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The Iconography and the Origin of Koimesis (The Dormition of Virgin Mary) in Byzantine Art

Year 2012, Volume: 21 Issue: 2, 67 - 72, 30.04.2014
https://doi.org/10.29135/std.172560

Abstract

In Orthodox Byzantine Empire, Virgin Mary had been venerated with great
respect due to her participation of Jesus’ Incarnation and so she had been accepted as an
intercessor for the salvation of the mankind. Because of her important place in Orthodox
Christian faith, Virgin Mary’s passing away (Koimesis) is one of the most important
Orthodox feasts. The iconographic elements of the scene are Mary on her death-bed,
Jesus holding Mary’s soul in his arms, Mary’s soul as a baby (eidolon), angels, apostles,
church fathers, theologians, houses, mourning women, Jewish man who aims to attack
Mary’s body and an angel who cuts the Jewish man’s hands

References

  • DALEY, B. Early Patristic Homilies on the Dormition of Mary, St. Vladimir’s Seminary Press, New York, 1998.
  • GAMBERO, L. Mary and The Fathers of The Church, San Francisco, Ignatius Press, 1991. Ξυγγόπουλος, Α. Δελτίον Χριστιανικής Αρχαιολογικής Εταιρείας Περίοδος Δ' Τόμος ΣΤ (1970-1972), 1-12, Η πτερωτή ψυχή της Θεοτόκου. Αθήνα.
  • HALDON, J. (çeviren: A. Özdamar) Bizans Tarih Atlası, Kitap Yayınevi, İstanbul, 2006.
  • HETHERINGTON, P. (çeviren), The ‘Painter’s Manual’ of Dionysius of Fourna, Oakwood Publications, California, 1996.
  • KAZHDAN, A.P. “Andrew of Crete”, The Oxford Dictionary of Byzantium, 1. cilt, Oxford University Press, New York, 1991:92–93.
  • PAPADAKİS, A. “Ephesus Council of 431”, The Oxford Dictionary of Byzantium, 1. cilt, Oxford University Press, New York, 1991a:707.
  • _____“Council of Chalcedon”, The Oxford Dictionary of Byzantium, 1. cilt, Oxford University Press, New York, 1991b:404.
  • SHOEMAKER, S. Ancient Traditions of the Virgin Mary’s Dormition and Assumption, Oxford University Press, New York, 2006.
  • TAFT R. ve A. CARR, “Dormition”, The Oxford Dictionary of Byzantium, 1. cilt, Oxford University Press, New York, 199:652-653.
  • TALBOT, A.M. “Great Church”, The Oxford Dictionary of Byzantium, 2. cilt, Oxford University Press, New York, 1991:867.
  • WALTER, C. “Death in Byzantine Iconography”, Eastern Church Review, VIII, 1976:113–127.

Bizans Sanatında “Koimesis” (Meryem’in Uykusu) Tasvirlerinin Kökeni ve İkonografisi

Year 2012, Volume: 21 Issue: 2, 67 - 72, 30.04.2014
https://doi.org/10.29135/std.172560

Abstract

Ortodoks Hıristiyan inancı üzerine temellenen Bizans İmparatorluğu’nda, İsa’nın bedenlenmesine aracı olması nedeniyle büyük hürmet gören ve şefaatçi kabul edilen Meryem’in bu dünyadan göçmesi (Koimesis), önemli Ortodoks bayramları arasında yer alır. Sahnenin ikonografik ögeleri; döşekte yatan Meryem, Meryem’in ruhunu teslim almak üzere göklerden gelmiş olan İsa, İsa’nın ellerinde tuttuğu ve Meryem’in ruhunu simgeleyen bebek (eidolon); Meryem’in ruhunu cennete götürmek üzere gelen melek(ler); Meryem’in döşeğinin etrafını sarmış olan havariler, kilise babaları ve teologlar; evler, yas tutan kadınlar, Meryem’in bedenine zarar vermek üzere döşeğin yanına gelmiş olan Yahudi ve onu engellemek için ellerini kesen melekten oluşur.

References

  • DALEY, B. Early Patristic Homilies on the Dormition of Mary, St. Vladimir’s Seminary Press, New York, 1998.
  • GAMBERO, L. Mary and The Fathers of The Church, San Francisco, Ignatius Press, 1991. Ξυγγόπουλος, Α. Δελτίον Χριστιανικής Αρχαιολογικής Εταιρείας Περίοδος Δ' Τόμος ΣΤ (1970-1972), 1-12, Η πτερωτή ψυχή της Θεοτόκου. Αθήνα.
  • HALDON, J. (çeviren: A. Özdamar) Bizans Tarih Atlası, Kitap Yayınevi, İstanbul, 2006.
  • HETHERINGTON, P. (çeviren), The ‘Painter’s Manual’ of Dionysius of Fourna, Oakwood Publications, California, 1996.
  • KAZHDAN, A.P. “Andrew of Crete”, The Oxford Dictionary of Byzantium, 1. cilt, Oxford University Press, New York, 1991:92–93.
  • PAPADAKİS, A. “Ephesus Council of 431”, The Oxford Dictionary of Byzantium, 1. cilt, Oxford University Press, New York, 1991a:707.
  • _____“Council of Chalcedon”, The Oxford Dictionary of Byzantium, 1. cilt, Oxford University Press, New York, 1991b:404.
  • SHOEMAKER, S. Ancient Traditions of the Virgin Mary’s Dormition and Assumption, Oxford University Press, New York, 2006.
  • TAFT R. ve A. CARR, “Dormition”, The Oxford Dictionary of Byzantium, 1. cilt, Oxford University Press, New York, 199:652-653.
  • TALBOT, A.M. “Great Church”, The Oxford Dictionary of Byzantium, 2. cilt, Oxford University Press, New York, 1991:867.
  • WALTER, C. “Death in Byzantine Iconography”, Eastern Church Review, VIII, 1976:113–127.
There are 11 citations in total.

Details

Primary Language Turkish
Journal Section RESEARCH
Authors

Ferda Barut This is me

Publication Date April 30, 2014
Published in Issue Year 2012 Volume: 21 Issue: 2

Cite

APA Barut, F. (2014). Bizans Sanatında “Koimesis” (Meryem’in Uykusu) Tasvirlerinin Kökeni ve İkonografisi. Sanat Tarihi Dergisi, 21(2), 67-72. https://doi.org/10.29135/std.172560