İngiliz Feminist Oyunlarındaki Thatcher’cı Kadınların Sosyal Feminist Açısından Okunması

Year 2019, Issue: 42, 21 - 34, 25.12.2019

Berna Ülker

https://doi.org/10.21497/sefad.674996

Abstract

Bu çalışma, cinsiyet rollerine meydan okuyan İngiliz Feminist tiyatrosundaki kadınların temsili ve bu kadınlar İngiliz ilk kadın Başbakanı olan Margaret Thatcher politikasının sonucu olarak takıntılı bir şekilde güce sahip olurken nasıl sıkıştıkları üzerine odaklanır. Çalışma, ataerkil düzeni sorgulayan, güce ulaşmak için cinsiyet rollerini ters yüz eden ve sonunda Thatcher gibi tepede yalnız bırakılan aşırı hırslı kadınları tartışır. Caryl Churchill’in Top Girls oyunundaki Marlene, Churchill’in Owners adlı oyunundaki Marion ve Timberlake Wertenbaker’ın The Grace of Mary Traverse oyunundaki Mary karakterleri tartışılır. Marlene, Marion ve Mary, Thatcher İngiltere’sini karakterize eden ve güç elde etmek için hırsın yıkıcı etkilerinin temsilcileridir. Sosyalist/materyalist feminist eleştiri kuramı, hem bencil Thatcher’cı güçlü kadın tiplemelerini eleştirmek hem de kadınların pozisyonlarını ilerletecek bir kadın dayanışmanın noksanlığını ifade etmek için oyunlara uygulanır.

Keywords

Margaret Thatcher, Sosyalist/Materyalist Feminizm, İngiliz Feminist Drama, Caryl Churchill, Timberlake Wertenbaker

A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays

Abstract

This study focuses on the representation of women in British feminist drama that challenges gender roles and gets stuck in having obsessive power as an outcome of the policy of the first British woman Prime Minister Margaret Thatcher. The study discusses excessively ambitious women who question patriarchal order and subvert gender roles to get power and finally left alone on the top like Thatcher. Marlene in Caryl Churchill’s play Top Girls, Marion in Churchill’s play Owners, Mary Traverse in Timberlake Wertenbaker’s play The Grace of Mary Traverse are discussed throughly. Marlene, Marion, and Mary are the representatives of the destructive effects of the ambition for power that characterize Thatcher’s Britain. Socialist/materialist feminism is applied to the plays both to criticize selfish Thatcherite powerful women figures and to express the lack of collaboration among women to improve their position.

Keywords

Margaret Thatcher, Socialist/Materialist Feminism, British feminist Drama, Caryl Churchill, Timberlake Wertenbaker

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