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Vormarz Tiyatrosu ve Epik Tiyatro Bağlamında Alman Tiyatro Tarihinin Gelişim Süreci

Year 2009, Issue: 22, 43 - 53, 01.08.2009

Abstract

Bu çalışmada Alman tiyatro tarihinin iki önemli tiyatro geleneği, Epik Tiyatro ve Vormärz Tiyatrosu, dönemlerinin kültürel ve politik özelliklerine katkılarınıortaya koymak amacıyla karşılaştırmalıbir şekilde ele alınmıştır. Bu iki tiyatro geleneğinin köklerine inebilmek amacıyla Alman tiyatro tarihi antik dönemden modern döneme son dönem kadar ana hatlarıyla irdelenmiştir. Bu süreçte Alman tiyatrosunun konu, dil ve biçim form bakımından geçmişten günümüze kadar geçirdiği değişim ve gelişim ortaya konmuştur.

References

  • Aytaç, Gürsel (1994); Yeni Alman Edebiyatı Tarihi, Gündoğan Yayınları, Ankara.
  • Best, Otto, F. (1982); Handbuch literarischer Fachbegriffe, Fischer Taschenbuch Verlag, Frankfurt am Main.
  • Beutin, Wolfgang (1994); Deutsche Literaturgeschichte: von den Anfängen bis zur Gegenwart, J.B. Metzler Verlag, Stuttgart-Weimar.
  • Boyacıoğlu, Fuat (2004); Geleneksel Tiyatro ve Uyumsuzluk Tiyatrosu, Selçuk Üniversitesi, Sosyal Bilimler Enstitüsü Dergisi, Sayı 11, Sayfa 205-219.
  • Brauneck, Manfred (1999); Die Welt als Bühne: Geschichte des europäischen Theaters, Bd. 3, J.B. Metzler Verlag, Stuttgart-Weimar.
  • Brecht, Berthold (1978); Die Stücke von Brecht in einem Band, Suhrkamp Verlag, Frankfurt/Main.
  • Frenzel, Elisabeht (1978); Daten deutscher Dichtung, Chronologischer Abriss der deutschen Literaturgeschichte, Band I, Deutscher Taschenbuch Verlag, München.
  • Frenzel, Elisabeht (1977); Daten deutscher Dichtung, Chronologischer Abriss der deutschen Literaturgeschichte, Band II, Deutscher Taschenbuch Verlag, München.
  • Fricke, Gerhard /Klotz, Volker (1965); Geschichte der deutschen Dichtung, Matthiesen Verlag, Hamburg-Lübeck.
  • Knopf, Jan (1996); Brecht-Handbuch: eine Ästhetik der Widersprüche, J.B. Metzler Verlag, Stuttgart.
  • Krell, Leo/ Fiedler, Leonhard (1976); Deutsche Literaturgeschichte, Buchners Verlag, Bamberg.
  • Kunze, Karl/Obländer, Heinz (1987); Grundwissen Deutsche Literatur, Ernst Klett Verlag, Stuttgart.
  • Sowinski, Bernhard (1992); Bertold Brecht, Der gute Mensch von Sezuan: Interpretation von Bernhard Sowinski und Wolf-Egmar Schneidewind, Oldenbourg Verlag, München.
  • Wiese, von Benno (1973); Die deutsche Tragödie von Lessing bis Hebbel, Hoffmann und Campe Verlag, Hamburg.

Vormarz Tiyatrosu ve Epik Summary of the German Dram

Year 2009, Issue: 22, 43 - 53, 01.08.2009

Abstract

of the German Dram History with Reference to the Vormarz and Epic Theater Kurzer Abriss Der Deutschen Dramengeschichte Unter Besonderer Berücksichtigung Des Vormärztheaters Und Des Epischen Theaters Aristotle divided literary genres as epic and lyric works. Bertolt Brect’s “Epic Theater” took its name from this division. Epic drama added many novelties to the German Drama. The players’ walking among the audiences and asking questions to involve them into the play were two of these novelties. Estrangement technique was one of the significant novelties. The aim of the estrangement technique was to ensure that audiences controlled themselves, get the feeling of being communicated by the actor and took a critical stance toward the events. Brecht made use of different ways to apply the estrangement technique. Particularly, songs, music, interludes and so on were the elements of estrangement technique. The aim of epic drama was to inform the audience about the social and political issues affecting their lives and let them criticize these issues. Briefly, two important drama traditions – Vormärz Drama and Epic Drama –, prominent in German Drama, and their contributions to the late German Drama were discussed in this study

References

  • Aytaç, Gürsel (1994); Yeni Alman Edebiyatı Tarihi, Gündoğan Yayınları, Ankara.
  • Best, Otto, F. (1982); Handbuch literarischer Fachbegriffe, Fischer Taschenbuch Verlag, Frankfurt am Main.
  • Beutin, Wolfgang (1994); Deutsche Literaturgeschichte: von den Anfängen bis zur Gegenwart, J.B. Metzler Verlag, Stuttgart-Weimar.
  • Boyacıoğlu, Fuat (2004); Geleneksel Tiyatro ve Uyumsuzluk Tiyatrosu, Selçuk Üniversitesi, Sosyal Bilimler Enstitüsü Dergisi, Sayı 11, Sayfa 205-219.
  • Brauneck, Manfred (1999); Die Welt als Bühne: Geschichte des europäischen Theaters, Bd. 3, J.B. Metzler Verlag, Stuttgart-Weimar.
  • Brecht, Berthold (1978); Die Stücke von Brecht in einem Band, Suhrkamp Verlag, Frankfurt/Main.
  • Frenzel, Elisabeht (1978); Daten deutscher Dichtung, Chronologischer Abriss der deutschen Literaturgeschichte, Band I, Deutscher Taschenbuch Verlag, München.
  • Frenzel, Elisabeht (1977); Daten deutscher Dichtung, Chronologischer Abriss der deutschen Literaturgeschichte, Band II, Deutscher Taschenbuch Verlag, München.
  • Fricke, Gerhard /Klotz, Volker (1965); Geschichte der deutschen Dichtung, Matthiesen Verlag, Hamburg-Lübeck.
  • Knopf, Jan (1996); Brecht-Handbuch: eine Ästhetik der Widersprüche, J.B. Metzler Verlag, Stuttgart.
  • Krell, Leo/ Fiedler, Leonhard (1976); Deutsche Literaturgeschichte, Buchners Verlag, Bamberg.
  • Kunze, Karl/Obländer, Heinz (1987); Grundwissen Deutsche Literatur, Ernst Klett Verlag, Stuttgart.
  • Sowinski, Bernhard (1992); Bertold Brecht, Der gute Mensch von Sezuan: Interpretation von Bernhard Sowinski und Wolf-Egmar Schneidewind, Oldenbourg Verlag, München.
  • Wiese, von Benno (1973); Die deutsche Tragödie von Lessing bis Hebbel, Hoffmann und Campe Verlag, Hamburg.
There are 14 citations in total.

Details

Primary Language Turkish
Journal Section Research Article
Authors

Umut Balcı This is me

Publication Date August 1, 2009
Published in Issue Year 2009 Issue: 22

Cite

APA Balcı, U. (2009). Vormarz Tiyatrosu ve Epik Tiyatro Bağlamında Alman Tiyatro Tarihinin Gelişim Süreci. Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi(22), 43-53.

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