Araştırma Makalesi
BibTex RIS Kaynak Göster

Arkeolojik Veriler Işığında Antik Yunan’da Kadının Eş Kimliğinin Temsili

Yıl 2026, Cilt: 12 Sayı: Aile Özel Sayısı, 1 - 20, 28.02.2026
https://doi.org/10.31592/aeusbed.1784190
https://izlik.org/JA62RK97FG

Öz

Bu çalışma, Antik Yunan’da kadının toplumsal konumunu özellikle eş kimliği bağlamında ele alarak, arkeolojik ve ikonografik veriler üzerinden kadın temsilini incelemektedir. Antik Yunan toplumunda kadın, siyasal haklardan yoksun olmasına rağmen, evlilik aracılığıyla oikosun devamlılığını, soyun aktarımını ve yurttaşlık statüsünün meşruiyetini sağlayan temel figürlerden biri olarak belirleyici bir rol üstlenmiştir. Çalışmanın amacı, kadının bu işlevinin arkeolojik belgelerde nasıl görselleştirildiğini ortaya koymak ve söz konusu temsilleri aile yapısı, toplumsal normlar ve cinsiyet rolleri çerçevesinde değerlendirmektir. Araştırmada yöntem olarak, öncelikle yazılı kaynaklarda kadının statüsüne ilişkin bilgiler aktarılmış; ardından Klasik ve Hellenistik dönemlere ait arkeolojik malzeme, özellikle Attika vazoları ve mezar stelleri üzerinden ikonografik analiz yapılmıştır. Vazo resimleri, evlilik ritüellerini ve gelinin toplumsal aidiyet kazanımını görselleştirirken, mezar stelleri kadınları eş ve anne kimlikleriyle yüceltmiş, dexiosis ve anakalypsis gibi hareketlerle evlilik bağlarını sembolize etmiştir. Ayrıca çeyiz sandıkları, takı kutuları ve hizmetçi figürleri gibi ikonografik unsurlar, kadının eş olarak rolünü ve hane içindeki konumunu vurgulayan tamamlayıcı göstergeler olarak değerlendirilmiştir. Sonuç olarak, arkeolojik malzeme, kadının bireysel kimliğinin geri planda bırakıldığını, ancak eş ve anne rolleri üzerinden toplumsal hafızada kalıcı kılındığını göstermektedir. Bu temsil biçimleri, yalnızca bireysel yaşam öykülerini değil, aynı zamanda Antik Yunan toplumunda evlilik kurumunun kültürel ve ideolojik boyutlarını da görünür kılmaktadır.

Kaynakça

  • Akgün Kaya, E. (2023). Antik Yunan edebi eserlerinde toplumsal cinsiyet rolleri: Kadınlık kimliği ve ideal kadın imgesi. Mediterranean Journal of Humanities, XIII, 27-42. https://doi.org/10.13114/MJH.2023.591.
  • Antiken Skulpturen (1891). Beschreibung der antiken skulpturen mit ausschluss der Pergamenischen fundstücke. Berlin: Verlag von W. Spemann.
  • Apollodorus. Library and epitome. Sir J.G. Frazer (Trans.). Cambridge: Harvard University Press.
  • Arrington, N. (2018). Touch and remembrance in Greek funerary art. The Art Bulletin, 100(3), 7-27.
  • Bağdatlı Çam, F. (2023). Antik dönem mezar stelleri. İstanbul: Arkeoloji ve Sanat Yayınları.
  • Boardman, J. (2003). Siyah figürlü Atina vazoları. G. Ergin (Çev.). İstanbul: Homer Yayınları.
  • Boardman, J. (2005). Yunan sanatı. Y. İlseven (Çev.). İstanbul: Homer Yayınları.
  • Boardman, J. (2017). Kırmızı figürlü Atina vazoları. N. Öz (Çev.). İstanbul: Homer Yayınları.
  • Boyacı, N. P. (2014). Platon’da kadın sorunu üzerine bir tartışma. FLSF Felsefe ve Sosyal Bilimler Dergisi, 18, 205-230.
  • British Museum, (1843,1103.65). Hydria. © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence. Retrieved from https://www.britishmuseum.org/collection/object/G_1843-1103-65?selectedImageId=1613982521 in 01.09.2025.
  • British Museum, (1874,0512.1). Pyxis. © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence. Retrieved from https://www.britishmuseum.org/collection/object/G_1874-0512-1?selectedImageId=875181001 in 21.11.2025.
  • British Museum, (1874,0512.1). Pyxis. © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence. Retrieved from https://www.britishmuseum.org/collection/object/G_1874-0512-1 in 01.09.2025.
  • Carpenter, T. H. (2007). Antik Yunan’da sanat ve mitoloji. B. B. M. Ünlüoğlu (Çev.). İstanbul: Homer Yayınları.
  • Clairmont, C. W. (1993). Classical Attic tombstones. Kilchberg: Akanthus.
  • Conigliaro-Nguyen, M. (2023). From birth to burial: Exploring social positioning and symbolic representation of women in Athenian grave stelae. Master of Arts Thesis, The University of Chicago, Chicago.
  • Delil, N. (2024). Eski Yunan’da bir vatandaş örneği: Atina. Nevşehir Hacı Bektaş Veli Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 14(4), 2152-2177.
  • Euripides. Medea. D. Kovacs (Trans.). Cambridge: Harvard University Press.
  • Foley, H. P. (2001). Female acts in Greek tragedy. Oxford: Princeton University Press.
  • Getty Museum, (83.AA.378). Grave stele of Philoxenos with his wife, Philoumene. Retrieved from https://www.getty.edu/art/collection/object/103VHK in 25.08.2025.
  • Gex, K. (2014). Athens and funerary lekythos. P. Valavanis and E. Manakidou (Ed.), Essays on Greek Pottery and Iconography in Honour of Proffessor Michalis Tiverios in (pp. 321-329). Thessaloniki: University Studio Press.
  • Gezgin, İ. (2013). Antik çağın ötekisi kadın. Aktüel Arkeoloji, 32, 68–77.
  • Grossman, J. B. (2001). Greek funerary sculpture: Catalogue of the collections at the Getty Villa. Los Angeles: The J. Paul Getty Trust.
  • Hesiodos. Works and days. H.G. Evelyn-White (Tr.). Cambridge: Harvard University Press.
  • Homeros. Odysseia. A.T. Murray (Trans.). Cambridge: Harvard University Press.
  • Kılıç, M. (2015). Tarihsel örneklemleri üzerinden felsefenin eril dilinde yurtsuzlaşan kadın. Kadem Kadın Araştırmaları Dergisi, 1(2), 61-77.
  • Koç Başar, C. (2021). Antik Yunan’da cinsiyet rolleri. Dokuz Eylül Üniversitesi Hukuk Fakültesi Dergisi, 23(2), 1329-1361.
  • Külahlı, N. (2023). Eski Batı’nın ocak tanrıçaları: Hestia-Vestia. History Studies, 15(4), 875-892.
  • Lefkowitz, M. R. (1985). Women in Greek myth. The American Scholar, 54(2), 207-219.
  • Margariti, K. (2019a). The Greek wedding outside Athens and Sparta: The evidence from ancient texts. Les Études Classiques, 85, 319-335.
  • Margariti, K. (2019b). Funerary sculpture: Women on Attic grave reliefs. O. Palagia (Ed.), Handbook of Greek Sculpture in (pp. 123-160). Berlin: De Gruyter.
  • Met Museum, (07.286.35a,b). Terracotta lebes gamikos (round-bottomed bowl with handles and stand used in weddings). The Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/art/collection/search/247915?utm_source=chatgpt.com in 02.09.2025.
  • Met Museum, (1972.118.148a,b). Terracotta pyxis (box). The Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/art/collection/search/255459 in 15.08.2025.
  • Met Museum, (53.11.7). Marble stele (grave marker) of Phainippe. The Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/art/collection/search/254780 in 05.09.2025.
  • Met Museum, (75.2.15). Terracotta loutrophoros (ceremonial vase for water). The Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/art/collection/search/244821 in 04.09.2025.
  • Mirón Pérez, M.D. (2004). The Heraia at Olympia gender and peace. American Journal of Ancient History, 3(4), 7-38.
  • Nadareishvili, K. (2005). Literature and social context-women in the Greek tragedy and in classical Athens. Phasis, 8, 89-104.
  • Norton, R. (1897). Greek grave-reliefs. Harvard Studies in Classical Philology, 8, 41-102.
  • Nováková, L. and Pagáčová, M. (2016). Dexiosis: a meaningful gesture of the Classical antiquity. ILIRIA International Review, 6(1), 207-222.
  • O’Pry, K. (2015). Social and political roles of women in Athens and Sparta. The Saber and Scroll Journal, 1(2), 7-14.
  • Papastamati, S. (2012). Gamos in Archaic and Classical Greek poetry: Theme, ritual and metaphor. Doctor of Philosophy, London: University College London.
  • Parisinou, E. (2000). 'Lighting' the world of women: Lamps and torches in the hands of women in the late Archaic and Classical periods. Greece & Rome, 47(1), 19-43.
  • Roy, J. (1999). ‘Polis’ and ‘Oikos’ in classical Athens. Greece & Rome, 46(1), 1-18.
  • Sabetai, V. (2019). The transformation of the bride in Attic vase-painting. R. M. Gondek and C. L. Sulosky Weaver (Eds.), The Ancient Art of Transformation; Case Studies from Mediterranean Contexts in (pp. 33-51). Oxford: Oxbow Books.
  • Schmidt, M. (1996). Southern Italian and Sicilian vases. P. Grassi and G.P. Caratelli (Eds.), Western Greeks in (pp. 443-456). Venezia: Bompiani.
  • Sophokles. Antigone. Sir R. Jebb (Ed.). Cambridge: Cambridge University Press.
  • Thukydides. The Peloponnesian war. J.M. Dent (Ed.). New York: E.P. Dutton.
  • Venit, M. S. (1998). Women in their cup. The Classical World, 92(2), 117-130.
  • Von Bothmer, D. (1958). Greek marble sculptures. Bulletin of the Metropolitan Museum of Art Bulletin, 16(6), 187-192.
  • Walston, C. (1889). Catalogue of casts in the museum of classical archaeology. Fitzwilliam Museum, New York: Macmillan and Co..
  • Wolf, H. J. (1944). Marriage law and family organization in ancient Athens: A study on the interrelation of public and private law in the Greek city. Traditio, 2, 43-95.
  • Yavuz, R. B. (2023). Antik Yunan’da yurttaş olmak ya da olmamak: Polisin iki yüzü. Ufuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 12(24), 23-34.

The Representation of Female Spousal Identity in Ancient Greece in the Light of Archaeological Evidence

Yıl 2026, Cilt: 12 Sayı: Aile Özel Sayısı, 1 - 20, 28.02.2026
https://doi.org/10.31592/aeusbed.1784190
https://izlik.org/JA62RK97FG

Öz

This study examines the social position of women in Ancient Greece, focusing particularly on their identity as wives, and analyzes their representation through archaeological and iconographic evidence. In Ancient Greek society, although women were deprived of political rights, they assumed a decisive role as fundamental figures who ensured the continuity of the oikos, the transmission of lineage, and the legitimacy of civic status through marriage. The aim of the study is to reveal how this function of women was visualized in archaeological sources and to evaluate these representations within the framework of family structure, social norms, and gender roles. As a method, information on the status of women in written sources was first presented; subsequently, archaeological material from the Classical and Hellenistic periods, especially Attic vases and funerary stelai, was analyzed iconographically. Vase paintings visualized marriage rituals and the acquisition of social identity by the bride; funerary stelai glorified women with their identities as wives and mothers, symbolizing marital bonds through gestures such as dexiosis and anakalypsis. In addition, iconographic elements such as dowry chests, jewelry boxes, and servant figures were evaluated as complementary indicators emphasizing the woman’s role as a wife and her position within the household. In conclusion, the archaeological material shows that women’s individual identity was pushed into the background, but that they were made permanent in social memory through their roles as wives and mothers. These forms of representation make visible not only individual life stories but also the cultural and ideological dimensions of the institution of marriage in Ancient Greek society.

Kaynakça

  • Akgün Kaya, E. (2023). Antik Yunan edebi eserlerinde toplumsal cinsiyet rolleri: Kadınlık kimliği ve ideal kadın imgesi. Mediterranean Journal of Humanities, XIII, 27-42. https://doi.org/10.13114/MJH.2023.591.
  • Antiken Skulpturen (1891). Beschreibung der antiken skulpturen mit ausschluss der Pergamenischen fundstücke. Berlin: Verlag von W. Spemann.
  • Apollodorus. Library and epitome. Sir J.G. Frazer (Trans.). Cambridge: Harvard University Press.
  • Arrington, N. (2018). Touch and remembrance in Greek funerary art. The Art Bulletin, 100(3), 7-27.
  • Bağdatlı Çam, F. (2023). Antik dönem mezar stelleri. İstanbul: Arkeoloji ve Sanat Yayınları.
  • Boardman, J. (2003). Siyah figürlü Atina vazoları. G. Ergin (Çev.). İstanbul: Homer Yayınları.
  • Boardman, J. (2005). Yunan sanatı. Y. İlseven (Çev.). İstanbul: Homer Yayınları.
  • Boardman, J. (2017). Kırmızı figürlü Atina vazoları. N. Öz (Çev.). İstanbul: Homer Yayınları.
  • Boyacı, N. P. (2014). Platon’da kadın sorunu üzerine bir tartışma. FLSF Felsefe ve Sosyal Bilimler Dergisi, 18, 205-230.
  • British Museum, (1843,1103.65). Hydria. © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence. Retrieved from https://www.britishmuseum.org/collection/object/G_1843-1103-65?selectedImageId=1613982521 in 01.09.2025.
  • British Museum, (1874,0512.1). Pyxis. © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence. Retrieved from https://www.britishmuseum.org/collection/object/G_1874-0512-1?selectedImageId=875181001 in 21.11.2025.
  • British Museum, (1874,0512.1). Pyxis. © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence. Retrieved from https://www.britishmuseum.org/collection/object/G_1874-0512-1 in 01.09.2025.
  • Carpenter, T. H. (2007). Antik Yunan’da sanat ve mitoloji. B. B. M. Ünlüoğlu (Çev.). İstanbul: Homer Yayınları.
  • Clairmont, C. W. (1993). Classical Attic tombstones. Kilchberg: Akanthus.
  • Conigliaro-Nguyen, M. (2023). From birth to burial: Exploring social positioning and symbolic representation of women in Athenian grave stelae. Master of Arts Thesis, The University of Chicago, Chicago.
  • Delil, N. (2024). Eski Yunan’da bir vatandaş örneği: Atina. Nevşehir Hacı Bektaş Veli Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 14(4), 2152-2177.
  • Euripides. Medea. D. Kovacs (Trans.). Cambridge: Harvard University Press.
  • Foley, H. P. (2001). Female acts in Greek tragedy. Oxford: Princeton University Press.
  • Getty Museum, (83.AA.378). Grave stele of Philoxenos with his wife, Philoumene. Retrieved from https://www.getty.edu/art/collection/object/103VHK in 25.08.2025.
  • Gex, K. (2014). Athens and funerary lekythos. P. Valavanis and E. Manakidou (Ed.), Essays on Greek Pottery and Iconography in Honour of Proffessor Michalis Tiverios in (pp. 321-329). Thessaloniki: University Studio Press.
  • Gezgin, İ. (2013). Antik çağın ötekisi kadın. Aktüel Arkeoloji, 32, 68–77.
  • Grossman, J. B. (2001). Greek funerary sculpture: Catalogue of the collections at the Getty Villa. Los Angeles: The J. Paul Getty Trust.
  • Hesiodos. Works and days. H.G. Evelyn-White (Tr.). Cambridge: Harvard University Press.
  • Homeros. Odysseia. A.T. Murray (Trans.). Cambridge: Harvard University Press.
  • Kılıç, M. (2015). Tarihsel örneklemleri üzerinden felsefenin eril dilinde yurtsuzlaşan kadın. Kadem Kadın Araştırmaları Dergisi, 1(2), 61-77.
  • Koç Başar, C. (2021). Antik Yunan’da cinsiyet rolleri. Dokuz Eylül Üniversitesi Hukuk Fakültesi Dergisi, 23(2), 1329-1361.
  • Külahlı, N. (2023). Eski Batı’nın ocak tanrıçaları: Hestia-Vestia. History Studies, 15(4), 875-892.
  • Lefkowitz, M. R. (1985). Women in Greek myth. The American Scholar, 54(2), 207-219.
  • Margariti, K. (2019a). The Greek wedding outside Athens and Sparta: The evidence from ancient texts. Les Études Classiques, 85, 319-335.
  • Margariti, K. (2019b). Funerary sculpture: Women on Attic grave reliefs. O. Palagia (Ed.), Handbook of Greek Sculpture in (pp. 123-160). Berlin: De Gruyter.
  • Met Museum, (07.286.35a,b). Terracotta lebes gamikos (round-bottomed bowl with handles and stand used in weddings). The Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/art/collection/search/247915?utm_source=chatgpt.com in 02.09.2025.
  • Met Museum, (1972.118.148a,b). Terracotta pyxis (box). The Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/art/collection/search/255459 in 15.08.2025.
  • Met Museum, (53.11.7). Marble stele (grave marker) of Phainippe. The Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/art/collection/search/254780 in 05.09.2025.
  • Met Museum, (75.2.15). Terracotta loutrophoros (ceremonial vase for water). The Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/art/collection/search/244821 in 04.09.2025.
  • Mirón Pérez, M.D. (2004). The Heraia at Olympia gender and peace. American Journal of Ancient History, 3(4), 7-38.
  • Nadareishvili, K. (2005). Literature and social context-women in the Greek tragedy and in classical Athens. Phasis, 8, 89-104.
  • Norton, R. (1897). Greek grave-reliefs. Harvard Studies in Classical Philology, 8, 41-102.
  • Nováková, L. and Pagáčová, M. (2016). Dexiosis: a meaningful gesture of the Classical antiquity. ILIRIA International Review, 6(1), 207-222.
  • O’Pry, K. (2015). Social and political roles of women in Athens and Sparta. The Saber and Scroll Journal, 1(2), 7-14.
  • Papastamati, S. (2012). Gamos in Archaic and Classical Greek poetry: Theme, ritual and metaphor. Doctor of Philosophy, London: University College London.
  • Parisinou, E. (2000). 'Lighting' the world of women: Lamps and torches in the hands of women in the late Archaic and Classical periods. Greece & Rome, 47(1), 19-43.
  • Roy, J. (1999). ‘Polis’ and ‘Oikos’ in classical Athens. Greece & Rome, 46(1), 1-18.
  • Sabetai, V. (2019). The transformation of the bride in Attic vase-painting. R. M. Gondek and C. L. Sulosky Weaver (Eds.), The Ancient Art of Transformation; Case Studies from Mediterranean Contexts in (pp. 33-51). Oxford: Oxbow Books.
  • Schmidt, M. (1996). Southern Italian and Sicilian vases. P. Grassi and G.P. Caratelli (Eds.), Western Greeks in (pp. 443-456). Venezia: Bompiani.
  • Sophokles. Antigone. Sir R. Jebb (Ed.). Cambridge: Cambridge University Press.
  • Thukydides. The Peloponnesian war. J.M. Dent (Ed.). New York: E.P. Dutton.
  • Venit, M. S. (1998). Women in their cup. The Classical World, 92(2), 117-130.
  • Von Bothmer, D. (1958). Greek marble sculptures. Bulletin of the Metropolitan Museum of Art Bulletin, 16(6), 187-192.
  • Walston, C. (1889). Catalogue of casts in the museum of classical archaeology. Fitzwilliam Museum, New York: Macmillan and Co..
  • Wolf, H. J. (1944). Marriage law and family organization in ancient Athens: A study on the interrelation of public and private law in the Greek city. Traditio, 2, 43-95.
  • Yavuz, R. B. (2023). Antik Yunan’da yurttaş olmak ya da olmamak: Polisin iki yüzü. Ufuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 12(24), 23-34.
Toplam 51 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Tarihsel Arkeoloji (Endüstriyel Arkeoloji Dahil), Yunan ve Roma Dönemi Arkeolojisi
Bölüm Araştırma Makalesi
Yazarlar

Meral Çelik 0000-0001-5968-7941

Gönderilme Tarihi 15 Eylül 2025
Kabul Tarihi 24 Ocak 2026
Yayımlanma Tarihi 28 Şubat 2026
DOI https://doi.org/10.31592/aeusbed.1784190
IZ https://izlik.org/JA62RK97FG
Yayımlandığı Sayı Yıl 2026 Cilt: 12 Sayı: Aile Özel Sayısı

Kaynak Göster

APA Çelik, M. (2026). Arkeolojik Veriler Işığında Antik Yunan’da Kadının Eş Kimliğinin Temsili. Ahi Evran Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 12(Aile Özel Sayısı), 1-20. https://doi.org/10.31592/aeusbed.1784190