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Elena N. Boeck, The Bronze 221 Horseman of Justinian in Constantinople: The Cross-Cultural Biography of a Mediterranean Monument. Cambridge: Cambridge University Press, 2021. 451 pages, 69 figures and maps, and 4 tables. ISBN: 9781107197275

Year 2021, Volume: 3, 221 - 223, 30.12.2021
https://doi.org/10.53979/yillik.2021.18

Abstract

The book review of Elena N. Boeck, The Bronze 221 Horseman of Justinian in Constantinople: The Cross-Cultural Biography of a Mediterranean Monument. Cambridge: Cambridge University Press, 2021. 451 pages, 69 figures and maps, and 4 tables. ISBN: 9781107197275 written by Brigitte Pitarakis

References

  • Byzance: L’art byzantin dans les collections publiques françaises (Paris: Musée du Louvre, 1992), no. 113.
  • See Stephanos Efthymiadis, “Diegesis on Hagia Sophia from Late Antiquity to Tenth-Century Byzantium,” Byzantinoslavica 73 (2015): 7–21, which offers an interesting perspective on this issue.
  • French wording in tribute to Gilbert Dagron, Constantinople imaginaire: études sur le recueil des “Patria” (Paris : Presses universitaires de France, 1984).
  • See Jannic Durand, “À propos du grand groupe en bronze de l’archange saint Michel et de l’empereur Michel VIII Paléologue à Constantinople,” in La sculpture en Occident: études offertes à Jean-René Gaborit, ed. Geneviève Bresc-Bautier, Françoise Baron, and Pierre-Yves Le Pogam (Paris: Éditions Faton, 2007), 47–57.
  • See, for example, Gerard Gonzáles Germain, “The Epigraphical Legacy of Cyriac of Ancona: Felice Feliciano’s Trace in a Fake Inscription from Tarragona (CIL II 383* = 112/14, 43*),” Faventia 32–33 (2010–2011): 215–224.
Year 2021, Volume: 3, 221 - 223, 30.12.2021
https://doi.org/10.53979/yillik.2021.18

Abstract

References

  • Byzance: L’art byzantin dans les collections publiques françaises (Paris: Musée du Louvre, 1992), no. 113.
  • See Stephanos Efthymiadis, “Diegesis on Hagia Sophia from Late Antiquity to Tenth-Century Byzantium,” Byzantinoslavica 73 (2015): 7–21, which offers an interesting perspective on this issue.
  • French wording in tribute to Gilbert Dagron, Constantinople imaginaire: études sur le recueil des “Patria” (Paris : Presses universitaires de France, 1984).
  • See Jannic Durand, “À propos du grand groupe en bronze de l’archange saint Michel et de l’empereur Michel VIII Paléologue à Constantinople,” in La sculpture en Occident: études offertes à Jean-René Gaborit, ed. Geneviève Bresc-Bautier, Françoise Baron, and Pierre-Yves Le Pogam (Paris: Éditions Faton, 2007), 47–57.
  • See, for example, Gerard Gonzáles Germain, “The Epigraphical Legacy of Cyriac of Ancona: Felice Feliciano’s Trace in a Fake Inscription from Tarragona (CIL II 383* = 112/14, 43*),” Faventia 32–33 (2010–2011): 215–224.
There are 5 citations in total.

Details

Primary Language English
Subjects Art History, Theory and Criticism (Other)
Journal Section Reviews and Istanbul Bibliography
Authors

Brigitte Pitarakis This is me 0000-0001-6114-5535

Publication Date December 30, 2021
Submission Date October 17, 2021
Published in Issue Year 2021 Volume: 3

Cite

Chicago Pitarakis, Brigitte. “Elena N. Boeck, The Bronze 221 Horseman of Justinian in Constantinople: The Cross-Cultural Biography of a Mediterranean Monument. Cambridge: Cambridge University Press, 2021. 451 Pages, 69 Figures and Maps, and 4 Tables. ISBN: 9781107197275”. YILLIK: Annual of Istanbul Studies 3, December (December 2021): 221-23. https://doi.org/10.53979/yillik.2021.18.