Araştırma Makalesi
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Qualities of an Effective Orff Schulwerk Teacher: Qualitative Analysis of Participants Feedback

Yıl 2021, Cilt: 12 Sayı: 2, 705 - 716, 28.12.2021

Öz

Kaynakça

  • Chosky, L. (2001). Teaching music in twenty-first century. Prentice-Hall Inc.
  • Dolloff, L. (1993). Das Schulwerk. A foundation for the cognitive, musical, and artistic development of children. In Lee R. Bartel (Ed.), Research perspectives in music education, University of Toronto.
  • Frazee, J. (1987). Discovering Orff. Schott.
  • Frazee, F. (2006). Orff Schulwerk today, nurturing musical expression and understanding. Schott.
  • Goodkin, D. (2004). Play, sing and dance, an introduction to Orff Schulwerk. Second edition. Schott.
  • Hartmann, W. & Haselbach, B. (2017). The principles of Orff-Schulwerk. Orff-Schulwerk heute, 97, Winter 2017, p.23-26.
  • Haselbach, B. (1978). Dance education. Schott.
  • Haselbach, B. (2012). The artistic aspect of Orff-Schulwerk, an attempt at an interpretation. Orff Schulwerk Informationen, 87, Winter 2012, p. 22-30.
  • Jungmair, U. (1992). Das elementare, zur musik- und bewegungserziehung im sinne Carl Orffs, Schott.
  • Jungmair, U. (2003). Orff-Schulwerk, elementer müzik ve hareket eğitimi temel ilkeler, Orff-Schulwerk [Orff-Schulwerk, elemental music and movement pedagogy, basic principles]. International Symposium of Orff-Schulwerk Music and Dancs Pedagogy, January, 16-18 2003, Istanbul.
  • Karakaya, İ. (2012). Bilimsel Araştırma Yöntemleri. In A. Tanrıöğen (Ed.) Bilimsel Araştırma Yöntemleri. Anı.
  • Keetman, G. (1970). Elementaria, erster umgang mit der Orff-Schulwerk. Ernst Klett Verlag.
  • Miles, M. B. & Huberman, A. M. (1994). Qualitative Data Analysis. SAGE Pub.
  • Orff, C. (1932). Thoughts about music with children and non-professionals. In Barbara Haselbach (Ed.) Texts on theory and practice of Orff-Schulwerk, bacis texts from the years 1932-2010, p. 66-77. Schott.
  • Orff, C. (1963). Orff-Schulwerk: past and future. In Barbara Haselbach (Ed.) Texts on theory and practice of Orff-Schulwerk, bacis texts from the years 1932-2010, p. 134-159. Schott.
  • Orff, C. (1978). The Schulwerk. (English edition). Schott.
  • Regner, H. (1975). Carl Orff’s educational ideas- utopia and reality, In Barbara Haselbach (Ed.) Texts on theory and practice of Orff-Schulwerk, bacis texts from the years 1932-2010, p. 168-195. Schott.
  • Salmon, S. (2012). Musica Humana- thoughts on humanistic aspects of Orff-Schulwerk. Orff Schulwerk Informationen, 87, Winter 2012, p. 13-19.
  • Shamrock, M. E. (1988). Application and adaptation of Orff-Schulwerk in Japan, Taiwan and Thailand, University of California, Los Angles. Unpublished doctoral thesis.
  • Thomas, W. (1976). Of what significance is Orff-Schulwerk? Orff-Schulwerk background and commentary. (English translation Mary Shamrock). Österreichische Musikzeitschrift, September 17, p. 414-417. Magnamusic-Baton.
  • Yıldırım, A. & Şimşek, H. (2013). Sosyal bilimlerde nitel araştırma yöntemleri [Quantitative methods in social sciences]. Seçkin.

Qualities of an Effective Orff Schulwerk Teacher: Analysis of Participants Feedback

Yıl 2021, Cilt: 12 Sayı: 2, 705 - 716, 28.12.2021

Öz

Orff Schulwerk is a music education approach based on ideas developed by Carl Orff and Gunild Keetman, in which elements of music, movement, and speech are utilized together, allowing individuals to develop their creative potential in group activities. It is music education for non-professionals. An effective Orff Schulwerk teacher may help students to improve not only musically, but also as creative, artistic, sensitive, self-aware persons. The research presented herein is designed to determine the qualities of an effective Orff Schulwerk teacher. In this research, which uses descriptive survey model, data on individuals’ perceptions were collected and analyzed. The participants of this study are adults (n= 180) who participated in Orff Schulwerk courses in Turkey. Following the content analysis, a total of 865 items and three main categories that Orff Schulwerk teachers should possess were determined. The categories include the personal, the pedagogic, and the artistic qualities were discussed in line with the opinions of Carl Orff, his colleagues, and specialists working in the field.

Kaynakça

  • Chosky, L. (2001). Teaching music in twenty-first century. Prentice-Hall Inc.
  • Dolloff, L. (1993). Das Schulwerk. A foundation for the cognitive, musical, and artistic development of children. In Lee R. Bartel (Ed.), Research perspectives in music education, University of Toronto.
  • Frazee, J. (1987). Discovering Orff. Schott.
  • Frazee, F. (2006). Orff Schulwerk today, nurturing musical expression and understanding. Schott.
  • Goodkin, D. (2004). Play, sing and dance, an introduction to Orff Schulwerk. Second edition. Schott.
  • Hartmann, W. & Haselbach, B. (2017). The principles of Orff-Schulwerk. Orff-Schulwerk heute, 97, Winter 2017, p.23-26.
  • Haselbach, B. (1978). Dance education. Schott.
  • Haselbach, B. (2012). The artistic aspect of Orff-Schulwerk, an attempt at an interpretation. Orff Schulwerk Informationen, 87, Winter 2012, p. 22-30.
  • Jungmair, U. (1992). Das elementare, zur musik- und bewegungserziehung im sinne Carl Orffs, Schott.
  • Jungmair, U. (2003). Orff-Schulwerk, elementer müzik ve hareket eğitimi temel ilkeler, Orff-Schulwerk [Orff-Schulwerk, elemental music and movement pedagogy, basic principles]. International Symposium of Orff-Schulwerk Music and Dancs Pedagogy, January, 16-18 2003, Istanbul.
  • Karakaya, İ. (2012). Bilimsel Araştırma Yöntemleri. In A. Tanrıöğen (Ed.) Bilimsel Araştırma Yöntemleri. Anı.
  • Keetman, G. (1970). Elementaria, erster umgang mit der Orff-Schulwerk. Ernst Klett Verlag.
  • Miles, M. B. & Huberman, A. M. (1994). Qualitative Data Analysis. SAGE Pub.
  • Orff, C. (1932). Thoughts about music with children and non-professionals. In Barbara Haselbach (Ed.) Texts on theory and practice of Orff-Schulwerk, bacis texts from the years 1932-2010, p. 66-77. Schott.
  • Orff, C. (1963). Orff-Schulwerk: past and future. In Barbara Haselbach (Ed.) Texts on theory and practice of Orff-Schulwerk, bacis texts from the years 1932-2010, p. 134-159. Schott.
  • Orff, C. (1978). The Schulwerk. (English edition). Schott.
  • Regner, H. (1975). Carl Orff’s educational ideas- utopia and reality, In Barbara Haselbach (Ed.) Texts on theory and practice of Orff-Schulwerk, bacis texts from the years 1932-2010, p. 168-195. Schott.
  • Salmon, S. (2012). Musica Humana- thoughts on humanistic aspects of Orff-Schulwerk. Orff Schulwerk Informationen, 87, Winter 2012, p. 13-19.
  • Shamrock, M. E. (1988). Application and adaptation of Orff-Schulwerk in Japan, Taiwan and Thailand, University of California, Los Angles. Unpublished doctoral thesis.
  • Thomas, W. (1976). Of what significance is Orff-Schulwerk? Orff-Schulwerk background and commentary. (English translation Mary Shamrock). Österreichische Musikzeitschrift, September 17, p. 414-417. Magnamusic-Baton.
  • Yıldırım, A. & Şimşek, H. (2013). Sosyal bilimlerde nitel araştırma yöntemleri [Quantitative methods in social sciences]. Seçkin.
Toplam 21 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Alan Eğitimleri
Bölüm Makaleler
Yazarlar

Banu Ozevin 0000-0002-0753-5409

Yayımlanma Tarihi 28 Aralık 2021
Gönderilme Tarihi 19 Kasım 2021
Yayımlandığı Sayı Yıl 2021 Cilt: 12 Sayı: 2

Kaynak Göster

APA Ozevin, B. (2021). Qualities of an Effective Orff Schulwerk Teacher: Qualitative Analysis of Participants Feedback. Batı Anadolu Eğitim Bilimleri Dergisi, 12(2), 705-716.