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Flâneuse Olmanın Olasılıkları Üzerine: Kadınlar, Yürüyebilir ve Etrafa Bakabilir mi?

Yıl 2023, Cilt: 8 Sayı: 16, 49 - 63, 23.10.2023

Öz

Flâneuse is a relatively recently coinage word as a female form of the nineteenth century flâneur, who was a representative figure of the modernity and urbanisation. In order to understand the flâneuse, we need to understand the flâneur. As he gained his meaning through the context of Modernity, the period -with its social, economic and political aspects- is introspected in detail in the first part of the study. In the second part, departing from this male figure, practical possibilities of its female counterpart will be scrutinised from a pro-urbanist and feminist perspective. The act of walking and the act of looking (or being looked) will be the main tropes. Within the context, overall feminist literature will be visited and the contradictory ideas of feminist scholars who have written about the topic will be put on the agenda. Overall, the notion is suggested to be adopted not literally, but in metaphoric senses, and that there is an urgent need for a perspective which does not deny the woman’s space in urban studies.

Kaynakça

  • Baudelaire, C. (1964). The Painter of Modern Life and Other Essays. Phaidon Press.
  • Benjamin, W. (1997). Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, trans. Harry Zohn. Verso.
  • Berger, J. (2008). Ways of seeing. Penguin Classics.
  • Berman, M. (1988) All that is solid melts into air: The experience of modernity. Canada: Penguin.
  • Brey, I. (2020) The Female Gaze: A Revolution Onscreen Translated by Daniela Ginsburg. https://static1.squarespace.com/static/5a68a5a4cf81e073e471d1ac/t/5f80921f4c46ce4f477e5145/1602261535527/Brey+Sample+Beginning.pdf
  • Bruno, G. (2018). Atlas of Emotion: Journeys in Art, Architecture, and Film. Verso. (first published 2002).
  • Buck-Morss, S. (1986). The Flâneur, the sandwichman and the whore: the Politics of loitering. New German Critique no. 39, pp. 99–140.
  • Clarke, D. B. (1997). “Introduction: Previewing the Cinematic City”, The Cinematic City. Hoboken: Taylor and Francis, 1-17.
  • De Certeau, M. (2002). The Practice of Everyday Life. University of California Press.
  • Elkin, L. (2017). Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London. First American ed., Farrar, Straus and Giroux. Kindle Edition.
  • Ferguson, P. P. (1994). “The Flâneur On and Off the Streets of Paris”, The Flâneur. Ed. Keith Tester. Routledge, 22-42.
  • Fournel, V. (1867). Ce qu'on voit dans les rues de Paris. p. 268 – via Bibliothèque nationale de France. (taken from wikipedia)
  • Friedberg, A. (1993). Window Shopping: Cinema and the Postmodern. University of California Press.
  • Frisby, D. (2014). “The Flâneur in Social Theory”, In The Flâneur (pp. 81-110). Routledge. (edited by Tester K.)
  • George Sand, Story of My Life, ed. Thelma Jurgrau (Albany: State University of NewYork Press, 1991), 893-9
  • Gleber, A. (1997). “Female Flânerie and the Symphony of the City” In Women in the metropolis: Gender and modernity in Weimar culture, ed. K. von Ankum, 67–88.University of California.
  • Kaplan, E. A. (2013). “Is the gaze male?” Women & Film. Routledge. (first published in 1983).
  • Lefebvre, H. (1984). Everyday Life in the Modern World. Routledge. (first published in 1968).
  • Mandy, M. (2000). Filmer le desir. the factory/Saga Film/ARTE France/
  • Mouton, J. (2001). From feminine masquerade to flâneuse: Agnès Varda's Cléo in the city. Cinema Journal, 40(2), 3-16. from http://www.jstor.org/sta-ble/1225840
  • Parsons, D. L. (2000). Streetwalking the Metropolis: Women, the City and Modernity. Oxford University Press.
  • Poe, E. A. (2008). The man of the crowd (pp. 48-54). University of Virginia Li-brary. Available at: http://162gettinglostfall2012.qwrit-ing.qc.cuny.edu/files/2012/08/Poe-Man-of-the-Crowd.pdf
  • Pollock, G. (2003). Vision and Difference: Femininity, Feminism and the Histories of Art. Routledge. (first published in 1988)
  • Rendell, J. (1998). West End rambling: gender and architectural space in London 1800–1830. Leisure Studies, 17(2), 108-122.
  • Sennett, R. (2015). Uncomfortable Spaces: Richard Sennett on Urbanism. Inter-viewed by The Architectural Review. YouTube. Available at: https://www.youtube.com/watch?v=3_soJHqkzSs&t=46s (Accessed 19 June 2021).
  • Simmel, G. The Metropolis and Mental Life. pp. 11-19. http://cast.b-ap.net/arc597f15/wp-content/uploads/sites/31/2015/09/Simmel_Metropolis_Men-tal_Life.pdf
  • Soloway, J. (2016). Jill Soloway on The Female Gaze | MASTER CLASS | TIFF 2016. YouTube. Available at: https://www.youtube.com/watch?v=pnBvppooD9I
  • Tester, K. (2015) “Introduction.” The Flâneur. Ed. Keith Tester. Routledge. (first published in 1994) 1-21.
  • Wilson, E. (1991). The sphinx in the city: Urban life, the control of disorder, and women. Univ of California Press.
  • Wilson, E. (2000). The contradictions of culture: Cities, culture, women. The Contradictions of Culture, 1-192.
  • Wolff, J. (1985). “The Invisible Flâneuse: Women and the Literature of Modernity” Feminine Sentences: Essays on Women & Culture, Polity Press. p. 34-50.
  • Woolf, V. (1930). Street Haunting, A London Adventure. Westgate Press (first published in 1927) https://www.bl.uk/collection-items/street-haunting-an-essay-by-virginia-woolf
  • Woolf, V. (1977). A Room of One’s Own. Grafton. (first published in 1929).

Practical Possibilities of Flâneuse: Can Women Walk and Look Around?

Yıl 2023, Cilt: 8 Sayı: 16, 49 - 63, 23.10.2023

Öz

Flâneuse is a relatively recently coinage word as a female form of the
nineteenth century flâneur, who was a representative figure of the modernity and urbanisation.
Departing from this male figure, the practical possibility of its female counterpart
will be scrutinised from a pro-urbanist and feminist perspective. The act of
walking and the act of looking (or being looked) will be the main tropes of the study.

Kaynakça

  • Baudelaire, C. (1964). The Painter of Modern Life and Other Essays. Phaidon Press.
  • Benjamin, W. (1997). Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, trans. Harry Zohn. Verso.
  • Berger, J. (2008). Ways of seeing. Penguin Classics.
  • Berman, M. (1988) All that is solid melts into air: The experience of modernity. Canada: Penguin.
  • Brey, I. (2020) The Female Gaze: A Revolution Onscreen Translated by Daniela Ginsburg. https://static1.squarespace.com/static/5a68a5a4cf81e073e471d1ac/t/5f80921f4c46ce4f477e5145/1602261535527/Brey+Sample+Beginning.pdf
  • Bruno, G. (2018). Atlas of Emotion: Journeys in Art, Architecture, and Film. Verso. (first published 2002).
  • Buck-Morss, S. (1986). The Flâneur, the sandwichman and the whore: the Politics of loitering. New German Critique no. 39, pp. 99–140.
  • Clarke, D. B. (1997). “Introduction: Previewing the Cinematic City”, The Cinematic City. Hoboken: Taylor and Francis, 1-17.
  • De Certeau, M. (2002). The Practice of Everyday Life. University of California Press.
  • Elkin, L. (2017). Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London. First American ed., Farrar, Straus and Giroux. Kindle Edition.
  • Ferguson, P. P. (1994). “The Flâneur On and Off the Streets of Paris”, The Flâneur. Ed. Keith Tester. Routledge, 22-42.
  • Fournel, V. (1867). Ce qu'on voit dans les rues de Paris. p. 268 – via Bibliothèque nationale de France. (taken from wikipedia)
  • Friedberg, A. (1993). Window Shopping: Cinema and the Postmodern. University of California Press.
  • Frisby, D. (2014). “The Flâneur in Social Theory”, In The Flâneur (pp. 81-110). Routledge. (edited by Tester K.)
  • George Sand, Story of My Life, ed. Thelma Jurgrau (Albany: State University of NewYork Press, 1991), 893-9
  • Gleber, A. (1997). “Female Flânerie and the Symphony of the City” In Women in the metropolis: Gender and modernity in Weimar culture, ed. K. von Ankum, 67–88.University of California.
  • Kaplan, E. A. (2013). “Is the gaze male?” Women & Film. Routledge. (first published in 1983).
  • Lefebvre, H. (1984). Everyday Life in the Modern World. Routledge. (first published in 1968).
  • Mandy, M. (2000). Filmer le desir. the factory/Saga Film/ARTE France/
  • Mouton, J. (2001). From feminine masquerade to flâneuse: Agnès Varda's Cléo in the city. Cinema Journal, 40(2), 3-16. from http://www.jstor.org/sta-ble/1225840
  • Parsons, D. L. (2000). Streetwalking the Metropolis: Women, the City and Modernity. Oxford University Press.
  • Poe, E. A. (2008). The man of the crowd (pp. 48-54). University of Virginia Li-brary. Available at: http://162gettinglostfall2012.qwrit-ing.qc.cuny.edu/files/2012/08/Poe-Man-of-the-Crowd.pdf
  • Pollock, G. (2003). Vision and Difference: Femininity, Feminism and the Histories of Art. Routledge. (first published in 1988)
  • Rendell, J. (1998). West End rambling: gender and architectural space in London 1800–1830. Leisure Studies, 17(2), 108-122.
  • Sennett, R. (2015). Uncomfortable Spaces: Richard Sennett on Urbanism. Inter-viewed by The Architectural Review. YouTube. Available at: https://www.youtube.com/watch?v=3_soJHqkzSs&t=46s (Accessed 19 June 2021).
  • Simmel, G. The Metropolis and Mental Life. pp. 11-19. http://cast.b-ap.net/arc597f15/wp-content/uploads/sites/31/2015/09/Simmel_Metropolis_Men-tal_Life.pdf
  • Soloway, J. (2016). Jill Soloway on The Female Gaze | MASTER CLASS | TIFF 2016. YouTube. Available at: https://www.youtube.com/watch?v=pnBvppooD9I
  • Tester, K. (2015) “Introduction.” The Flâneur. Ed. Keith Tester. Routledge. (first published in 1994) 1-21.
  • Wilson, E. (1991). The sphinx in the city: Urban life, the control of disorder, and women. Univ of California Press.
  • Wilson, E. (2000). The contradictions of culture: Cities, culture, women. The Contradictions of Culture, 1-192.
  • Wolff, J. (1985). “The Invisible Flâneuse: Women and the Literature of Modernity” Feminine Sentences: Essays on Women & Culture, Polity Press. p. 34-50.
  • Woolf, V. (1930). Street Haunting, A London Adventure. Westgate Press (first published in 1927) https://www.bl.uk/collection-items/street-haunting-an-essay-by-virginia-woolf
  • Woolf, V. (1977). A Room of One’s Own. Grafton. (first published in 1929).
Toplam 33 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İletişim ve Medya Çalışmaları (Diğer)
Bölüm Makaleler
Yazarlar

Mine Çimen 0000-0002-1149-1867

Yayımlanma Tarihi 23 Ekim 2023
Kabul Tarihi 22 Ekim 2023
Yayımlandığı Sayı Yıl 2023 Cilt: 8 Sayı: 16

Kaynak Göster

APA Çimen, M. (2023). Practical Possibilities of Flâneuse: Can Women Walk and Look Around?. Abant Kültürel Araştırmalar Dergisi, 8(16), 49-63.