ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC
Öz
Anton Webern is among the most important composer and music theorists of 20th-century music called as avant-garde. In the first stage of this study the ‘serial music understanding’ to which Anton Webern has contributed significantly in terms of theory and composition is presented in the context of the general situation of 20th century music. In the later stages, the component-complement connection of the composer's works and the simplicity principle, which is considered to be one of the most important building blocks of the music style, are discussed. In this process while making theoretical determinations through selected works of the composer, sensory and intellectual impressions in his works have been disclosed. In this way, it is expected that the composer will be understood better and the analysis will contribute to the theory, practice and listening processes.
Anahtar Kelimeler
Kaynakça
- Boran, İ, (2004) Türkiye’de 12 Ton (12 Tones in Turkey), Sanat Dünyamız (Art World), Issue: 93
- Copland, A. (2015) Yeni Müzik (The New Music)Translated by: Ali Cenk Gedik İstanbul: Yazılama Yayınevi.
- Koç, T. Yıldırım, (2008) V. Müzik Felsefesine Giriş (Introduction to the Music Philosophy) İstanbul: Bağlam Yayıncılık.
- Lewin, D. (2007) Musical Form and Transformation Four Analytic Essays. NewYork: Oxford University Press. Manav, Ö. & Nemutlu, M. (2011) Müzikte Alımlama (Perception in Music) İstanbul: Pan Yayıncılık.
- Schoenberg, A. (1984) Style and Idea. California: University of California Press
- Ünalp, A. (2003) Arvo Part’ın Nefes Alıp Veren Çanları (Arvo Part’s Breathing Bells) Andante-August/September Issue:6.
- Webern, A. (1998) Yeni Müziğe Doğru (Towards the New Music) İstanbul: Pan Yayıncılık.
- https://monoskop.org, 2017 Date of retrieval 16.04.2017
Ayrıntılar
Birincil Dil
Türkçe
Konular
-
Bölüm
Araştırma Makalesi
Yazarlar
Yayımlanma Tarihi
27 Ocak 2020
Gönderilme Tarihi
16 Aralık 2019
Kabul Tarihi
15 Ocak 2020
Yayımlandığı Sayı
Yıl 2020 Cilt: 6 Sayı: 11
APA
Kızılay, M. O., & Metin, İ. G. (2020). ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC. Afyon Kocatepe Üniversitesi Akademik Müzik Araştırmaları Dergisi, 6(11), 88-103. https://izlik.org/JA96YM87GN
AMA
1.Kızılay MO, Metin İG. ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC. Amader. 2020;6(11):88-103. https://izlik.org/JA96YM87GN
Chicago
Kızılay, Mustafa Okan, ve İsmail Gürkan Metin. 2020. “ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC”. Afyon Kocatepe Üniversitesi Akademik Müzik Araştırmaları Dergisi 6 (11): 88-103. https://izlik.org/JA96YM87GN.
EndNote
Kızılay MO, Metin İG (01 Ocak 2020) ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC. Afyon Kocatepe Üniversitesi Akademik Müzik Araştırmaları Dergisi 6 11 88–103.
IEEE
[1]M. O. Kızılay ve İ. G. Metin, “ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC”, Amader, c. 6, sy 11, ss. 88–103, Oca. 2020, [çevrimiçi]. Erişim adresi: https://izlik.org/JA96YM87GN
ISNAD
Kızılay, Mustafa Okan - Metin, İsmail Gürkan. “ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC”. Afyon Kocatepe Üniversitesi Akademik Müzik Araştırmaları Dergisi 6/11 (01 Ocak 2020): 88-103. https://izlik.org/JA96YM87GN.
JAMA
1.Kızılay MO, Metin İG. ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC. Amader. 2020;6:88–103.
MLA
Kızılay, Mustafa Okan, ve İsmail Gürkan Metin. “ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC”. Afyon Kocatepe Üniversitesi Akademik Müzik Araştırmaları Dergisi, c. 6, sy 11, Ocak 2020, ss. 88-103, https://izlik.org/JA96YM87GN.
Vancouver
1.Mustafa Okan Kızılay, İsmail Gürkan Metin. ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC. Amader [Internet]. 01 Ocak 2020;6(11):88-103. Erişim adresi: https://izlik.org/JA96YM87GN