentieth century, especially after the end of the Second World War, the novel became the subject of the discussions about a sense of an ending. It was openly argued that the genre would not have a future. It was claimed that the novel would soon be a deceased genre. Although all those pessimistic prognostications have failed to predict the future of the novel truly, it is essential to comprehend why a number of writers and literary theorists participated in the discussions.

Keywords

References

  1. Adorno, Theodor W. (1981). “Cultural Criticism and Society”. Prisms. Samuel Weber (trans.). Massachusetts: MIT P.
  2. Aravamudan, Srinivas (2011). “Refusing the Death of the Novel”. NOVEL: A Forum on Fiction. XLIV (1): 20-22.
  3. Ayala, Francisco (1974). “Ortega y Gasset, Literary Critic”. Critical Inquiry I (2): 395-414.
  4. Barth, John (1984). The Friday Book. Baltimore: The Johns Hopkins UP.
  5. Benjamin, Walter (1999). Selected Writings Volume 2, Part 1 1927-1930. ed. Michael W. Jennings, Howard Eiland and Gary Smith. trans. Rodney Livingstone. Cambridge: The Belknap P of Harvard UP.
  6. Bergonzi, Bernard (1958). “Morals and the Novel”. Blackfriars. XXXIX (462): 354-367.
  7. Bergonzi, Bernard (1979). The Situation of the Novel. London: The Macmillan P.
  8. Bradbury, Malcolm (1994). The Modern British Novel. London: Penguin.

Details

Primary Language

English

Subjects

-

Journal Section

Research Article

Publication Date

June 22, 2018

Submission Date

March 26, 2018

Acceptance Date

-

Published in Issue

Year 2018 Number: 39

APA
Mete, B. (2018). Theories of the End of the Novel. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, 39, 49-64. https://doi.org/10.21497/sefad.443340
AMA
1.Mete B. Theories of the End of the Novel. SEFAD. 2018;(39):49-64. doi:10.21497/sefad.443340
Chicago
Mete, Barış. 2018. “Theories of the End of the Novel”. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, nos. 39: 49-64. https://doi.org/10.21497/sefad.443340.
EndNote
Mete B (June 1, 2018) Theories of the End of the Novel. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi 39 49–64.
IEEE
[1]B. Mete, “Theories of the End of the Novel”, SEFAD, no. 39, pp. 49–64, June 2018, doi: 10.21497/sefad.443340.
ISNAD
Mete, Barış. “Theories of the End of the Novel”. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi. 39 (June 1, 2018): 49-64. https://doi.org/10.21497/sefad.443340.
JAMA
1.Mete B. Theories of the End of the Novel. SEFAD. 2018;:49–64.
MLA
Mete, Barış. “Theories of the End of the Novel”. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, no. 39, June 2018, pp. 49-64, doi:10.21497/sefad.443340.
Vancouver
1.Barış Mete. Theories of the End of the Novel. SEFAD. 2018 Jun. 1;(39):49-64. doi:10.21497/sefad.443340

Cited By

Selcuk University Journal of Faculty of Letters will start accepting articles for 2025 issues on Dergipark as of September 15, 2024.