Research Article
BibTex RIS Cite

THE ART OF AN ANTI-ROMANTIC AND AN ANTI-MODERNIST: LARKIN ABOUT MODERN REALITY

Year 2017, Issue: 37, 239 - 246, 22.06.2017
https://doi.org/10.21497/sefad.328601

Abstract

In the early 1950s a group of young English poets
formed a literary circle called The Movement, as a correspondent to Angry Young
Man in theatre. Philip Larkin is a perfect representative of the Movement and
post-war generation. He interpreted modern reality from his own perspective
with a realistic, simple, clear, colloquial style that discarded both
Romanticism and Modernism. He was the follower of a clearly English line, with
provincialism in theme, traditionalism in form, blunt representations of modern
reality, refusal of idealization of the self or nature, and a kind of
simplicity, and accessibility. Thus in this paper Larkin’s anti-romantic and
anti-modernist style of poetry will be discussed with his involvement of the
Movement, and analyzed through several of his poems.

References

  • BATUM, Menteşe Oya (2009). “The Movement Poetry and Philip Larkin.” Bir Düşün Yolculuğu II: Babil’den Sonra. Ankara: Bilgesel Yayıncılık. BOOTH, James (2005). Philip Larkin The Poet’s Plight. NY: Palgrave Macmillan.
  • CARTER, Ronald-MCRAE, John (2001). The Routledge History of Literature in English Britain and Ireland (Second Edition). London: Routledge.
  • COVEY, Neil (1993). “Larkin, Distance, and Observation.” Modern Language Studies. 23 (3): 11-25.
  • ELIOT, T.S (1920). Prufrock, and Other Observations. New York: A.A. Knopf.
  • ELIOT, T.S (2001). “Tradition and the Individual Talent.” In Norton Anthology of Theory and Criticism. Eds. William Cain et al. London: Norton.
  • LARKIN, Philip (1984). The Required Writings. New York : Farrar Straus Giroux.
  • LARKIN, Philip (1985). All What Jazz. London: Faber and Faber.
  • LARKIN, Philip (1990). Collected Poems. ed. By. Anthony Thwaite. London: Marvel Press.
  • LERNER, Laurence (1997). Philip Larkin. Plymouth, Northcote House.
  • MOTION, Andrew (1982). Philip Larkin. London: Methuen.
  • REGAN, Stephan (2003). “The Movement” in A Companion To Twentieth-Century Poetry ed. Neil Roberts. JF: Blackwell.
  • REGAN, Stephan (2007). “Philip Larkin: A Late Modern Poet.” in The Cambridge Companion To Twentieth-Century English Poetry ed. By Neil Corcoran. Cambridge: Cambridge University Press. 147-159.
  • ROSSEN, Janice (1989). Philip Larkin: His Life's Work. Iowa: University of Iowa Press.
  • WORDSWORTH, William (2001). “Preface to Lyrical Ballads.” Norton Anthology of Theory and Criticism. eds. William Cain et al. London: Norton.

BİR ANTİ-ROMANTİK VE ANTİ-MODERNİSTİN SANATI: LARKİN’İN MODERN GERÇEKLİK ÜZERİNE DÜŞÜNCELERİ

Year 2017, Issue: 37, 239 - 246, 22.06.2017
https://doi.org/10.21497/sefad.328601

Abstract

1950'lerin başında bir grup genç İngiliz şair,
tiyatrodaki Angry Young Man akımının şiirdeki yanılsaması olarak The Movement
adlı edebi bir çevre oluşturdular. Philip Larkin, hem The Movement akımının hem
de savaş sonrası İngiliz şiir geleneğinin mükemmel bir temsilcisidir. Modern
gerçekliği kendi bakış açısıyla hem Romantizmi hem de Modernizmi yadsıyarak
gerçekçi, basit, açık, sözlü ifadeli bir tarzla yorumladı. Biçimindeki
geneleksellik, içeriğindeki yerellik, modern gerçekliği çarpıcı ve açık ifade
etmesi, benliğin ya da doğanın idealleştirilmesini reddetmesi ve bir tür
basitlik arayışında olması ve şiirin herkes tarafından erişilebilir olması
açısından Larkin açıkça İngiliz geleneğinin takipçisidir. Dolayısıyla, bu
çalışmada Larkin'in anti-romantik ve anti-modernist şiir tarzı The Movement
akımının etkisi üzerinden tartışılacak ve birkaç şiir üzerinden Larkin’in şiir
anlayışı incelenecektir.

References

  • BATUM, Menteşe Oya (2009). “The Movement Poetry and Philip Larkin.” Bir Düşün Yolculuğu II: Babil’den Sonra. Ankara: Bilgesel Yayıncılık. BOOTH, James (2005). Philip Larkin The Poet’s Plight. NY: Palgrave Macmillan.
  • CARTER, Ronald-MCRAE, John (2001). The Routledge History of Literature in English Britain and Ireland (Second Edition). London: Routledge.
  • COVEY, Neil (1993). “Larkin, Distance, and Observation.” Modern Language Studies. 23 (3): 11-25.
  • ELIOT, T.S (1920). Prufrock, and Other Observations. New York: A.A. Knopf.
  • ELIOT, T.S (2001). “Tradition and the Individual Talent.” In Norton Anthology of Theory and Criticism. Eds. William Cain et al. London: Norton.
  • LARKIN, Philip (1984). The Required Writings. New York : Farrar Straus Giroux.
  • LARKIN, Philip (1985). All What Jazz. London: Faber and Faber.
  • LARKIN, Philip (1990). Collected Poems. ed. By. Anthony Thwaite. London: Marvel Press.
  • LERNER, Laurence (1997). Philip Larkin. Plymouth, Northcote House.
  • MOTION, Andrew (1982). Philip Larkin. London: Methuen.
  • REGAN, Stephan (2003). “The Movement” in A Companion To Twentieth-Century Poetry ed. Neil Roberts. JF: Blackwell.
  • REGAN, Stephan (2007). “Philip Larkin: A Late Modern Poet.” in The Cambridge Companion To Twentieth-Century English Poetry ed. By Neil Corcoran. Cambridge: Cambridge University Press. 147-159.
  • ROSSEN, Janice (1989). Philip Larkin: His Life's Work. Iowa: University of Iowa Press.
  • WORDSWORTH, William (2001). “Preface to Lyrical Ballads.” Norton Anthology of Theory and Criticism. eds. William Cain et al. London: Norton.
There are 14 citations in total.

Details

Primary Language English
Journal Section Articles
Authors

Leman Demirbaş

Publication Date June 22, 2017
Submission Date February 2, 2017
Published in Issue Year 2017 Issue: 37

Cite

APA Demirbaş, L. (2017). THE ART OF AN ANTI-ROMANTIC AND AN ANTI-MODERNIST: LARKIN ABOUT MODERN REALITY. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi(37), 239-246. https://doi.org/10.21497/sefad.328601

Selcuk University Journal of Faculty of Letters will start accepting articles for 2025 issues on Dergipark as of September 15, 2024.