Description of Historical and Cultural Monuments of Nakhchivan in the Works of Foreign Artists of the 19 Century
Öz
The article examines and analyzes the images of Nakhchivan, an integral part of Azerbaijan, reflecting its ancient history and culture in the works of foreign artists of the XIX century. The engravings of artists from foreign countries such as W. Ouseley, D. Monpere, H. Klerget, Bocher, D. Lancelot, and Barbant reflect ancient traces of this history, taken from nature or from photographs during their travels to the historical places of Nakhchivan and the ancient region of Julfa. The engravings include “Nakhchivan ancient remains” by William Ouseley, “Tomb of Noah” and “Tomb of Momine-Khatun” by D. Monpere, “Nakhchivan. Tomb of Momine-Khatun” by Barbant, “Atabey kumbez in Nakhchivan,” “Ruined mosque in Nakhchivan” by H. Klerget, “The destroyed mosque in Nakhchivan” by D. Lancelot, “Carved figure of a ram” by Barbant, “General view of the necropolis of Julfa” by D. Lancelot, “The interior of the great Ordubad madrasah” by Gotorben, and “Temple of Malik Ibrahimoglu” by Bocher. These works provide graphic representations of the general appearance, historical monuments, and culture of Nakhchivan, Julfa, and Ordubad in the 19 century. The widespread use of this theme in the works of artists of the 19 century allows us to trace the history of this ancient culture in a rapidly changing, updating time. These works, depicted in a realistic style, are valuable for their artistic portrayal of the history and culture of Nakhchivan.
Anahtar Kelimeler
Ancient history of Azerbaijan drawings of Nakhchivan drawings of Julfa drawings of Ordubad landscape genre painting graphic genre
Kaynakça
- Aliyev, Z. (2019, September 30). Nakhchivan History in the Light of Colors. Cultural Newspaper.
- Allahverdiyeva, H. R. (2022). Basics of Painting. Ajami.
- Allahverdiyeva, H. R. (2022). Artistic Reflection of Historical and Architectural Monuments in Theatrical Decorative Art. Scientific Journal, Молодий вчений, 3(103), 75-79.
- Allahverdiyeva, H. R. (2021). Ancient and Modern Nakhchivan in the Creativity of Artists of the World. Problems of Science, 2 (61), 52-58.
- Bakhshaliyev, V. & Seyidov, A. (2020). Ancient Julfa. Ajami.
- Dieulafoy, J. (1887). La Perse, la Chaldée et la Susiane. Librairie Hachette.
- Ismayilova, N. (2017, February 3). Yesterday's School is Today's Monument. Sharg Gapisi Newspaper.
- Khalilov, Y. (2021, April 259). A New Finding Regarding the Tomb of Momina Khatun. Newspaper 525.
- Le Tour de Monde (1891). Lahur.
- az.wikipedia.org/wiki/Ordubad_mədrəsəsi
- az.wikipedia.org/wiki/Malik_İbrahim_piri
Description of Historical and Cultural Monuments of Nakhchivan in the Works of Foreign Artists of the 19 Century
Öz
The article examines and analyzes the images of Nakhchivan, an integral part of Azerbaijan, reflecting its ancient history and culture in the works of foreign artists of the XIX century. The engravings of artists from foreign countries such as W. Ouseley, D. Monpere, H. Klerget, Bocher, D. Lancelot, and Barbant reflect ancient traces of this history, taken from nature or from photographs during their travels to the historical places of Nakhchivan and the ancient region of Julfa. The engravings include “Nakhchivan ancient remains” by William Ouseley, “Tomb of Noah” and “Tomb of Momine-Khatun” by D. Monpere, “Nakhchivan. Tomb of Momine-Khatun” by Barbant, “Atabey kumbez in Nakhchivan,” “Ruined mosque in Nakhchivan” by H. Klerget, “The destroyed mosque in Nakhchivan” by D. Lancelot, “Carved figure of a ram” by Barbant, “General view of the necropolis of Julfa” by D. Lancelot, “The interior of the great Ordubad madrasah” by Gotorben, and “Temple of Malik Ibrahimoglu” by Bocher. These works provide graphic representations of the general appearance, historical monuments, and culture of Nakhchivan, Julfa, and Ordubad in the 19 century. The widespread use of this theme in the works of artists of the 19 century allows us to trace the history of this ancient culture in a rapidly changing, updating time. These works, depicted in a realistic style, are valuable for their artistic portrayal of the history and culture of Nakhchivan.
Anahtar Kelimeler
Ancient history of Azerbaijan drawings of Nakhchivan drawings of Julfa drawings of Ordubad landscape genre painting graphic genre
Kaynakça
- Aliyev, Z. (2019, September 30). Nakhchivan History in the Light of Colors. Cultural Newspaper.
- Allahverdiyeva, H. R. (2022). Basics of Painting. Ajami.
- Allahverdiyeva, H. R. (2022). Artistic Reflection of Historical and Architectural Monuments in Theatrical Decorative Art. Scientific Journal, Молодий вчений, 3(103), 75-79.
- Allahverdiyeva, H. R. (2021). Ancient and Modern Nakhchivan in the Creativity of Artists of the World. Problems of Science, 2 (61), 52-58.
- Bakhshaliyev, V. & Seyidov, A. (2020). Ancient Julfa. Ajami.
- Dieulafoy, J. (1887). La Perse, la Chaldée et la Susiane. Librairie Hachette.
- Ismayilova, N. (2017, February 3). Yesterday's School is Today's Monument. Sharg Gapisi Newspaper.
- Khalilov, Y. (2021, April 259). A New Finding Regarding the Tomb of Momina Khatun. Newspaper 525.
- Le Tour de Monde (1891). Lahur.
- az.wikipedia.org/wiki/Ordubad_mədrəsəsi
- az.wikipedia.org/wiki/Malik_İbrahim_piri
Ayrıntılar
| Birincil Dil | Türkçe |
|---|---|
| Konular | Türk Halkları ve Toplulukları |
| Bölüm | Derleme |
| Yazarlar | |
| Gönderilme Tarihi | 18 Temmuz 2024 |
| Kabul Tarihi | 20 Eylül 2024 |
| Erken Görünüm Tarihi | 26 Ekim 2024 |
| Yayımlanma Tarihi | 29 Kasım 2024 |
| DOI | https://doi.org/10.46868/atdd.2024.822 |
| IZ | https://izlik.org/JA32EA39UT |
| Yayımlandığı Sayı | Yıl 2024 Cilt: 11 Sayı: 5 |
Copyright and Licensing Policy
All articles published in the Journal of Academic History and Ideas / Akademik Tarih ve Düşünce Dergisi are copyrighted by the journal. The journal’s content is provided as open access under the Creative Commons Attribution–NonCommercial 4.0 International (CC BY-NC 4.0) license: https://creativecommons.org/licenses/by-nc/4.0/
Under this license, the content may be shared, reproduced, adapted, translated, and built upon in any medium or format for non-commercial purposes, provided that proper scholarly attribution is given to the author(s) and the journal.
Requests for commercial reuse must be directed to the Editorial Board at akademiktarihvedusunce@gmail.com
The scientific, legal, and ethical responsibility for published works rests entirely with the author(s). The editors and the Editorial Board assume no responsibility or liability for the content of the published articles.
© ATDD Tüm Hakları Saklıdır