Sayıdan Geri Çekildi

Geri Çekildi:

Yıl 2025, Cilt: 29 Sayı: 4, 849 - 854, 19.12.2025

Geri Çekme Notu

Due to flaws in the article "Disillusionment and Silence in British Trench Poems: Voices from World War I" published in Current Perspectives in Social Sciences Volume 27, Issue 3, 2023, the author requested a retraction, and the editor approved it. The article's link is: https://dergipark.org.tr/en/pub/atasobed/issue/79989/1366316, and the PDF file indicates that a retraction has been made.

Öz

Kaynakça

  • Silkin, J. (Ed.) (1996). The penguin book of first world war poetry. Penguin.
  • Stallworthy, J. (2002). Anthem for doomed youth: Twelve soldier poets of the first world war. Constable. Secondary sources
  • Campbell, J. S. (1999). Combat gnosticism: The ideology of first world war poetry criticism. New Literary History, 30(1), 203–215. [CrossRef]
  • Das, S. (2007). War poetry and the realm of the senses: Owen and Rosenberg. In T. Kendall (Ed.), The Oxford handbook of British and Irish war poetry (pp. 73–99). Oxford University Press.
  • Featherstone, S. (2013). War poetry: An introductory reader. Routledge.
  • Fussell, P. (2013). The great war and modern memory. Oxford University Press.
  • Kearns, C. (2009a). “Disabled” Wilfred Owen (1917). In J. Persoon & R. R. Watson (Eds.), The facts on file companion to British poetry, 1900 to the present (p. 127). Facts on File.
  • Kearns, C. (2009b). “Dulce est Decorum Est” Wilfred Owen (1917). In J. Persoon & R. R. Watson (Eds.), The facts on file companion to British poetry, 1900 to the present (pp. 139–140). Facts on File.
  • Peters, J. (2009a). “Break of Day in the Trenches” Isaac Rosenberg (1916). In J. Persoon & R. R. Watson (Eds.), The facts on file companion to British poetry, 1900 to the present (pp. 61–62). Facts on File.
  • Peters, J. (2009b). “Dead Man’s Dump” Isaac Rosenberg (1917). In J. Persoon & R. R. Watson (Eds.), The facts on file companion to British poetry, 1900 to the present (p. 115). Facts on File.
  • Roberts, D. (1999). Minds at war: The poetry and experience of the first world war. Saxon.
  • Saksena, D. (2009). Sorley, Charles Hamilton. In J. Persoon & R. R. Watson (Eds.), The facts on file companion to British poetry, 1900 to the present (p. 449). Facts on File.
  • Silkin, J. (1998). Out of battle: The poetry of the great war. Macmillan.

Geri Çekildi: Disillusionment and Silence in British Trench Poems: Voices from World War I

Yıl 2025, Cilt: 29 Sayı: 4, 849 - 854, 19.12.2025

Geri Çekme Notu

Current Perspectives in Social Sciences 2023 yılı Cilt 27, Sayı 3'te yayınlanan "İngiliz Siper Şiirlerinde Hayal Kırıklığı ve Sessizlik: Birinci Dünya Savaşı’ndan Sesler" başlıklı yazıda bulunan kusurlar nedeniyle yazar tarafından geri çekilmek istenmiş ve editör onaylamıştır. Makalenin linki: https://dergipark.org.tr/en/pub/atasobed/issue/79989/1366316 olup, PDF dosyasında retraction yapıldığı yazılmıştır.

Öz

British trench poets who had first-hand experiences in World War I (1914–1918) produced significant poetic works in terms of depicting the realities of battlefields throughout the clashes.
Unlike the promises of heroism, valor, and adventure in the discourses of patriotism and manliness, the actual conditions of the Great War became the source of disillusionment with humanity,
its potential for advancement, and the meaning of life. Therefore, this article aims to analyze the
common notions in most of these soldier-poets’ works and explicate these trench poets’ challenges to the pro-war discourses by means of their shared sense of disillusionment and the manner of silence in the face of the atrocities of the battle conditions

Kaynakça

  • Silkin, J. (Ed.) (1996). The penguin book of first world war poetry. Penguin.
  • Stallworthy, J. (2002). Anthem for doomed youth: Twelve soldier poets of the first world war. Constable. Secondary sources
  • Campbell, J. S. (1999). Combat gnosticism: The ideology of first world war poetry criticism. New Literary History, 30(1), 203–215. [CrossRef]
  • Das, S. (2007). War poetry and the realm of the senses: Owen and Rosenberg. In T. Kendall (Ed.), The Oxford handbook of British and Irish war poetry (pp. 73–99). Oxford University Press.
  • Featherstone, S. (2013). War poetry: An introductory reader. Routledge.
  • Fussell, P. (2013). The great war and modern memory. Oxford University Press.
  • Kearns, C. (2009a). “Disabled” Wilfred Owen (1917). In J. Persoon & R. R. Watson (Eds.), The facts on file companion to British poetry, 1900 to the present (p. 127). Facts on File.
  • Kearns, C. (2009b). “Dulce est Decorum Est” Wilfred Owen (1917). In J. Persoon & R. R. Watson (Eds.), The facts on file companion to British poetry, 1900 to the present (pp. 139–140). Facts on File.
  • Peters, J. (2009a). “Break of Day in the Trenches” Isaac Rosenberg (1916). In J. Persoon & R. R. Watson (Eds.), The facts on file companion to British poetry, 1900 to the present (pp. 61–62). Facts on File.
  • Peters, J. (2009b). “Dead Man’s Dump” Isaac Rosenberg (1917). In J. Persoon & R. R. Watson (Eds.), The facts on file companion to British poetry, 1900 to the present (p. 115). Facts on File.
  • Roberts, D. (1999). Minds at war: The poetry and experience of the first world war. Saxon.
  • Saksena, D. (2009). Sorley, Charles Hamilton. In J. Persoon & R. R. Watson (Eds.), The facts on file companion to British poetry, 1900 to the present (p. 449). Facts on File.
  • Silkin, J. (1998). Out of battle: The poetry of the great war. Macmillan.
Toplam 13 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Dünya Dilleri, Edebiyatı ve Kültürü (Diğer)
Bölüm Sayıdan Geri Çekildi
Yazarlar

Şafak Horzum

Yayımlanma Tarihi 19 Aralık 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 29 Sayı: 4

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