Dijital Oyun Anlatılarında Kahramanın Yolculuğu'nun Dönüşümü

Öz

Joseph Campbell'ın Kahramanın Yolculuğu (Monomyth) başlangıçta amacı bu olmasa bile, zaman içinde oyun endüstrisi tarafından dijital oyun hikayeleri için standart bir şablon olarak benimsenmiş ve kullanılmaya başlanmıştır. Ancak bazı akademisyenler bu modelin doğasında cinsiyet ve kültürel önyargılar barındırdığını savunmuş ve gerçekten evrensel olup olmadığını sorgulamışlardır. Bu çalışma, klasik modelin 2013-2020 yılları arasında piyasaya sürülen ve yüksek satışlar elde eden seçili oyunlarda nasıl değiştiğini incelemektedir. Çalışmanın kavramsal çerçevesi, kahramanın yolculuğunun söz konusu değişimleri Feminist, Post-kolonyal ve Queer teori olmak üzere üç eleştirel mercek üzerinden değerlendirmektedir. Araştırma, 19 temel akademik metnin incelemesini üç vaka çalışmasının nitel analiziyle harmanlayan karma bir yöntem benimsemektedir. Bulgular üç tür dönüşüm olduğunu göstermektedir: yeniden yapılandırma (feminist eleştiri), yapısöküm (post-kolonyal eleştiri) ve uyarlama(queer eleştiri). God of War (2018), Ghost of Tsushima (2020) ve The Legend of Zelda: Breath of the Wild (2017) vaka çalışmaları üzerinden, bu makale Kahramanın Yolculuğu'nun terk edilmediğini ama değişim geçirdiğini öne sürmektedir. Klasik Monomyth yapısının doğası gereği esnek bir yapıda olmadığı ve modern hikaye anlatıcılığına göre artık kısıtlı kalmıştır. Bu nedenle günümüz oyun endüstrisi, bu katı şablonu körü körüne uygulamayı bırakmış ve aksine daha kapsayıcı ve karmaşık anlatılar sunabilmek adına bu geleneksel yapıyı bilinçli olarak dönüştürmeye başlamıştır.

Anahtar Kelimeler

• Kahramanın Yolculuğu
• Dijital Oyun Anlatıları
• Ludonaratoloji
• Feminist Eleştiri
• Post-kolonyalizm
• Queer Anlatı

Transformation of the Hero’s Journey in Digital Game Narratives

Öz

Although not originally intended as a design manual, Joseph Campbell’s Hero’s Journey (Monomyth) has been adopted by the industry as the standard blueprint for digital game stories. However, some scholars have questioned whether this model is truly universal, arguing that it contains inherent gender and cultural biases. This study investigates how the classic model has changed in three major games released between 2013 and 2020, examining these shifts through three critical lenses: Feminist, Post-colonial, and Queer theory. The study uses a qualitative method, combining a review of 19 key academic texts with textual analysis of three selected video game case studies. The findings reveal three types of transformation: reconfiguration (feminist critique), deconstruction (post-colonial critique), and adaptation (queer critique). Through case studies of the games God of War (2018), Ghost of Tsushima (2020), and The Legend of Zelda: Breath of the Wild (2017), this paper argues that the Hero’s Journey has not been abandoned but it’s undergoing profound structural transformation. The classical Monomyth is inherently rigid and insufficient for contemporary storytelling. Consequently, modern games no longer apply it as a strict rulebook; instead, they actively subvert, deconstruct, and adapt this traditional framework to construct more inclusive and culturally complex narratives.

Anahtar Kelimeler

• Digital Game Narratives
• Ludonarratology
• Feminist Critique
• Post-colonialism
• Queer Narrativity.
• Hero's Journey

Kaynakça

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