Research Article

Performativity and Sapphic Identity in the 20th Century White American Poetry

Volume: 10 Number: 1 April 30, 2025
EN TR

Performativity and Sapphic Identity in the 20th Century White American Poetry

Abstract

This article explores Sapphic identity in twentieth-century white American lesbian poetry by focusing on the performative role of poetry and its reflections in some selected poems. It examines the social effects on this identity by emphasizing how they are reflected in poetry. The article aims to demonstrate how Sappho's notion of identity evolved into social action in the twentieth century through poems chosen by Judy Grahn and Rita Mae Brown based on social and political reflections of Sapphic identity and poems chosen by Ellen Bass and Elsa Gidlow based on physical depictions and erotic reflections of Sapphic identity. In this process, the theory of performativity suggested by Judith Butler will also be helpful in order to enhance the discussion of Sapphic identity in poems of white lesbian poets. Lastly, this article aims to explain how identity transforms into social action through the performative role of poetry.

Keywords

American poetry, Sappho, identity, performativity, lesbian poetry

Project Number

25239

References

  1. Austin, John Langshaw (2018). How to Do Things with Words (J. O. Urmson, Ed.). Cambridge, MA: Martino Fine Books.
  2. Bass, Ellen (2020a). “Sometimes, When She is Buried Deep.” Indigo (p. 51). Port Townsend, WA: Copper Canyon Press.
  3. Bass, Ellen (2020b). “Sometimes I’m Frightened.” Indigo (p. 12). Port Townsend, WA: Copper Canyon Press.
  4. Bass, Ellen (2020c). “Taking Off the Front of the House.” Indigo (pp. 7-8). Port Townsend, WA: Copper Canyon Press.
  5. Bass, Ellen (2020d). Indigo. Port Townsend, WA: Copper Canyon Press.
  6. Big Think (2011, June 6). “Judith Butler: Your Behavior Creates Your Gender”, June 6, Big Think [Video], YouTube. Retrieved October 9, 2023, from https://www.youtube.com/watch?v=Bo7o2LYATDc.
  7. Brown, Rita Mae (1973). Songs to a Handsome Woman. Oakland, CA: Diana Press.
  8. Brown, Rita Mae (1974a). “Radical Man.” The Hand That Cradles the Rock (p. 16). Oakland, CA: Diana Press.
  9. Brown, Rita Mae (1974b). “Sappho’s Reply.” The Hand That Cradles the Rock (p. 77). Oakland, CA: Diana Press.
APA
Solak, G. Z. (2025). Performativity and Sapphic Identity in the 20th Century White American Poetry. Söylem Filoloji Dergisi, 10(1), 376-394. https://doi.org/10.29110/soylemdergi.1567953
AMA
1.Solak GZ. Performativity and Sapphic Identity in the 20th Century White American Poetry. Söylem. 2025;10(1):376-394. doi:10.29110/soylemdergi.1567953
Chicago
Solak, Gözde Zülal. 2025. “Performativity and Sapphic Identity in the 20th Century White American Poetry”. Söylem Filoloji Dergisi 10 (1): 376-94. https://doi.org/10.29110/soylemdergi.1567953.
EndNote
Solak GZ (April 1, 2025) Performativity and Sapphic Identity in the 20th Century White American Poetry. Söylem Filoloji Dergisi 10 1 376–394.
IEEE
[1]G. Z. Solak, “Performativity and Sapphic Identity in the 20th Century White American Poetry”, Söylem, vol. 10, no. 1, pp. 376–394, Apr. 2025, doi: 10.29110/soylemdergi.1567953.
ISNAD
Solak, Gözde Zülal. “Performativity and Sapphic Identity in the 20th Century White American Poetry”. Söylem Filoloji Dergisi 10/1 (April 1, 2025): 376-394. https://doi.org/10.29110/soylemdergi.1567953.
JAMA
1.Solak GZ. Performativity and Sapphic Identity in the 20th Century White American Poetry. Söylem. 2025;10:376–394.
MLA
Solak, Gözde Zülal. “Performativity and Sapphic Identity in the 20th Century White American Poetry”. Söylem Filoloji Dergisi, vol. 10, no. 1, Apr. 2025, pp. 376-94, doi:10.29110/soylemdergi.1567953.
Vancouver
1.Gözde Zülal Solak. Performativity and Sapphic Identity in the 20th Century White American Poetry. Söylem. 2025 Apr. 1;10(1):376-94. doi:10.29110/soylemdergi.1567953