Araştırma Makalesi

SEARCHING FOR THE HERITAGE: GOLDEN LYDIAN FASHION IN ANATOLIA

Cilt: 1 Sayı: 2 25 Aralık 2019
PDF İndir

SEARCHING FOR THE HERITAGE: GOLDEN LYDIAN FASHION IN ANATOLIA

Öz

When the diversity and richness of traditional and cultural background and long history of textiles and rich heritage of textile crafts, that Anatolia has granted to us, are compared, it becomes hard to explain the insignificant role Turkey has been playing on the fashion runways. For years the majority of the Turkish students of fashion and clothing have approached the academic understanding of clothing and fashion through the perspective of the western history of costume and the historical and traditional clothing issues remained beyond students’ concern. It is in this study that we are seeking to explicate the properties of historical knowledge to manipulate into a unique fashion collection. Understanding the principle role of historical knowledge in fashion design has been a key motivation underpinning this research. The assignment of a team of four, undergraduate students at fifth semester, who volunteered to take part in this research, was to design a collection of 20 styles and was to complete 4 among them. The inspiration centered on the Lydian Empire, which ruled Anatolia between 680 and 546 B.C. A detailed analysis of Lydian history and clothing identified several recurrent themes and issues regarding the rich interplay between materials and design. When four of the Lydian inspired dresses were completed, they were presented by professional mannequins on the catwalk during the exposition called Lydian habrosyne.

Anahtar Kelimeler

Material culture,Lydian Empire,historical clothing

Kaynakça

  1. Aelian, On Animals 12. 9 (trans. Scholfield) (Greek natural history C 2nd to 3rd A.D.) Retrieved August 10, 2010 from http://www.theoi.com/Cult/ArtemisCult4.html
  2. Akşit, I. (2008). Anatolian civilizations and antique cities of Turkey. In A. E. Williams, & J. R. Williams (Trans.& Eds.). Ankara: Ministry of Culture and Tourism.
  3. Brunello, F. (1968). The art of dyeing in the history of mankind. In N. Pozza (Ed.), B. Hickey (Trans.). Vicenza: Officene Grafiche Sta.
  4. Cohen, B. (2000). Not the classical ideal: Athens and the construction of the other in Greek art. [Electronic version], Leiden: Koninklijke Brill NV. Retrieved August 3, 2010, from Google Books.
  5. De Long, M. R., & Peterson, K., (2004). Analysis and Characterization of 1930s Evening Dresses in a University Museum Collection, Clothing and Textile Research Journal, 22. .Retrieved August 29, 2010.
  6. Department of Ancient Near Eastern Art. "Lydia and Phrygia". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000 , Retrieved August 29, 2010.
  7. Derks, T. & Roymans, N. (2009). Ethnic constructs in antiquity: The role of power and tradition. Amsterdam: Amsterdam University Press. Fibula [Central Anatolia, Phrygia] (1970.231.1). (2000). In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. Retrieved June 3, 2010 from http://www.metmuseum.org/toah/hd/phry/ho_1970.231.1.htm
  8. Eicher, J. B. & Sumberg, B. (1995). World fashion, ethnic and national dress. Dress and ethnicity: Change across space and time. In J. B. Eicher (Eds). New York: Berg.
  9. Entwistle, J., & Wilson, E. (2001). Body Dressing. New York: Berg Publishers.
  10. Finnane, A. (2008). Changing clothes in China: Fashion, modernity,nation. New York: Columbia University Press.

Kaynak Göster

APA
Gürcüm, B. H. (2019). SEARCHING FOR THE HERITAGE: GOLDEN LYDIAN FASHION IN ANATOLIA. Ankara Üniversitesi Güzel Sanatlar Fakültesi Dergisi, 1(2), 216-238. https://izlik.org/JA63TE58CZ