THE ABORIGINE IN AUSTRALIAN CINEMA: FROM WALKABOUT TO RABBIT-PROOF FENCE
Öz
The essay examines the treatment of Aborigine culture in Australian film through a study of two films separated by thirty years of cinematic history. The similarities and differences between the two films are examined in the light of historical developments in that period, and their respective contributions to the history of national cinema in Australia are outlined. It is argued that the more recent film, despite its significance in the wider acceptance among Australians of the cruel treatment of the Aboriginal population in earlier periods, made itself vulnerable to attacks by pro-colonial critics through its utilisation of Hollywood cinematic conventions. The older film, wholly fictional and stylistically expressionistic, has been criticized as condescending and sentimental, but avoided the excerbation of social and ethnic divisiveness. The reception and impact of the two films, it is argued, illustrate significant problems confronted in the emergence of national cinemas elsewhere
Anahtar Kelimeler
Australian Cinema,National Cinema,Aborigines,Post-Colonialism
Kaynakça
- Adnum, M. (2002). Advertising Oz. Spiked Culture. May 28, 2002. http://www.spiked-online.com/Articles/00000006D909.htm.
- Akerman, P. (2002). Artistic Licence Spoils This Saga in Sunday Telegraph, March 3, 2002 p. 89.
- Becker Entertainment. (2002). Rabbit-Proof Fence media kit.
- Collins F. and Davis T. (2004). Australian Cinema after Mabo. Cambridge U.K.: Cambridge University Press.
- D'Aeth, T.H. (2002). Which Rabbit-Proof Fence? Empathy, Assimilation, Hollywood. In Australian Humanities Review at http://www.australian huanitiesreview.org/archive/Sept-2002.
- Dawson, J. (1971). Walkabout, in Monthly Film Bulletin 38/455, pp. 227-228.
- Gibson, R. (1992). South of the West: Postcolonialism and the Narrative Construction of Australia. Indianapolis: Indiana University Press.
- Human Rights and Equal Opportunity Commission (1997): Bringing Them Home: National Enquir into the Separation of Aboriginal and Torres Strait Islander Children from Their Families. Sydney, April.
- Kolker, R. (2000). A Cinema of Loneliness. New York: Oxford University Press.
- McFarlane B. and Mayer G. (1992). New Australian Cinema: Sources and Parallels in American and British Film. Cambridge UK: Cambridge University Press.