Araştırma Makalesi

Exploring Gender and Power Dynamics in Bram Stroker’s Dracula

Cilt: 13 Sayı: 2 30 Ağustos 2025
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Exploring Gender and Power Dynamics in Bram Stroker’s Dracula

Abstract

Bram Stoker’s Dracula, as is examined in this article, reveals a lot about gender and power dynamics through a new way of looking at Gothic literature using socio-cultural perspectives. Published in 1897, Dracula captures Victorian fears on the subject of sexuality, gender roles, and the power that shifts due to rapid social change. There are several gothic tropes embedded within the text such as vampires, monstrous females, and haunted castles which can be taken to symbolize deeper concerns about patriarchal control as well as modernity. This article focuses on some key characters in the book such as Mina Harker and Lucy Westenra who illustrate how Stoker departs from traditional ideals of womanhood and depicts women who break with conventional norms. It also shows how Dracula represents anarchy that not only disrupts physical boundaries but also challenges rigid binary thinking about female/male or rich/poor. In addition to that, it explores feminist theories of reading texts by applying contemporary cultural theories. Such an approach would help us understand why it becomes clear that Dracula is more than just a horror story. The current study shows how this genre has always been able to tap into the human desire for an enticingly frightful experience while still casting light on its continuing popularity.

Keywords

Kaynakça

  1. Arata, S. D. (1990). The occidental tourist: Dracula and the anxiety of reverse colonization. Victorian Studies, 33(4), 621–645. https://doi.org/10.1057/9781137272621_1
  2. Auerbach, N. (1995). Our vampires, ourselves. University of Chicago Press. https://doi.org/10.1086/495379
  3. Cardillo, M. (2022). The legacy of Frankenstein’s creature: Monstrosity and the female grotesque in Mary Shelley, Angela Carter, and Jeanette Winterson.
  4. Craft, C. (1984). “Kiss me with those red lips”: Gender and inversion in Dracula. Representations, 8, 107–133. https://doi.org/10.2307/2928560
  5. Creed, B. (1993). The monstrous feminine: Film, feminism, psychoanalysis (1st ed.). Routledge. https://doi.org/10.4324/9780203820513
  6. Creed, B. (2005). Phallic panic: Film, horror, and the primal uncanny. Melbourne University Publishing. https://doi.org/10.1093/screen/31.2.125
  7. Creed, B. (2019). The monstrous feminine, then and now: Barbara Creed in conversation with Nicholas Chare. In N. Chare (Ed.), Re reading The Monstrous Feminine (pp. 95–105). Routledge.
  8. Creed, B., & Chare, N. (2020). The monstrous feminine then and now. Re reading The Monstrous Feminine: Art, film, feminism and psychoanalysis, 95–104.

Ayrıntılar

Birincil Dil

İngilizce

Konular

İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü

Bölüm

Araştırma Makalesi

Erken Görünüm Tarihi

15 Ağustos 2025

Yayımlanma Tarihi

30 Ağustos 2025

Gönderilme Tarihi

15 Ocak 2025

Kabul Tarihi

2 Mayıs 2025

Yayımlandığı Sayı

Yıl 2025 Cilt: 13 Sayı: 2

Kaynak Göster

APA
Koroncu Özbilen, D. (2025). Exploring Gender and Power Dynamics in Bram Stroker’s Dracula. Anemon Muş Alparslan Üniversitesi Sosyal Bilimler Dergisi, 13(2), 718-736. https://doi.org/10.18506/anemon.1620696

Anemon Muş Alparslan Üniversitesi Sosyal Bilimler Dergisi Creative Commons Atıf-GayriTicari 4.0 Uluslararası Lisansı (CC BY NC) ile lisanslanmıştır.