Araştırma Makalesi
BibTex RIS Kaynak Göster
Yıl 2024, SBF Dergisi Erken Görünüm, 1 - 22
https://doi.org/10.33630/ausbf.1218068

Öz

Kaynakça

  • Adorno, Theodor W. and Max Horkheimer (2010), Aydınlamanın Diyalektiği (İstanbul: Kabalcı Yayınevi) (Trans. Nihat Ülner and E. Öztarhan Karadoğan).
  • Alvarez, Maria D. and Şükrü Yarcan (2010), “Istanbul as a World City: A Cultural Perspective”, International Journal of Culture, Tourism and Hospitality Research, 4(3): 266-276.
  • Amin, Ash and Nigel Thrift (2007), “Cultural-Economy and Cities”, Progress in Human Geography Compass, 31(2): 143–161.
  • Amin, Ash and Nigel Thrift (2017), Seeing Like a City (Cambridge: Polity Press).
  • Arısoy, Alp (2014), Yeldeğirmeni Deneyimi: Kentsel Yenilemeye Farklı Bir Yaklaşım (İstanbul: ÇEKÜL Vakfı).
  • Ayaz, Engin. (2017). Yaratıcı Platformlar: Harita ve Bölge. Retrieved from https://www.britishcouncil.org.tr/sites/default/files/yaratici_platformlar_harita_ve_calisma_sahasi.pdf.
  • Barry, Andrew, Thomas Osborne and Nikolas Rose (1996), Foucault and Political Reason: Liberalism, Neo-Liberalism and Rationalities of Government (Chicago: The University of Chicago Press).
  • Bezmez, Dikmen (2008), “The Politics of Urban Waterfront Regeneration: The Case of Haliç (the Golden Horn), Istanbul”, International Journal of Urban and Regional Research, 32(4): 815-840.
  • Bridge, Gary (2007), “A Global Gentrifier Class?”, Environment and Planning A, 39: 32-46.
  • Burchell, Graham (1993), “Liberal Government and Techniques of the Self”, Economy and Society, 22(3): 267-282.
  • Catungal, John Paul, Deborah Leslie and Yvonne Hii (2009), “Geographies of Displacement in the Creative City: The Case of Liberty Village, Toronto”, Urban studies, 46(5-6): 1095–1114.
  • Dardot, Pierre and Christian Laval (2014), The New Way of the World: On Neoliberal Society (London: Verso) (Trans. Gregory Elliott).
  • DCMS (1998), Creative Industries Mapping Document. Retrieved from https://www.gov.uk/government/publications/creative-industries-mapping-documents-1998.
  • Dean, Mitchell (2010), Governmentality: Power and Rule in Modern Society (Los Angeles: Sage).
  • Dumenil, Gerard and Dominique Levy (2004), Capital Resurgent: Roots of the Neoliberal Revolution (Cambridge: Harvard University Press) (Trans. Derek Jeffers).
  • Durmaz, Bahar, Stephen Platt and Tan Yiğitcanlar (2010), “Creative, Culture Tourism and Place‐Making : Istanbul and London Film Industries”, International Journal of Culture, Tourism and Hospitality Research, 4(3): 198‐213.
  • Enlil, Zeynep Merey, Yiğit Evren and İclal Dinçer (2011), “Cultural Triangle and Beyond: A Spatial Analysis of Cultural Industries in Istanbul”, Planning Practice & Research, 26(2): 167-183.
  • Ergun, Nilgun (2004), “Gentrification in Istanbul”, Cities, 21(5): 391–405.
  • Florida, Richard (2005), Cities and the Creative Class (New York: Routledge).
  • Foucault, Michel (1977), “The Confession of the Flesh”, Colin Gordon (Ed.), Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (New York: Pantheon Books): 194-228.
  • Foucault, Michel (1982), “The Subject and Power”, Hubert L. Dreyfus and Paul Rabinow (Ed.), Michel Foucault: Beyond Structuralism and Hermeneutics (Chicago: The University of Chicago Press): 208-226.
  • Foucault, Michel (2007), Security, Territory, Population: Lectures at the College De France, 1977-78 (New York: Palgrave Macmillan) (Trans. Graham Burchell).
  • Foucault, Michel (2008), The Birth of Biopolitics: Lectures at the College De France, 1978-79 (New York: Palgrave Macmillan) (Trans. Graham Burchell).
  • Garnham, Nicholas (1987), “Concepts of Culture: Public Policy and the Cultural Industries”, Cultural Studies, 1(1): 23-37.
  • Gunay, Zeynep and Vedia Dokmeci (2012), “Culture-Led Regeneration of Istanbul Waterfront: Golden Horn Cultural Valley Project”, Cities, 29: 213-222.
  • Hall, Stuart (1990), The Hard Road to Renewal: Thatcherism and the Crisis of the Left (London: Verso).
  • Hardt, Michael and Antonio Negri (2009), Commonwealth (Cambridge: The Belknap Press of Harvard University Press).
  • Harvey, David (1989), “From Managerialism to Entrepreneurialism: The Transformation in Urban Governance in Late Capitalism”, Geografiska Annaler: Series B, Human Geography, 71(1): 3-17.
  • Harvey, David (1997), Postmodernliğin Durumu: Kültürel Değişimin Kökenleri (İstanbul: Metis) (Trans. Sungur Savran).
  • Harvey, David (2015), Neoliberalizmin Kısa Tarihi (İstanbul: Sel) (Trans. Aylin Onacak).
  • Hesmondhalgh, David (2002), The Cultural Industries (London: Sage).
  • Howkins, John (2002), The Creative Economy: How People Make Money from Ideas (London: Penguin).
  • Hubbard, Phil (2017), The Battle for the High Street: Retail Gentrification, Class and Disgust (London: Palgrave Macmillan).
  • İBB (2009), 1/100.000 Ölçekli İstanbul Çevre Düzeni Planı Raporu (İstanbul).
  • İnce, Ayşe (2006), “Asmalımescit'te Kültür Endüstri Destekli 'Yer Değişim'”, David Behar and Tolga İslam (Ed.), İstanbul’da Soylulaştırma: Eski Kentin Yeni Sahipleri (İstanbul: İstanbul Bilgi Üniversitesi Yayınları): 99-111.
  • İstanbul Planlama Ajansı (2020), İstanbul Turizm Çalıştayı. Retrieved from https://calistay.ibb.istanbul/wp-content/uploads/2020/06/IstanbulTurizmCalistayi_Dijital.pdf.
  • İstanbul Planlama Ajansı (2021), Vizyon 2050 Kentsel Durum Çalıştayları: Refah Yaratan, Değer Katan, Yaratıcı ve Yenilikçi İstanbul Çalıştay Raporu. Retrieved from https://vizyon2050.istanbul/upload/content/Refah_yaratan_deger_katan_yarat%C4%B1c%C4%B1_yenilikci_istanbul_2021830_180189.pdf.
  • İstanbul Planlama Ajansı (2022), İstanbul Vizyon 2050 Strateji Belgesi. Retrieved from https://ipa.istanbul/wp-content/uploads/2022/07/ISTANBULVIZYON2050_Kitap.pdf.
  • İSTKA (2014), 2014-2023 İstanbul Bölge Planı. Retrieved from https://www.istka.org.tr/media/1063/2014-2023-%C4%B0stanbul-b%C3%B6lge-plan%C4%B1.pdf.
  • İSTKA (2020), Yaratıcı Endüstriler Mali Destek Programı: 2021 Yılı Teklif Çağrısı Başvuru Rehberi. Retrieved from https://www.istka.org.tr/media/132576/yarat%C4%B1c%C4%B1-end%C3%BCstriler-mali-destek-program%C4%B1-yes.pdf.
  • İSTKA (2022a), 2024-2028 İstanbul Bölge Planı (Taslak). Retrieved from https://www.istka.org.tr/media/133573/2024-2028-%C4%B0stanbul-b%C3%B6lge-plan%C4%B1-taslak.pdf.
  • İSTKA (2022b), 2024-2028 İstanbul Bölge Planı Ek 1: Mevcut Durum Analizi (Taslak). Retrieved from https://www.istka.org.tr/media/133574/2024-2028-%C4%B0stanbul-b%C3%B6lge-plan%C4%B1-ek-1-mevcut-durum-analizi-taslak.pdf.
  • Jameson, Fredric (2011), Postmodernizm ya da Geç Kapitalizmin Kültürel Mantığı (Ankara: Nirengi Kitap) (Trans. Nuri Pülümer and Abdulkadir Gölcü).
  • Köksal, T. Gül and Zeynep Ahunbay (2006), “İstanbul’daki Endüstri Mirası için Koruma ve Yeniden Kullanım Önerileri”, İTÜ Dergisi/a, Mimarlık, Planlama, Tasarım, 5(2): 125-136.
  • Krätke, Stefan (2011), The Creative Capital of Cities: Interactive Knowledge Creation and the Urbanization Economies of Innovation (Malden, MA: Wiley-Blackwell).
  • Kuyucu, Tuna and Özlem Ünsal (2010), “‘Urban Transformation’ as State-Led Property Transfer: An Analysis of Two Cases of Urban Renewal in Istanbul”, Urban studies, 47(7): 1479-1499.
  • Kültür ve Turizm Bakanlığı (2022). Meslek Birlikleri Hakkında. Retrieved from https://www.telifhaklari.gov.tr/Meslek-Birlikleri-Meslek-Birlikleri-Hakkinda.
  • Landry, Charles (2000), The Creative City: A Toolkit for Urban Innovators (London: Comedia).
  • Lash, Scott and John Urry (1994), Economies of Signs and Space (London: Sage).
  • Lazzarato, Maurizio (2017), Experimental Politics. Work, Welfare, and Creativity in the Neoliberal Age (Cambridge: MIT Press) (Trans. Arianna Bove, Jeremy Gilbert, Andrew Goffey, Mark Hayward, Jason Read and Alberto Toscano).
  • Leslie, Deborah and John Paul Catungal (2012), “Social Justice and the Creative City: Class, Gender and Racial Inequalities”, Geography Compass, 6(3): 111–122.
  • Ley, David (1994), “Gentrification and the Politics of the New Middle Class”, Environment and Planning D: Society and Space, 12: 53-74.
  • McCann, Eugene (2007), “Inequality and Politics in the Creative City-Region: Questions of Livability and State Strategy”, International Journal of Urban and Regional Research, 31(1): 188–196.
  • McRobbie, Angela (2011), “Everyone is Creative: Artists as Pioneers of the New Economy”, Marc James Leger (Der.), Culture and Contestation in the New Century (Bristol, UK: Intellect): 77-92.
  • Merkel, Janet (2019), “‘Freelance isn’t Free.’ Co-Working as a Critical Urban Practice to Cope with Informality in Creative Labour Markets”, Urban studies, 56(3): 526–547.
  • Miller, Peter and Nikolas Rose (1990), “Governing Economic Life”, Economy and Society, 19(1): 1-31.
  • O’Connor, Justin (2004), “‘A Special Kind of City Knowledge’: Innovative Clusters, Tacit Knowledge and the ‘Creative City’”, Media International Australia, 112(1): 131–149.
  • OECD (2008), OECD Territorial Reviews: Istanbul, Turkey 2008. Retrieved from https://read.oecd-ilibrary.org/urban-rural-and-regional-development/oecd-territorial-reviews-istanbul-turkey-2008_9789264043831-en.
  • Ong, Aihwa (2007), “Neoliberalism as a Mobile Technology”, Transactions of the Institute of British Geographers, 32(1): 3-8.
  • Ong, Aihwa (2011), “Introduction: Worlding Cities, or the Art of Being Globals”, Ananya Roy and Aihwa Ong (Ed.), Worlding Cities: Asian Experiments and the Art of Being Global (Malden: Wiley-Blackwell): 1-26.
  • Osborne, Thomas (2003), “Against ‘Creativity’: A Philistine Rant”, Economy and Society, 32(4): 507-525.
  • Osborne, Thomas and Nikolas Rose (1999), “Governing Cities: Notes on the Spatialisation of Virtue”, Environment and Planning D: Society and Space, 17(6): 737-760.
  • Ozden, P. (2012), “Culture-Led Regeneration Projects in Post-Industrial Areas: The Istanbul Experience”, WIT Transactions on Ecology and the Environment, 155: 823-834.
  • Öztürk, Eda and Elif Kısar Koramaz (2018), “İstanbul'daki Paylaşımlı Ofis Alanlarının Sundukları Hizmetler ve Tasarım Özellikleri”, Teknoloji ve Uygulamalı Bilimler Dergisi, 1(1): 73-86.
  • Parlak, Meltem and Tüzin Baycan (2020), “The Rise of Creative Hubs in Istanbul”, European Spatial Research and Policy, 27(1): 127-147.
  • Peck, Jamie (2005), “Struggling with the Creative Class”, International Journal of Urban and Regional Research, 29(4): 740-770.
  • Peck, Jamie (2007), “The Creativity Fix”, Fronesis, 24: 1-12.
  • Peck, Jamie and Nik Theodore (2015), Fast Policy: Experimental Statecraft at the Thresholds of Neoliberalism (Minnesota: University of Minnesota Press).
  • Peck, Jamie, Nik Theodore and Neil Brenner (2009), “Neoliberal Urbanism: Models, Moments, Mutations”, SAIS Review, XXIX(1): 49-66.
  • Prince, Russell (2010), “Policy Transfer as Policy Assemblage: Making Policy for the Creative Industries in New Zealand”, Environment and Planning A, 42: 169–186.
  • Raunig, Gerald (2016), Bilgi Fabrikaları, Yaratıcılık Endüstrileri (İstanbul: Otonom) (Trans. Aslı Çetinkaya).
  • Reckwitz, Andreas. (2010). The Self-Culturalisation of the City: On the Transformation of Modern Urbanity in the 'Creative City'. Paper presented at the ESA Research Network Sociology of Culture Midterm Conference: Culture and the Making of Worlds. https://ssrn.com/abstract=1699808.
  • Reckwitz, Andreas (2017), The Invention of Creativity: Modern Society and the Culture of the New (Malden, MA: Polity Press) (Trans. Steven Black).
  • Rose, Nikolas (1993), “Government, Authority and Expertise in Advanced Liberalism”, Economy and Society, 22(3): 283-299.
  • Rose, Nikolas (1999), Powers of Freedom: Reframing Political Thought (Cambridge: Cambridge University Press).
  • Scott, Allen J (1999), “The Cultural Economy: Geography and the Creative Field”, Media, Culture & Society, 21(6): 807–817.
  • Scott, Michael (2017), “‘Hipster Capitalism’in the Age of Austerity? Polanyi Meets Bourdieu’s New Petite Bourgeoisie”, Cultural Sociology, 11(1): 60-76.
  • Spinuzzi, Clay (2012), “Working Alone Together: Coworking as Emergent Collaborative Activity”, Journal of Business and Technical Communication, 26(4): 399-441.
  • T.C. Cumhurbaşkanlığı Strateji ve Bütçe Başkanlığı (2019), On Birinci Kalkınma Planı (2019-2023). Retrieved from https://www.sbb.gov.tr/wp-content/uploads/2019/11/ON_BIRINCI_KALKINMA-PLANI_2019-2023.pdf.
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Yıl 2024, SBF Dergisi Erken Görünüm, 1 - 22
https://doi.org/10.33630/ausbf.1218068

Öz

Kaynakça

  • Adorno, Theodor W. and Max Horkheimer (2010), Aydınlamanın Diyalektiği (İstanbul: Kabalcı Yayınevi) (Trans. Nihat Ülner and E. Öztarhan Karadoğan).
  • Alvarez, Maria D. and Şükrü Yarcan (2010), “Istanbul as a World City: A Cultural Perspective”, International Journal of Culture, Tourism and Hospitality Research, 4(3): 266-276.
  • Amin, Ash and Nigel Thrift (2007), “Cultural-Economy and Cities”, Progress in Human Geography Compass, 31(2): 143–161.
  • Amin, Ash and Nigel Thrift (2017), Seeing Like a City (Cambridge: Polity Press).
  • Arısoy, Alp (2014), Yeldeğirmeni Deneyimi: Kentsel Yenilemeye Farklı Bir Yaklaşım (İstanbul: ÇEKÜL Vakfı).
  • Ayaz, Engin. (2017). Yaratıcı Platformlar: Harita ve Bölge. Retrieved from https://www.britishcouncil.org.tr/sites/default/files/yaratici_platformlar_harita_ve_calisma_sahasi.pdf.
  • Barry, Andrew, Thomas Osborne and Nikolas Rose (1996), Foucault and Political Reason: Liberalism, Neo-Liberalism and Rationalities of Government (Chicago: The University of Chicago Press).
  • Bezmez, Dikmen (2008), “The Politics of Urban Waterfront Regeneration: The Case of Haliç (the Golden Horn), Istanbul”, International Journal of Urban and Regional Research, 32(4): 815-840.
  • Bridge, Gary (2007), “A Global Gentrifier Class?”, Environment and Planning A, 39: 32-46.
  • Burchell, Graham (1993), “Liberal Government and Techniques of the Self”, Economy and Society, 22(3): 267-282.
  • Catungal, John Paul, Deborah Leslie and Yvonne Hii (2009), “Geographies of Displacement in the Creative City: The Case of Liberty Village, Toronto”, Urban studies, 46(5-6): 1095–1114.
  • Dardot, Pierre and Christian Laval (2014), The New Way of the World: On Neoliberal Society (London: Verso) (Trans. Gregory Elliott).
  • DCMS (1998), Creative Industries Mapping Document. Retrieved from https://www.gov.uk/government/publications/creative-industries-mapping-documents-1998.
  • Dean, Mitchell (2010), Governmentality: Power and Rule in Modern Society (Los Angeles: Sage).
  • Dumenil, Gerard and Dominique Levy (2004), Capital Resurgent: Roots of the Neoliberal Revolution (Cambridge: Harvard University Press) (Trans. Derek Jeffers).
  • Durmaz, Bahar, Stephen Platt and Tan Yiğitcanlar (2010), “Creative, Culture Tourism and Place‐Making : Istanbul and London Film Industries”, International Journal of Culture, Tourism and Hospitality Research, 4(3): 198‐213.
  • Enlil, Zeynep Merey, Yiğit Evren and İclal Dinçer (2011), “Cultural Triangle and Beyond: A Spatial Analysis of Cultural Industries in Istanbul”, Planning Practice & Research, 26(2): 167-183.
  • Ergun, Nilgun (2004), “Gentrification in Istanbul”, Cities, 21(5): 391–405.
  • Florida, Richard (2005), Cities and the Creative Class (New York: Routledge).
  • Foucault, Michel (1977), “The Confession of the Flesh”, Colin Gordon (Ed.), Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (New York: Pantheon Books): 194-228.
  • Foucault, Michel (1982), “The Subject and Power”, Hubert L. Dreyfus and Paul Rabinow (Ed.), Michel Foucault: Beyond Structuralism and Hermeneutics (Chicago: The University of Chicago Press): 208-226.
  • Foucault, Michel (2007), Security, Territory, Population: Lectures at the College De France, 1977-78 (New York: Palgrave Macmillan) (Trans. Graham Burchell).
  • Foucault, Michel (2008), The Birth of Biopolitics: Lectures at the College De France, 1978-79 (New York: Palgrave Macmillan) (Trans. Graham Burchell).
  • Garnham, Nicholas (1987), “Concepts of Culture: Public Policy and the Cultural Industries”, Cultural Studies, 1(1): 23-37.
  • Gunay, Zeynep and Vedia Dokmeci (2012), “Culture-Led Regeneration of Istanbul Waterfront: Golden Horn Cultural Valley Project”, Cities, 29: 213-222.
  • Hall, Stuart (1990), The Hard Road to Renewal: Thatcherism and the Crisis of the Left (London: Verso).
  • Hardt, Michael and Antonio Negri (2009), Commonwealth (Cambridge: The Belknap Press of Harvard University Press).
  • Harvey, David (1989), “From Managerialism to Entrepreneurialism: The Transformation in Urban Governance in Late Capitalism”, Geografiska Annaler: Series B, Human Geography, 71(1): 3-17.
  • Harvey, David (1997), Postmodernliğin Durumu: Kültürel Değişimin Kökenleri (İstanbul: Metis) (Trans. Sungur Savran).
  • Harvey, David (2015), Neoliberalizmin Kısa Tarihi (İstanbul: Sel) (Trans. Aylin Onacak).
  • Hesmondhalgh, David (2002), The Cultural Industries (London: Sage).
  • Howkins, John (2002), The Creative Economy: How People Make Money from Ideas (London: Penguin).
  • Hubbard, Phil (2017), The Battle for the High Street: Retail Gentrification, Class and Disgust (London: Palgrave Macmillan).
  • İBB (2009), 1/100.000 Ölçekli İstanbul Çevre Düzeni Planı Raporu (İstanbul).
  • İnce, Ayşe (2006), “Asmalımescit'te Kültür Endüstri Destekli 'Yer Değişim'”, David Behar and Tolga İslam (Ed.), İstanbul’da Soylulaştırma: Eski Kentin Yeni Sahipleri (İstanbul: İstanbul Bilgi Üniversitesi Yayınları): 99-111.
  • İstanbul Planlama Ajansı (2020), İstanbul Turizm Çalıştayı. Retrieved from https://calistay.ibb.istanbul/wp-content/uploads/2020/06/IstanbulTurizmCalistayi_Dijital.pdf.
  • İstanbul Planlama Ajansı (2021), Vizyon 2050 Kentsel Durum Çalıştayları: Refah Yaratan, Değer Katan, Yaratıcı ve Yenilikçi İstanbul Çalıştay Raporu. Retrieved from https://vizyon2050.istanbul/upload/content/Refah_yaratan_deger_katan_yarat%C4%B1c%C4%B1_yenilikci_istanbul_2021830_180189.pdf.
  • İstanbul Planlama Ajansı (2022), İstanbul Vizyon 2050 Strateji Belgesi. Retrieved from https://ipa.istanbul/wp-content/uploads/2022/07/ISTANBULVIZYON2050_Kitap.pdf.
  • İSTKA (2014), 2014-2023 İstanbul Bölge Planı. Retrieved from https://www.istka.org.tr/media/1063/2014-2023-%C4%B0stanbul-b%C3%B6lge-plan%C4%B1.pdf.
  • İSTKA (2020), Yaratıcı Endüstriler Mali Destek Programı: 2021 Yılı Teklif Çağrısı Başvuru Rehberi. Retrieved from https://www.istka.org.tr/media/132576/yarat%C4%B1c%C4%B1-end%C3%BCstriler-mali-destek-program%C4%B1-yes.pdf.
  • İSTKA (2022a), 2024-2028 İstanbul Bölge Planı (Taslak). Retrieved from https://www.istka.org.tr/media/133573/2024-2028-%C4%B0stanbul-b%C3%B6lge-plan%C4%B1-taslak.pdf.
  • İSTKA (2022b), 2024-2028 İstanbul Bölge Planı Ek 1: Mevcut Durum Analizi (Taslak). Retrieved from https://www.istka.org.tr/media/133574/2024-2028-%C4%B0stanbul-b%C3%B6lge-plan%C4%B1-ek-1-mevcut-durum-analizi-taslak.pdf.
  • Jameson, Fredric (2011), Postmodernizm ya da Geç Kapitalizmin Kültürel Mantığı (Ankara: Nirengi Kitap) (Trans. Nuri Pülümer and Abdulkadir Gölcü).
  • Köksal, T. Gül and Zeynep Ahunbay (2006), “İstanbul’daki Endüstri Mirası için Koruma ve Yeniden Kullanım Önerileri”, İTÜ Dergisi/a, Mimarlık, Planlama, Tasarım, 5(2): 125-136.
  • Krätke, Stefan (2011), The Creative Capital of Cities: Interactive Knowledge Creation and the Urbanization Economies of Innovation (Malden, MA: Wiley-Blackwell).
  • Kuyucu, Tuna and Özlem Ünsal (2010), “‘Urban Transformation’ as State-Led Property Transfer: An Analysis of Two Cases of Urban Renewal in Istanbul”, Urban studies, 47(7): 1479-1499.
  • Kültür ve Turizm Bakanlığı (2022). Meslek Birlikleri Hakkında. Retrieved from https://www.telifhaklari.gov.tr/Meslek-Birlikleri-Meslek-Birlikleri-Hakkinda.
  • Landry, Charles (2000), The Creative City: A Toolkit for Urban Innovators (London: Comedia).
  • Lash, Scott and John Urry (1994), Economies of Signs and Space (London: Sage).
  • Lazzarato, Maurizio (2017), Experimental Politics. Work, Welfare, and Creativity in the Neoliberal Age (Cambridge: MIT Press) (Trans. Arianna Bove, Jeremy Gilbert, Andrew Goffey, Mark Hayward, Jason Read and Alberto Toscano).
  • Leslie, Deborah and John Paul Catungal (2012), “Social Justice and the Creative City: Class, Gender and Racial Inequalities”, Geography Compass, 6(3): 111–122.
  • Ley, David (1994), “Gentrification and the Politics of the New Middle Class”, Environment and Planning D: Society and Space, 12: 53-74.
  • McCann, Eugene (2007), “Inequality and Politics in the Creative City-Region: Questions of Livability and State Strategy”, International Journal of Urban and Regional Research, 31(1): 188–196.
  • McRobbie, Angela (2011), “Everyone is Creative: Artists as Pioneers of the New Economy”, Marc James Leger (Der.), Culture and Contestation in the New Century (Bristol, UK: Intellect): 77-92.
  • Merkel, Janet (2019), “‘Freelance isn’t Free.’ Co-Working as a Critical Urban Practice to Cope with Informality in Creative Labour Markets”, Urban studies, 56(3): 526–547.
  • Miller, Peter and Nikolas Rose (1990), “Governing Economic Life”, Economy and Society, 19(1): 1-31.
  • O’Connor, Justin (2004), “‘A Special Kind of City Knowledge’: Innovative Clusters, Tacit Knowledge and the ‘Creative City’”, Media International Australia, 112(1): 131–149.
  • OECD (2008), OECD Territorial Reviews: Istanbul, Turkey 2008. Retrieved from https://read.oecd-ilibrary.org/urban-rural-and-regional-development/oecd-territorial-reviews-istanbul-turkey-2008_9789264043831-en.
  • Ong, Aihwa (2007), “Neoliberalism as a Mobile Technology”, Transactions of the Institute of British Geographers, 32(1): 3-8.
  • Ong, Aihwa (2011), “Introduction: Worlding Cities, or the Art of Being Globals”, Ananya Roy and Aihwa Ong (Ed.), Worlding Cities: Asian Experiments and the Art of Being Global (Malden: Wiley-Blackwell): 1-26.
  • Osborne, Thomas (2003), “Against ‘Creativity’: A Philistine Rant”, Economy and Society, 32(4): 507-525.
  • Osborne, Thomas and Nikolas Rose (1999), “Governing Cities: Notes on the Spatialisation of Virtue”, Environment and Planning D: Society and Space, 17(6): 737-760.
  • Ozden, P. (2012), “Culture-Led Regeneration Projects in Post-Industrial Areas: The Istanbul Experience”, WIT Transactions on Ecology and the Environment, 155: 823-834.
  • Öztürk, Eda and Elif Kısar Koramaz (2018), “İstanbul'daki Paylaşımlı Ofis Alanlarının Sundukları Hizmetler ve Tasarım Özellikleri”, Teknoloji ve Uygulamalı Bilimler Dergisi, 1(1): 73-86.
  • Parlak, Meltem and Tüzin Baycan (2020), “The Rise of Creative Hubs in Istanbul”, European Spatial Research and Policy, 27(1): 127-147.
  • Peck, Jamie (2005), “Struggling with the Creative Class”, International Journal of Urban and Regional Research, 29(4): 740-770.
  • Peck, Jamie (2007), “The Creativity Fix”, Fronesis, 24: 1-12.
  • Peck, Jamie and Nik Theodore (2015), Fast Policy: Experimental Statecraft at the Thresholds of Neoliberalism (Minnesota: University of Minnesota Press).
  • Peck, Jamie, Nik Theodore and Neil Brenner (2009), “Neoliberal Urbanism: Models, Moments, Mutations”, SAIS Review, XXIX(1): 49-66.
  • Prince, Russell (2010), “Policy Transfer as Policy Assemblage: Making Policy for the Creative Industries in New Zealand”, Environment and Planning A, 42: 169–186.
  • Raunig, Gerald (2016), Bilgi Fabrikaları, Yaratıcılık Endüstrileri (İstanbul: Otonom) (Trans. Aslı Çetinkaya).
  • Reckwitz, Andreas. (2010). The Self-Culturalisation of the City: On the Transformation of Modern Urbanity in the 'Creative City'. Paper presented at the ESA Research Network Sociology of Culture Midterm Conference: Culture and the Making of Worlds. https://ssrn.com/abstract=1699808.
  • Reckwitz, Andreas (2017), The Invention of Creativity: Modern Society and the Culture of the New (Malden, MA: Polity Press) (Trans. Steven Black).
  • Rose, Nikolas (1993), “Government, Authority and Expertise in Advanced Liberalism”, Economy and Society, 22(3): 283-299.
  • Rose, Nikolas (1999), Powers of Freedom: Reframing Political Thought (Cambridge: Cambridge University Press).
  • Scott, Allen J (1999), “The Cultural Economy: Geography and the Creative Field”, Media, Culture & Society, 21(6): 807–817.
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  • UNCTAD (2010), Creative Economy: A Feasible Development Option. Retrieved from https://unctad.org/webflyer/creative-economy-report-2010.
  • UNCTAD (2022), Creative Industry 4.0: Towards a New Globalized Creative Economy. Retrieved from https://unctad.org/system/files/official-document/ditctncd2021d3_en.pdf.
  • UNESCO (2013), Creative Economy Report, 2013: Widening Local Development Pathways. Retrieved from https://unesdoc.unesco.org/ark:/48223/pf0000224698.
  • United Nations Educational Scientific and Cultural Organization [UNESCO] (2021). What Is the Creative Cities Network? Retrieved from https://en.unesco.org/creative-cities/content/about-us.
  • Uzun, C. Nil (2003), “The Impact of Urban Renewal and Gentrification on Urban Fabric: Three Cases in Turkey”, Tijdschrift voor economische en sociale geografie, 94(3): 363-375.
  • Yaratıcı Endüstriler Konseyi Derneği [YEKON] (2014). İstanbul Yaratıcı Ekonomi Çalışmaları Atölyesi Final Raporu. İstanbul: İstanbul Bilgi Üniversitesi Kültür Politikaları ve Yönetimi Araştırma Merkezi Retrieved from http://www.yekon.org/public/yaratici-ekonomi-atolyesi-raporu.pdf.
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Özgür Ortamlar, Yaratıcı İnsanlar: İstanbul’da Yaratıcı Şehir Politikasının Yönetimsellik Perspektifinden İncelenmesi

Yıl 2024, SBF Dergisi Erken Görünüm, 1 - 22
https://doi.org/10.33630/ausbf.1218068

Öz

Bu makale, son yıllarda dünya çapında popüler hale gelen yaratıcı şehir politikasını İstanbul açısından soruşturmaktadır. Şehirlerin, ekonomik büyüme, küresel rekabet gücü ve toplumsal kalkınma için insanların, fikirlerin ve etkileşimlerin serbest dolaşımını teşvik eden yaratıcı ortamlar olması beklenir. Foucault ve yönetimsellik çalışmalarından yararlanan bu makale, ilk olarak, yaratıcı şehir politikasının, kentsel mekânı yapılandırarak bireylerin yaratıcı kapasitelerini harekete geçirmeyi amaçlayan bir neoliberal siyasal rasyonalite olduğunu ileri sürmektedir. Neoliberalizm devletin yönetimsizleşmesini ve yönetim süreçlerine devlet-dışı aktörlerin aktif katılımını içerir. İkinci olarak, bu makale, İstanbul'daki sokak soylulaştırma, endüstriyel mirası yeniden-işlevlendirme ve ortak-çalışma alanlarından örnekler kullanarak, kentsel mekânda yaratıcılık, özgürlük ve ekonomik büyümenin nasıl kesiştiğini ve yaratıcı şehir etrafında siyasal partiler, devlet kurumları, yerel otoriteler, sivil toplum kuruluşları, küçük ölçekli kültür girişimcileri ve yaratıcı profesyonellerden oluşan geniş bir koalisyonun nasıl oluştuğunu incelemektedir. Sonuç olarak, yaratıcı şehir politikası, resmi politika belgelerinin yanı sıra devlet ve devlet dışı aktörlerin heterojen koalisyonunun mekânsal stratejilerini içeren bir yönetimsellik biçimidir.

Kaynakça

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  • O’Connor, Justin (2004), “‘A Special Kind of City Knowledge’: Innovative Clusters, Tacit Knowledge and the ‘Creative City’”, Media International Australia, 112(1): 131–149.
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  • Öztürk, Eda and Elif Kısar Koramaz (2018), “İstanbul'daki Paylaşımlı Ofis Alanlarının Sundukları Hizmetler ve Tasarım Özellikleri”, Teknoloji ve Uygulamalı Bilimler Dergisi, 1(1): 73-86.
  • Parlak, Meltem and Tüzin Baycan (2020), “The Rise of Creative Hubs in Istanbul”, European Spatial Research and Policy, 27(1): 127-147.
  • Peck, Jamie (2005), “Struggling with the Creative Class”, International Journal of Urban and Regional Research, 29(4): 740-770.
  • Peck, Jamie (2007), “The Creativity Fix”, Fronesis, 24: 1-12.
  • Peck, Jamie and Nik Theodore (2015), Fast Policy: Experimental Statecraft at the Thresholds of Neoliberalism (Minnesota: University of Minnesota Press).
  • Peck, Jamie, Nik Theodore and Neil Brenner (2009), “Neoliberal Urbanism: Models, Moments, Mutations”, SAIS Review, XXIX(1): 49-66.
  • Prince, Russell (2010), “Policy Transfer as Policy Assemblage: Making Policy for the Creative Industries in New Zealand”, Environment and Planning A, 42: 169–186.
  • Raunig, Gerald (2016), Bilgi Fabrikaları, Yaratıcılık Endüstrileri (İstanbul: Otonom) (Trans. Aslı Çetinkaya).
  • Reckwitz, Andreas. (2010). The Self-Culturalisation of the City: On the Transformation of Modern Urbanity in the 'Creative City'. Paper presented at the ESA Research Network Sociology of Culture Midterm Conference: Culture and the Making of Worlds. https://ssrn.com/abstract=1699808.
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  • Scott, Allen J (1999), “The Cultural Economy: Geography and the Creative Field”, Media, Culture & Society, 21(6): 807–817.
  • Scott, Michael (2017), “‘Hipster Capitalism’in the Age of Austerity? Polanyi Meets Bourdieu’s New Petite Bourgeoisie”, Cultural Sociology, 11(1): 60-76.
  • Spinuzzi, Clay (2012), “Working Alone Together: Coworking as Emergent Collaborative Activity”, Journal of Business and Technical Communication, 26(4): 399-441.
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  • T.C. Kalkınma Bakanlığı (2013), Onuncu Kalkınma Planı 2014-2018 (Ankara).
  • Thrift, Nigel (1999), “Capitalism's Cultural Turn”, Larry Ray and Andrew Sayer (Ed.), Culture and Economy after the Cultural Turn (London: Sage): 135-161.
  • Tunç, Büşra and Kutlu Sevinç Kayıhan (2018), “Ortak Çalışma Olgusu ve Ofis Kafeler”, Mimarlık ve Yaşam Dergisi, 3(2): 231-248.
  • Turan, Burcu Yiğit (2018), “Revitalizing the Yeldeğirmeni Neighbourhood in Istanbul: Towards an Emancipatory Urban Design in the Landscapes of Neoliberal Urbanism”, Sabine Knierbein and Tihomir Viderman (Ed.), Public Space Unbound (New York: Routledge): 158-172.
  • Türkiye Küçük ve Orta Ölçekli İşletmeler Serbest Meslek Mensupları ve Yöneticiler Vakfı [TOSYÖV] (2021). Türkiye'de Yaratıcı Kültür Endüstrileri Envanteri. Retrieved from https://creakademi.org/s/2558/i/RAPOR-SON-YARATICI_K%C3%9CLT%C3%9CR_END%C3%9CSTR%C4%B0LER%C4%B0_ENVANTER%C4%B0.pdf.
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Free Milieus, Creative People: An Investigation of Creative City Policy in Istanbul from the Perspective of Governmentality

Yıl 2024, SBF Dergisi Erken Görünüm, 1 - 22
https://doi.org/10.33630/ausbf.1218068

Öz

This paper analyzes the creative city policy for Istanbul, which has recently become a popular throughout the world. Cities are expected to be creative milieus that foster free circulation of people, ideas, and interactions for economic growth, global competitiveness, and social development. Drawing on Foucault and governmentality studies, this paper first argues that the creative city policy is a neoliberal political rationality that seeks to stimulate individuals' creative capacities through structuring urban space. Neoliberalism includes the de-governmentalization of state and the active participation of non-state actors in the governing processes. Second, using examples from street gentrification, industrial heritage re-functioning, and co-working spaces in Istanbul, this paper dissects how creativity, freedom, and economic growth intersect in urban space and how a broad coalition of political parties, state agencies, local authorities, non-governmental organizations, small-scale cultural entrepreneurs, and creative professionals have been formed around the creative city. As a result, creative city policy is a form of governmentality that includes official documents as well as spatial strategies of a heterogeneous coalition of state and non-state actors.

Kaynakça

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Toplam 93 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Kentsel Politika
Bölüm Araştırma Makaleleri
Yazarlar

Orhan Hayal 0000-0002-3542-0668

Erken Görünüm Tarihi 18 Ocak 2024
Yayımlanma Tarihi
Gönderilme Tarihi 12 Aralık 2022
Yayımlandığı Sayı Yıl 2024 SBF Dergisi Erken Görünüm

Kaynak Göster

APA Hayal, O. (2024). Free Milieus, Creative People: An Investigation of Creative City Policy in Istanbul from the Perspective of Governmentality. Ankara Üniversitesi SBF Dergisi1-22. https://doi.org/10.33630/ausbf.1218068
AMA Hayal O. Free Milieus, Creative People: An Investigation of Creative City Policy in Istanbul from the Perspective of Governmentality. SBF Dergisi. Published online 01 Ocak 2024:1-22. doi:10.33630/ausbf.1218068
Chicago Hayal, Orhan. “Free Milieus, Creative People: An Investigation of Creative City Policy in Istanbul from the Perspective of Governmentality”. Ankara Üniversitesi SBF Dergisi, Ocak (Ocak 2024), 1-22. https://doi.org/10.33630/ausbf.1218068.
EndNote Hayal O (01 Ocak 2024) Free Milieus, Creative People: An Investigation of Creative City Policy in Istanbul from the Perspective of Governmentality. Ankara Üniversitesi SBF Dergisi 1–22.
IEEE O. Hayal, “Free Milieus, Creative People: An Investigation of Creative City Policy in Istanbul from the Perspective of Governmentality”, SBF Dergisi, ss. 1–22, Ocak 2024, doi: 10.33630/ausbf.1218068.
ISNAD Hayal, Orhan. “Free Milieus, Creative People: An Investigation of Creative City Policy in Istanbul from the Perspective of Governmentality”. Ankara Üniversitesi SBF Dergisi. Ocak 2024. 1-22. https://doi.org/10.33630/ausbf.1218068.
JAMA Hayal O. Free Milieus, Creative People: An Investigation of Creative City Policy in Istanbul from the Perspective of Governmentality. SBF Dergisi. 2024;:1–22.
MLA Hayal, Orhan. “Free Milieus, Creative People: An Investigation of Creative City Policy in Istanbul from the Perspective of Governmentality”. Ankara Üniversitesi SBF Dergisi, 2024, ss. 1-22, doi:10.33630/ausbf.1218068.
Vancouver Hayal O. Free Milieus, Creative People: An Investigation of Creative City Policy in Istanbul from the Perspective of Governmentality. SBF Dergisi. 2024:1-22.