Jerusalem and Artistic Orientations are a Formative Point of View

Yıl 2018, Cilt: 2 Sayı: 1, 40 - 68, 15.06.2018

İbrahim Abu-rub

Öz

This research deals with the plastic side of orientalism of Jerusalem, which is directed before it is dealt with in terms
of reading, analysis and comparison with the statement of objectives and artists. Many have touched on orientalism
and the East, but in terms of documentary, descriptive, political, intellectual or religious, or even reading groups of
collectors or orientalist waves.
As for dealing with the works that dealt with Jerusalem with its analysis, linking, comparing it and showing its
aesthetic or even spiritual aspects, it is rare and not direct.
Although the response to Orientalism from the Arab side came late after the process of awareness among
researchers, specialists and interested Arabs of the new generations, but it is still limited and limited despite the
seriousness of this issue and address the Orientalism in the field of religion and thought and language and others and
may be more but in the formation a few, What we see in the work of Edward Said and Khairi Mansour and d.
Mohammed Amin BaniAmer and the Orientalist Encyclopedia of Abdul Rahman Badawi.
In the area of the formations, most of what was issued falls within the description of the Arab region and was not
directed directly to Jerusalem, including what is a translator or description of groups such asdescription of Egypt as
part of Napoleon's journey "Egypt in the eyes of strangers" d. TharwatOkasha, and "Art and Orientalism" d.
AfifBahlasi and "The East in the Mirror of Arabic Painting" Jean Jabbour, as well as "the Arab world in the creations
of Russian artists in the 19th century" d. Abdul Latif Salman, Najd Group and Sheikh Hassan Al Thani Group.
In the area of formation and Jerusalem, and from an Arab point of view, it does not exceed artistic articles. On the
western side, it did not direct a direct effort to Jerusalem, despite its religious importance to the West. Lorteah, Dean
of the Faculty of Medicine in June 1880 in his book Land of Memories on his journey to the Levant. 

Anahtar Kelimeler

Art and Orientalism, Jerusalem and Artistic Orientations, statement of objectives

Jerusalem and Artistic Orientations are a Formative Point of View

Öz

Kaynakça

• السحر عن الشرق. مدار للدراسات. رام هللا. 2009
• - بهنسي. د.عفيف. الفن واالستشراق، دار الرائد العربي، بيروت، 1983.
• - بيطار . د. زينات. بيروت. االستشراق في الفن الرومانس الفرنسي، عالم العرضة. عدد 157 ،الكويت، يناير 1992
• - جبور. د. كحان، الشرق مرآة الرسم الفرنسين منشورات جروس يزس، طرابلس، لبنان، 1992 .
• - د. لورتيه أرض الذكريات، رحلة ، 1875- 1880 ،المطبوعات للتوزيع والنشر، بيروت، 1995.
• - سعيد. د. ادوارد. ترجمة محمد عناني. االستشراق )المفاهيم الغربية للشرق(. رؤية للنشر والتوزيع. القاهرة. 2006
• - سلمان. د. عبد اللطيف سلمان. الوطن ال عربي في ابداعات الفنانين الروس. نينوى للنشر والتوزيع. دمشق
• - مجموعة د.هشام الخطيب، القدس مشاهير بانورامية، جمعي يوم القدسن مركز الدراسات. عمان. 2015.
• - مجموعة قطر االستشراقية، المجلس الوطني للثقافة والفنون، الدوحة، 2006.
• - مجموعة نجد للوحات الشرقية شركة المنارة لندن 1991.
• - منصور. خيري. االستشراق والوعي السالب. مكتبة مدبولي. القاهرة. 2005 مجالت
• - فكري. د. أحمد، قبة الصخرة. مجلة عالم الفكر. وزارة االعالم. الكويت. 1980 . عدد خاص عن القدس. المراجع االجنبية
• - Jullian. philippe. The Orientalists. Oxford. 1977
• - Royal Society of Art National Gallery. Amman. Jordan. 1987. on the Banks of Jordan. Catalogue of an exhibition
• - Thornton. Lynne. The orientalists’ painter Travelers. Paris. 1983-1985.
• - Verrier. Michelle. The Orientalists Academy Editions. London. 1979. المواقع
• - www.orientalistar.net
• - www.renaissance-gallery.net
• - www.arabartgallery.com