The Experiential Theatre of Anthony Neilson and The Wonderful World of Dissocia

Year 2018, Issue: 40, 23 - 32, 24.12.2018

Ahmet Gökhan Biçer

https://doi.org/10.21497/sefad.514492

Cited By: 1

Abstract

Experiential theatre goes beyond
the boundaries of dramatic theatre by allowing the audience to experience the
event performed on stage and create their own meaning and interpretation of
conflicting phenomena, such as security and violence. As one of the important
representatives of this type of English theatre in the 1990s, the playwright
Anthony Neilson, has attracted substantial critical attention for his trenchant
portrayal of violence in all its bareness that inevitably comes out within the
practices of daily life. With one of his most important plays to date, The Wonderful World of Dissocia (2004),
Neilson portrays experiential theatricality of states of mind while exploring
the connection between the internal and external reality of a self. By doing so,
Neilson pushes the framework of experiential theatre to a new extreme. This
paper scrutinizes his contribution to the practice of experiential theatre
within the context of violence and identity politics.

Keywords

Anthony Neilson, experiential theatre, violence, identity politics, The Wonderful World of Dissocia

Anthony Neilson’un Deneyimsel Tiyatrosu ve Disosya Harikalar Dünyası

Abstract

Deneyimsel tiyatro, izleyicilere sahnede temsil edilen olayı
deneyimlemelerine, onların, güvenlik ve şiddet gibi çatışan olaylarla ilgili
kendi anlamlandırma ve yorumlama süreçlerini oluşturmalarına olanak tanıyarak
dramatik tiyatronun sınırlarını aşmaktadır. 1990’lı yıllar İngiliz tiyatrosunun
bu türdeki önemli temsilcilerinden Anthony Neilson, kaçınılmaz olarak günlük
yaşam deneyimlerinden kaynaklanan şiddet olgusunu bütün çıplaklığıyla ve keskin
biçimde betimleyişi yönünden önemli eleştiriler almıştır. Neilson, en önemli
oyunlarından The Wonderful World of
Dissocia ile (2004), bireyin içsel ve dışsal gerçekliği arasındaki
bağıntıyı incelerken, akılsal durumu deneyimsel bir teatrallikle resmeder. Bu
yolla yazar, deneyimsel tiyatronun kavramsal çerçevesini yeni bir boyuta taşır.
Bu çalışma, Neilson’un deneyimsel tiyatro pratiğine olan katkısını şiddet
olgusu ve kimlik politikası bağlamında incelemektedir.

Keywords

Anthony Neilson, deneyimsel tiyatro, şiddet, kimlik politikası, Disosya Harikalar Dünyası

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