BibTex RIS Kaynak Göster

The Effect of National and International Culture on Logo Design of Iran’s Graphic Art

Yıl 2015, , 282 - 303, 16.12.2015
https://doi.org/10.18039/ajesi.08146

Öz

Art is an intellectual accumulation, which is unique to the society where it exists, and it is shaped by that land’s culture. In the other words, art is not an element, which can be taken from other cultures directly and applied to a society. On the other hand, communication instruments play a significant role in transferring the cultural and artistic heritage, which are the basis of a country. Furthermore, graphic design is a language which conveys a message, it is an identification of the cultures and it is unique to the countries. However there are several factors that influence the graphic design of a country such as historiy of the country, believes, political structures and cultures.

This study aims to focus particularly on Iran’s ancient and rich culture, Its principles of graphic arts, and development of it in this cultural at different periods such as when the culture was under the influence of religion In addition, the social and cultural factors which affect the graphic design were studied with theiradvantages and disadvantages.

In conclusion, the historical process of Iranian graphic art throughout history was studied by taking the development of Iranian graphic art into consideration with respect to socio-cultural perspective.

Kaynakça

  • Goshayesh, F. (1999). History of Iran and World Art. Tehran: Efaf Publishing House.
  • Jafari, M. T. (1999). Beauty and Art in terms of Islam. Tehran: Allameh Jafari Publishing House.
  • Ahmadi Baghbadrani, S. (2009) Art and Religion. Monthly Art Book, 133, 24-28.
  • Dabiri, A. (2005). Lithography and the Reasons for Spreading in Iran. Magazine Book, 62, 59-66.
  • Hoseini, Sh. (2012). Iran Graphic before Revolution (1956-1978). Monthly Art Book, 169, 58-65.
  • Jabari Rad, H. (2008). The First Schools of Art in Iran. Art Magazine, 12, 40-49.
  • Katuziyan, M. A. H. (2010). Creatures of We Iranians. Mehrnameh, 2, 45-46.
  • Molaei Nia, R. (2008). Introduction of Modern and Contemporary Graphic Factors. Negareh Magazine, 7, 51-63.
  • Momayez, M. (1996). Regeneration in Iran Art. Speech Magazine, 10, 31-40.
  • Pirhushyar, S., Marasi, M. (2012). The Position of Iranian Art in Four Distinguished Book of World Art History. Monthly Art Book, 172, 36-43.
  • Summarized History of Graphic and Poster in Iran (1982, 8 Mayıs). Cihat, 31, 42-44.
  • Ebrahimi, F., (2009). Tact-e Jamshid the most symbolic icon of Norouz ceremony, Retrieved at January 18, 2014 from: http://iranshahr.org/
  • Hoseinpur Hajar, A., (2010). Matching Iranian logos and symbols of ancient Iranian art, Retrieved at March 8, 2014 from: http://persiangfx.com/
  • Keramati Moghadam, M., (2013).The first human drawings, Retrieved at March 19, 2014 from: http://avalinnaghashi.blog.ir/
  • Kooroshli, A., (2011). History of graphic art in Iran, Retrieved at February 6, 2014 from: http://alikooroshli2.persianblog.ir/
  • Raeeka, (2011). Man praying, Retrieved at May 2, 2015 from: https://raeeka.wordpress.com/
  • Rafat, A., (2013). The 30 Best-Looking Airlines Logos in The World, Retrieved at April 12, 2014 from: http://skift.com/2013/10/23/the-30-best-looking-airlines-logos-in-the-world/
  • Report Informatics Center of Tehran University, (2005). History of Tehran University, Retrieved at January 14, 2014 from: https://puyeshga.ipower.com/ES.ETC/history-of-Tehran-University.htm
  • Sadeghi, M., (2006). The third annual book of students' graphic (Neshaneh): Fredrik Talberg, Retrieved at March 12, 2014 from: http://www.rasm.ir/
  • Zeka, Y. (2008). Arts & Humanities Journal: Mirza Abul Hassan Sani ol-Molk Ghaffari, the founder of the first school of painting in Iran, Retrieved at February 18, 2014 from: http://www.noormags.com/
Yıl 2015, , 282 - 303, 16.12.2015
https://doi.org/10.18039/ajesi.08146

Öz

Kaynakça

  • Goshayesh, F. (1999). History of Iran and World Art. Tehran: Efaf Publishing House.
  • Jafari, M. T. (1999). Beauty and Art in terms of Islam. Tehran: Allameh Jafari Publishing House.
  • Ahmadi Baghbadrani, S. (2009) Art and Religion. Monthly Art Book, 133, 24-28.
  • Dabiri, A. (2005). Lithography and the Reasons for Spreading in Iran. Magazine Book, 62, 59-66.
  • Hoseini, Sh. (2012). Iran Graphic before Revolution (1956-1978). Monthly Art Book, 169, 58-65.
  • Jabari Rad, H. (2008). The First Schools of Art in Iran. Art Magazine, 12, 40-49.
  • Katuziyan, M. A. H. (2010). Creatures of We Iranians. Mehrnameh, 2, 45-46.
  • Molaei Nia, R. (2008). Introduction of Modern and Contemporary Graphic Factors. Negareh Magazine, 7, 51-63.
  • Momayez, M. (1996). Regeneration in Iran Art. Speech Magazine, 10, 31-40.
  • Pirhushyar, S., Marasi, M. (2012). The Position of Iranian Art in Four Distinguished Book of World Art History. Monthly Art Book, 172, 36-43.
  • Summarized History of Graphic and Poster in Iran (1982, 8 Mayıs). Cihat, 31, 42-44.
  • Ebrahimi, F., (2009). Tact-e Jamshid the most symbolic icon of Norouz ceremony, Retrieved at January 18, 2014 from: http://iranshahr.org/
  • Hoseinpur Hajar, A., (2010). Matching Iranian logos and symbols of ancient Iranian art, Retrieved at March 8, 2014 from: http://persiangfx.com/
  • Keramati Moghadam, M., (2013).The first human drawings, Retrieved at March 19, 2014 from: http://avalinnaghashi.blog.ir/
  • Kooroshli, A., (2011). History of graphic art in Iran, Retrieved at February 6, 2014 from: http://alikooroshli2.persianblog.ir/
  • Raeeka, (2011). Man praying, Retrieved at May 2, 2015 from: https://raeeka.wordpress.com/
  • Rafat, A., (2013). The 30 Best-Looking Airlines Logos in The World, Retrieved at April 12, 2014 from: http://skift.com/2013/10/23/the-30-best-looking-airlines-logos-in-the-world/
  • Report Informatics Center of Tehran University, (2005). History of Tehran University, Retrieved at January 14, 2014 from: https://puyeshga.ipower.com/ES.ETC/history-of-Tehran-University.htm
  • Sadeghi, M., (2006). The third annual book of students' graphic (Neshaneh): Fredrik Talberg, Retrieved at March 12, 2014 from: http://www.rasm.ir/
  • Zeka, Y. (2008). Arts & Humanities Journal: Mirza Abul Hassan Sani ol-Molk Ghaffari, the founder of the first school of painting in Iran, Retrieved at February 18, 2014 from: http://www.noormags.com/
Toplam 20 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Araştırma Makalesi
Yazarlar

Maryam Monirifar Bu kişi benim

Yayımlanma Tarihi 16 Aralık 2015
Gönderilme Tarihi 16 Aralık 2015
Yayımlandığı Sayı Yıl 2015

Kaynak Göster

APA Monirifar, M. (2015). The Effect of National and International Culture on Logo Design of Iran’s Graphic Art. Anadolu Journal of Educational Sciences International, 5(3), 282-303. https://doi.org/10.18039/ajesi.08146
AMA Monirifar M. The Effect of National and International Culture on Logo Design of Iran’s Graphic Art. AJESI. Aralık 2015;5(3):282-303. doi:10.18039/ajesi.08146
Chicago Monirifar, Maryam. “The Effect of National and International Culture on Logo Design of Iran’s Graphic Art”. Anadolu Journal of Educational Sciences International 5, sy. 3 (Aralık 2015): 282-303. https://doi.org/10.18039/ajesi.08146.
EndNote Monirifar M (01 Aralık 2015) The Effect of National and International Culture on Logo Design of Iran’s Graphic Art. Anadolu Journal of Educational Sciences International 5 3 282–303.
IEEE M. Monirifar, “The Effect of National and International Culture on Logo Design of Iran’s Graphic Art”, AJESI, c. 5, sy. 3, ss. 282–303, 2015, doi: 10.18039/ajesi.08146.
ISNAD Monirifar, Maryam. “The Effect of National and International Culture on Logo Design of Iran’s Graphic Art”. Anadolu Journal of Educational Sciences International 5/3 (Aralık 2015), 282-303. https://doi.org/10.18039/ajesi.08146.
JAMA Monirifar M. The Effect of National and International Culture on Logo Design of Iran’s Graphic Art. AJESI. 2015;5:282–303.
MLA Monirifar, Maryam. “The Effect of National and International Culture on Logo Design of Iran’s Graphic Art”. Anadolu Journal of Educational Sciences International, c. 5, sy. 3, 2015, ss. 282-03, doi:10.18039/ajesi.08146.
Vancouver Monirifar M. The Effect of National and International Culture on Logo Design of Iran’s Graphic Art. AJESI. 2015;5(3):282-303.