ÇİN’DE GELENEĞİN KARŞISINDA BİR SERGİ: CHINA/AVANT-GARDE

Abstract

Çin’de Kültür Devrimi sonrasında çağdaş sanat ekonomik, politik ve kültürel değişimlerle birlikte şekillenmiştir. Özellikle 1980’li yıllarda Çin’in Batı’yla olan etkileşimi, geleneğin karşısında modern ve yeni olana kapıların açılmasını, kısa sürede dinamik bir sanat ortamı oluşmasını sağlamış ve bu da 1989 yılındaki ‘China/Avant-Garde’ sergisi ile sonuçlanmıştır. Makalede Mao ve sonrası dönemde yaşanan toplumsal ve politik değişimlerin beraberinde açılan ‘China/Avant-Garde’ sergisi, gelenek karşısındaki tutumlarını yansıtma şekilleriyle ön plana çıkan sanatçı çalışmalarıyla birlikte ele alınmış ve pek çok açıdan da ilkleri yaşattığı vurgulanmıştır.

Keywords

• Çin
• Avangart
• Gelenek
• Sergi
• Sanat

AN EXHIBITION AGAINST TRADITION IN CHINA: CHINA/AVANT-GARDE

Abstract

After the Cultural Revolution in China, contemporary art has been shaped by economic, political and cultural changes. Especially in the 1980s, China’s interaction with the West has made it possible to create a dynamic art scene in a short period of time, opening doors to modern and new things in the face of tradition and this resulted in the ‘China / Avant-Garde’ exhibition in 1989. In the article, the “China/Avant-Garde” exhibition, which opened together with the social and political changes experienced in Mao and his post period, was handled together with the artist’s works, which stand out with their way of reflecting their attitudes against tradition and it is emphasized that it is the first in many ways.

Keywords

• China
• Avant-garde
• Traditional
• Exhibition
• Art

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