Araştırma Makalesi
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Fashion or Tourism? A Conceptual review of fashion tourism in Turkey

Yıl 2025, Cilt: 28 Sayı: 54, 943 - 959, 16.12.2025
https://doi.org/10.31795/baunsobed.1681488

Öz

Fashion is viewed as one of the developing creative industries in the world. Fashion tourism, which emerges from the combination of the fashion and tourism sectors that hold a significant place in Turkey's economy, is a developing type of tourism. Fashion tourism is a travel experience for those who aspire to learn about the culture and traditional fabrics of a destination, as well as witness its design processes, through visiting destinations during fashion events. Cities like Paris, New York, and Milan, generally referred to as fashion capitals, host various fashion events every year. In addition to these cities, Istanbul also organizes a fashion week. The positive image associated with fashion capital significantly influences tourists visiting the city. The aim of this study is to examine the development of fashion tourism within the scope of fashion events both globally and in Turkey. Thus, it aims to contribute to the literature on fashion tourism. The research findings indicate that tourists who travel for fashion events tend to spend more money than other tourist groups and engage in cultural and historical explorations of the city. This type of tourism positively contributes to the economy through tourist spending on accommodation, food, and transportation. The study concludes that Turkey, particularly Istanbul, has the potential to become a global fashion center by leveraging its rich cultural heritage, unique fabrics, and by creating unique, branded designs. Achieving this will require multifaceted support from private and public organizations, foundations, and investors.

Kaynakça

  • Akmsanat. (2024, 18 October). Akmsanat. Halkın sanatı: https://www.akmistanbul.gov.tr/tr/etkinlik/halkin-sanati.
  • Akpınarlı, E. (2019). Istanbul as a fashion city. [Master’ Dissertation], Kadir Has Üniversitesi.
  • Alvarez, M. D., & Campo, S. (2014). The influence of political conflicts on country image and intention to visit: A study of Israel's image. Tourism management, 40, 70-78. https://doi.org/10.1016/j.tourman.2013.05.009.
  • Biondo, S. (2021). Fashion stories in Rome: Place-making narratives within fashion branded city guides. In Fashion communication: Proceedings of the FACTUM 21 conference (pp. 321–337). Springer International Publishing. doi:10.1007/ 978-3-030-81321-5_24.
  • Budnarowska, C., & Marciniak, R. (2016). Fashion, tourism and creative industries. In: P., Long and N. D. Morpeth (eds.). Tourism and the Creative Industries (pp. 69-87). Routledge. https://doi.org/10.4324/9781315735870.
  • Bulut, G. N. (2023). Türkiye’de tekstil sanayine tarihsel bir bakış. Y. Pustu, A. Şenel, H. Y. Karacabey (Ed.). Türkiye İktisat Kongresi Bildiriler Kitabı (1535-1566), Türk Tarih Kurumu Yayınları.
  • Capriello, A., & Rotherham, I. D. (2009). Networking processes and stakeholders' power relationships: impact on event activities in a rural region of Italy. In: R., Raj, J. Musgrave (eds) Event management and sustainability. (pp. 172-185) CABI. https://doi.org/10.1079/9781845935245.0000.
  • Chaulagain, S., Wiitala, J., & Fu, X. (2019). The impact of country image and destination image on US tourists’ travel intentions. Journal of destination marketing & management, 12, 1-11.
  • Çoruh, E., & Cegindir, N. Y. (2014). İstanbul As One of The Future Fashion Centers. Vocational Education, 9(3), 38-49. https://doi.org/10.12739/NWSA.2014.9.3.2C0050.
  • Demirović, D., & Pivac, T. (2013). Belgrade (Serbia) as an alternative site or city of fashion tourism. European Researcher, 65 (12-2), 2882-2891. https://doi.org/10.13187/issn.2219-8229.
  • Di Giangirolamo, G. (2023), "Fashion and Tourism: Between Promotion and Integration", Gravari-Barbas, M. and Sabatini, N. (Ed.) Fashion and Tourism (Tourism Social Science Series, Vol. 26) (pp. 61-74), Emerald Publishing Limited. https://doi.org/10.1108/S1571-504320230000026005.
  • Europaregina (2024, 12 Decemeber). Fashion Festivals / Fashion Industry. Retrieved from: https://europaregina.eu/fashion-festivals/.
  • Farsani, N. T., & Jamshidi, H. M. (2020). An investigation of the positive impacts of traditional fashion tourism. Journal of Policy Research in Tourism, Leisure and Events, 13(3), 298–313. https://doi.org/10.1080/19407963.2020.1808004.
  • Fashion Event Markets (2024, 30 December). Fashion Events Market Size, Share, Competitive Landscape and Trend Analysis Report, by Type, by Revenue Source, by Organizer: Global Opportunity Analysis and Industry Forecast, 2023-2032. https://www.alliedmarketresearch.com/fashion-events-market-A225351 (15.10.2024).
  • Fink, A. (2019). Conducting research literature reviews: From the internet to paper. Sage publications.
  • Gaste Arşivi (2024). 24 Mayıs 1936 Tarihli Cumhuriyet Gazetesi Sayfa 6. Retrieved on 11 September 2024 from: https://www.gastearsivi.com/gazete/cumhuriyet/1936-05-24/6.
  • Gazetebirlik. (2024). Gazete Birlik. Retrieved on 25 June 2024 from: https://gazetebirlik.com/haber/tekstil-sektorunun-oncusu-otiad-20-yilini-kutladi-6663.
  • Getz, D. (2008). Event tourism: Definition, evolution, and research. Tourism Management, 29(3), 403-428. https://doi.org/10.1016/j.tourman.2007.07.017.
  • Getz, D., & Page, S. J. (2016). Progress and prospects for event tourism research. Tourism management, 52, 593-631. https://doi.org/10.1016/j.tourman.2015.03.007.
  • Godart F. (2012). Unveiling fashion: Business, culture, and identity in the most glamorous industry. Palgrave Macmillan. https://doi.org/10.1057/9781137000743.
  • Goel, R. (2024). Economic Impact of Fashion Weeks. International Journal for Multidisciplinary Research. 6 (2), 1-6.
  • Goss, C. (2015). Fashion district developmet. Retrieved on 18 October from https://offthefreeway.com/2015/business/cgoss/#:~:text=Established%20in%20the%20early%201900s,and%20moved%20their%20production%20overseas.
  • Gravari-Barbas, M. (2023), Fashion and Tourism Go Off-The-Beaten-Tracks,In. M. Gravari-Barbas, and N. Sabatini (Eds.) Fashion and Tourism (Tourism Social Science Series, Vol. 26) (pp. 239-257). Emerald Publishing Limited. https://doi.org/10.1108/S1571-504320230000026014.
  • Hedef (2020). Türkiye’nin ilk dijital moda haftası. Retrieved on 20 December 2024 from MBFWI. https://www.ihkib.org.tr/content/files/uploads/4207/hedef-324-copy-2-202011121407400107-3B25D.pdf.
  • Hendriksz, V. (2016, 11 February). Fashion United. Money-Makers: Which global city makes the most from Fashion Week?. https://fashionunited.uk/news/business/money-makers-which-global-city-makes-the-most-from-fashion-week/2016021119372.
  • İMMİB. (2024, 03 April). İMMİB. Türk Ürünlerinin Yurtdışında Markalaşması, Türk Malı İmajının Yerleştirilmesi ve Turquality’nin Desteklenmesi Hakkında Tebliğ (2006/4) Bilgilendirme Sunumu. https://immib.org.tr/files/Turquality/Bilgilendirme_sunumu.pdf adresinden alınmıştır.
  • İstanbullu Dinçer, F., & Kanay, D. (2017). Kapalıçarşı'da Gerçekleştirilen Alışveriş Turizminin Ekonomik ve Sosyal Etkilerinin Değerlendirilmesi. Cumhuriyet Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, 1(2), 1-18.
  • Kalbaska, N., Ramírez, E. A., & Cantoni, L. (2018). The role of tourism destinations within the online presence of fashion weeks. Almatourism-Journal of Tourism, Culture and Territorial Development, 9(9), 87-114. https://doi.org/10.6092/issn.2036-5195/7245.
  • Kim, H. E. (2015). An analysis of the strengths and weaknesses of Seoul Fashion Week with a focus on organisational issues. Fashion & Textile Research Journal, 17(6), 895-906. https://doi.org/10.5805/SFTI.2015.17.6.895.
  • Krugman, P. (1992). Geography and trade. (1. Edition). MIT Press.
  • Liberato, D., Mendes, B., Liberato, P., & Alén, E. (2021a). Experience and satisfaction evaluation in fashion events. Journal of Tourism and Development, 37, 9-20. https://doi.org/10.34624/rtd.v37i0.26320.
  • Liberato, D., Mendes, B.B.e., Liberato, P., Alén, E. (2021b). The Role of Fashion Events in Tourism Destinations: DMOs Perspective. In: Katsoni, V., van Zyl, C. (eds) Culture and Tourism in a Smart, Globalized, and Sustainable World. (pp. 463-475). Springer Proceedings in Business and Economics. Springer, Cham. https://doi.org/10.1007/978-3-030-72469-6_31.
  • Meredith, J. (1993). Theory building through conceptual methods. International journal of operations & production management, 13(5), 3-11. https://doi.org/10.1108/01443579310028120.
  • Montagné Villette, S., & Hardill, I. (2010). Paris and fashion: reflections on the role of the Parisian fashion industry in the cultural economy. International Journal of Sociology and Social Policy, 30(9/10), 461-471.
  • Montazer, Z., & Bidoki, F. Z. (2017). Traditional, fashion and new perspective on fashion tourism. IOP conference series: Materials science and engineering, 254, 17, 172018. https://doi.org/10.1088/1757-899X/254/17/172018.
  • Paresys, I. (2012). La cour de France, fabrique de normes vestimentaires à l'époque moderne (1. Edition). Presses universitaires de Rennes. https://doi.org/10.4000/books.pur.127806.
  • Pinnock, O. (2019, 19 March). Forbes. The Growing Popularity of Fashion Exhibitions. Retrieved from: https://www.forbes.com/sites/oliviapinnock/2019/03/14/the-growing-popularity-of-fashion-exhibitions/#3199caeabbb1.
  • Pouillard, V. (2011). Design piracy in the fashion industries of Paris and New York in the interwar years. Business History Review, 85(2), 319-344.
  • Prigent, L. (2023, 30 October). Vogue World Paris. Interview. https://www.vogue.fr/article/victoria-beckham-interview-vogue-france-cover-star-loic-prigent.
  • Rabbiosi, C. (2014). Renewing a historical legacy: Tourism, leisure shopping and urban branding in Paris. Cities, 42, 195-203. https://doi.org/10.1016/j.cities.2014.07.001.
  • Rocamora, A. (2006) Paris Capitale de la Mode: Representing Fashion in the Media. In:C. Breward, D. Gılbert (eds.) Fashion’s World Cities (pp. 43-54). Berg Publishers.
  • Scott, A. J. (2000). The cultural economy of cities: Essays on the geography of image producing industries. SAGE Publication.
  • Siaga, A. D. (2018). Fashion in Tourism: Is the importance of fashion events underestimated in its effect in the growth of tourism in New York, London, Milan, Paris and finally Athens?, [Master's dissertation], International Hellenic University. Retrieved from: https://repository.ihu.edu.gr/xmlui/handle/11544/29053.
  • Steele, V. (2019). Paris, capital of fashion (1. Edition). Bloomsbury Publishing.
  • Topçu, F. E. (2022, 14 March). Anadolu Ajansı. Fashion Week Istanbul Yarın Başlıyor. https://www.aa.com.tr/tr/kultur-sanat/fashion-week-istanbul-yarin-basliyor/2534572#:~ :text=2009%20y%C4%B1l%C4%B1ndan%20beri%20aral%C4%B1ks%C4%B1z%20devam,sekt%C3%B6re%20art%C4%B1%20de%C4%9Fer%20yaratmay%C4%B1%20s%C3%BCrd%C3%BCr%C3%BCyor.
  • Tovmasyan, G. R. (2017). Fashion industry and shopping tourism. Актуальные проблемы гуманитарных и естественных наук, (1-3), 80-83.
  • Turquality (2024, 3 April). Turquality Projesinin Tarihçesi. https://staging.turquality.com/tr/turquality-projesinin-tarihcesi.
  • Wang, Y., & Jin, X. (2019). Event-based destination marketing: The role of mega-events. Event Management, 23(1), 109-118. https://doi.org/10.3727/152599518X15378845225384.
  • Williams, K. M., Laing, J., & Frost, W. (2014). Social conformity or radical chic? Fashion, design and events. In K. M. Williams, J. Laing & W. Frost (eds) Fashion, design and events, (pp. 1-23). Routledge.

Moda mı Turizm mi? Türkiye'de moda turizmine ilişkin kavramsal bir inceleme

Yıl 2025, Cilt: 28 Sayı: 54, 943 - 959, 16.12.2025
https://doi.org/10.31795/baunsobed.1681488

Öz

Moda dünyada gelişmekte olan yaratıcı endüstrilerden biri olarak görülmektedir. Türkiye ekonomisi için önemli bir yere sahip olan moda ve turizm sektörlerinin birleşimiyle ortaya çıkan moda turizmi, gelişmekte olan bir turizm türüdür. Moda turizmi, moda etkinlikleri sırasında destinasyonları ziyaret ederek bir destinasyonun kültürü ve geleneksel kumaşları hakkında bilgi edinmeyi ve tasarım süreçlerine tanık olmayı arzulayanlar için bir seyahat deneyimidir. Paris, New York ve Milano gibi genellikle moda başkentleri olarak anılan şehirler, her yıl çeşitli moda etkinliklerine ev sahipliği yapmaktadır. Bu şehirlerin yanı sıra, İstanbul da bir moda haftası düzenlemektedir. Moda başkentiyle ilişkilendirilen pozitif imaj, şehri ziyaret eden turistleri önemli ölçüde etkilemektedir. Bu çalışmanın amacı hem küresel hem de Türkiye'de moda etkinlikleri kapsamında moda turizminin gelişimini incelemektir. Böylece moda turizmi literatürüne katkıda bulunmayı amaçlamaktadır. Araştırma bulguları, moda etkinlikleri için seyahat eden turistlerin, diğer turist gruplarından daha fazla para harcama eğiliminde olduklarını ve şehrin kültürel ve tarihi keşiflerine katıldıklarını göstermektedir. Bu turizm türü, turistlerin konaklama, yiyecek ve ulaşım harcamaları aracılığıyla ekonomiye olumlu katkı sağlamaktadır. Çalışma, Türkiye'nin, özellikle İstanbul'un, zengin kültürel mirasını ve eşsiz kumaşlarını kullanarak küresel bir moda merkezi olabileceğini öne sürmektedir. Bu potansiyelin gerçeğe dönüştürmesi için de özel ve kamu kuruluşları, vakıflar ve yatırımcıların iş birliğinin önemi vurgulanmaktadır.

Kaynakça

  • Akmsanat. (2024, 18 October). Akmsanat. Halkın sanatı: https://www.akmistanbul.gov.tr/tr/etkinlik/halkin-sanati.
  • Akpınarlı, E. (2019). Istanbul as a fashion city. [Master’ Dissertation], Kadir Has Üniversitesi.
  • Alvarez, M. D., & Campo, S. (2014). The influence of political conflicts on country image and intention to visit: A study of Israel's image. Tourism management, 40, 70-78. https://doi.org/10.1016/j.tourman.2013.05.009.
  • Biondo, S. (2021). Fashion stories in Rome: Place-making narratives within fashion branded city guides. In Fashion communication: Proceedings of the FACTUM 21 conference (pp. 321–337). Springer International Publishing. doi:10.1007/ 978-3-030-81321-5_24.
  • Budnarowska, C., & Marciniak, R. (2016). Fashion, tourism and creative industries. In: P., Long and N. D. Morpeth (eds.). Tourism and the Creative Industries (pp. 69-87). Routledge. https://doi.org/10.4324/9781315735870.
  • Bulut, G. N. (2023). Türkiye’de tekstil sanayine tarihsel bir bakış. Y. Pustu, A. Şenel, H. Y. Karacabey (Ed.). Türkiye İktisat Kongresi Bildiriler Kitabı (1535-1566), Türk Tarih Kurumu Yayınları.
  • Capriello, A., & Rotherham, I. D. (2009). Networking processes and stakeholders' power relationships: impact on event activities in a rural region of Italy. In: R., Raj, J. Musgrave (eds) Event management and sustainability. (pp. 172-185) CABI. https://doi.org/10.1079/9781845935245.0000.
  • Chaulagain, S., Wiitala, J., & Fu, X. (2019). The impact of country image and destination image on US tourists’ travel intentions. Journal of destination marketing & management, 12, 1-11.
  • Çoruh, E., & Cegindir, N. Y. (2014). İstanbul As One of The Future Fashion Centers. Vocational Education, 9(3), 38-49. https://doi.org/10.12739/NWSA.2014.9.3.2C0050.
  • Demirović, D., & Pivac, T. (2013). Belgrade (Serbia) as an alternative site or city of fashion tourism. European Researcher, 65 (12-2), 2882-2891. https://doi.org/10.13187/issn.2219-8229.
  • Di Giangirolamo, G. (2023), "Fashion and Tourism: Between Promotion and Integration", Gravari-Barbas, M. and Sabatini, N. (Ed.) Fashion and Tourism (Tourism Social Science Series, Vol. 26) (pp. 61-74), Emerald Publishing Limited. https://doi.org/10.1108/S1571-504320230000026005.
  • Europaregina (2024, 12 Decemeber). Fashion Festivals / Fashion Industry. Retrieved from: https://europaregina.eu/fashion-festivals/.
  • Farsani, N. T., & Jamshidi, H. M. (2020). An investigation of the positive impacts of traditional fashion tourism. Journal of Policy Research in Tourism, Leisure and Events, 13(3), 298–313. https://doi.org/10.1080/19407963.2020.1808004.
  • Fashion Event Markets (2024, 30 December). Fashion Events Market Size, Share, Competitive Landscape and Trend Analysis Report, by Type, by Revenue Source, by Organizer: Global Opportunity Analysis and Industry Forecast, 2023-2032. https://www.alliedmarketresearch.com/fashion-events-market-A225351 (15.10.2024).
  • Fink, A. (2019). Conducting research literature reviews: From the internet to paper. Sage publications.
  • Gaste Arşivi (2024). 24 Mayıs 1936 Tarihli Cumhuriyet Gazetesi Sayfa 6. Retrieved on 11 September 2024 from: https://www.gastearsivi.com/gazete/cumhuriyet/1936-05-24/6.
  • Gazetebirlik. (2024). Gazete Birlik. Retrieved on 25 June 2024 from: https://gazetebirlik.com/haber/tekstil-sektorunun-oncusu-otiad-20-yilini-kutladi-6663.
  • Getz, D. (2008). Event tourism: Definition, evolution, and research. Tourism Management, 29(3), 403-428. https://doi.org/10.1016/j.tourman.2007.07.017.
  • Getz, D., & Page, S. J. (2016). Progress and prospects for event tourism research. Tourism management, 52, 593-631. https://doi.org/10.1016/j.tourman.2015.03.007.
  • Godart F. (2012). Unveiling fashion: Business, culture, and identity in the most glamorous industry. Palgrave Macmillan. https://doi.org/10.1057/9781137000743.
  • Goel, R. (2024). Economic Impact of Fashion Weeks. International Journal for Multidisciplinary Research. 6 (2), 1-6.
  • Goss, C. (2015). Fashion district developmet. Retrieved on 18 October from https://offthefreeway.com/2015/business/cgoss/#:~:text=Established%20in%20the%20early%201900s,and%20moved%20their%20production%20overseas.
  • Gravari-Barbas, M. (2023), Fashion and Tourism Go Off-The-Beaten-Tracks,In. M. Gravari-Barbas, and N. Sabatini (Eds.) Fashion and Tourism (Tourism Social Science Series, Vol. 26) (pp. 239-257). Emerald Publishing Limited. https://doi.org/10.1108/S1571-504320230000026014.
  • Hedef (2020). Türkiye’nin ilk dijital moda haftası. Retrieved on 20 December 2024 from MBFWI. https://www.ihkib.org.tr/content/files/uploads/4207/hedef-324-copy-2-202011121407400107-3B25D.pdf.
  • Hendriksz, V. (2016, 11 February). Fashion United. Money-Makers: Which global city makes the most from Fashion Week?. https://fashionunited.uk/news/business/money-makers-which-global-city-makes-the-most-from-fashion-week/2016021119372.
  • İMMİB. (2024, 03 April). İMMİB. Türk Ürünlerinin Yurtdışında Markalaşması, Türk Malı İmajının Yerleştirilmesi ve Turquality’nin Desteklenmesi Hakkında Tebliğ (2006/4) Bilgilendirme Sunumu. https://immib.org.tr/files/Turquality/Bilgilendirme_sunumu.pdf adresinden alınmıştır.
  • İstanbullu Dinçer, F., & Kanay, D. (2017). Kapalıçarşı'da Gerçekleştirilen Alışveriş Turizminin Ekonomik ve Sosyal Etkilerinin Değerlendirilmesi. Cumhuriyet Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, 1(2), 1-18.
  • Kalbaska, N., Ramírez, E. A., & Cantoni, L. (2018). The role of tourism destinations within the online presence of fashion weeks. Almatourism-Journal of Tourism, Culture and Territorial Development, 9(9), 87-114. https://doi.org/10.6092/issn.2036-5195/7245.
  • Kim, H. E. (2015). An analysis of the strengths and weaknesses of Seoul Fashion Week with a focus on organisational issues. Fashion & Textile Research Journal, 17(6), 895-906. https://doi.org/10.5805/SFTI.2015.17.6.895.
  • Krugman, P. (1992). Geography and trade. (1. Edition). MIT Press.
  • Liberato, D., Mendes, B., Liberato, P., & Alén, E. (2021a). Experience and satisfaction evaluation in fashion events. Journal of Tourism and Development, 37, 9-20. https://doi.org/10.34624/rtd.v37i0.26320.
  • Liberato, D., Mendes, B.B.e., Liberato, P., Alén, E. (2021b). The Role of Fashion Events in Tourism Destinations: DMOs Perspective. In: Katsoni, V., van Zyl, C. (eds) Culture and Tourism in a Smart, Globalized, and Sustainable World. (pp. 463-475). Springer Proceedings in Business and Economics. Springer, Cham. https://doi.org/10.1007/978-3-030-72469-6_31.
  • Meredith, J. (1993). Theory building through conceptual methods. International journal of operations & production management, 13(5), 3-11. https://doi.org/10.1108/01443579310028120.
  • Montagné Villette, S., & Hardill, I. (2010). Paris and fashion: reflections on the role of the Parisian fashion industry in the cultural economy. International Journal of Sociology and Social Policy, 30(9/10), 461-471.
  • Montazer, Z., & Bidoki, F. Z. (2017). Traditional, fashion and new perspective on fashion tourism. IOP conference series: Materials science and engineering, 254, 17, 172018. https://doi.org/10.1088/1757-899X/254/17/172018.
  • Paresys, I. (2012). La cour de France, fabrique de normes vestimentaires à l'époque moderne (1. Edition). Presses universitaires de Rennes. https://doi.org/10.4000/books.pur.127806.
  • Pinnock, O. (2019, 19 March). Forbes. The Growing Popularity of Fashion Exhibitions. Retrieved from: https://www.forbes.com/sites/oliviapinnock/2019/03/14/the-growing-popularity-of-fashion-exhibitions/#3199caeabbb1.
  • Pouillard, V. (2011). Design piracy in the fashion industries of Paris and New York in the interwar years. Business History Review, 85(2), 319-344.
  • Prigent, L. (2023, 30 October). Vogue World Paris. Interview. https://www.vogue.fr/article/victoria-beckham-interview-vogue-france-cover-star-loic-prigent.
  • Rabbiosi, C. (2014). Renewing a historical legacy: Tourism, leisure shopping and urban branding in Paris. Cities, 42, 195-203. https://doi.org/10.1016/j.cities.2014.07.001.
  • Rocamora, A. (2006) Paris Capitale de la Mode: Representing Fashion in the Media. In:C. Breward, D. Gılbert (eds.) Fashion’s World Cities (pp. 43-54). Berg Publishers.
  • Scott, A. J. (2000). The cultural economy of cities: Essays on the geography of image producing industries. SAGE Publication.
  • Siaga, A. D. (2018). Fashion in Tourism: Is the importance of fashion events underestimated in its effect in the growth of tourism in New York, London, Milan, Paris and finally Athens?, [Master's dissertation], International Hellenic University. Retrieved from: https://repository.ihu.edu.gr/xmlui/handle/11544/29053.
  • Steele, V. (2019). Paris, capital of fashion (1. Edition). Bloomsbury Publishing.
  • Topçu, F. E. (2022, 14 March). Anadolu Ajansı. Fashion Week Istanbul Yarın Başlıyor. https://www.aa.com.tr/tr/kultur-sanat/fashion-week-istanbul-yarin-basliyor/2534572#:~ :text=2009%20y%C4%B1l%C4%B1ndan%20beri%20aral%C4%B1ks%C4%B1z%20devam,sekt%C3%B6re%20art%C4%B1%20de%C4%9Fer%20yaratmay%C4%B1%20s%C3%BCrd%C3%BCr%C3%BCyor.
  • Tovmasyan, G. R. (2017). Fashion industry and shopping tourism. Актуальные проблемы гуманитарных и естественных наук, (1-3), 80-83.
  • Turquality (2024, 3 April). Turquality Projesinin Tarihçesi. https://staging.turquality.com/tr/turquality-projesinin-tarihcesi.
  • Wang, Y., & Jin, X. (2019). Event-based destination marketing: The role of mega-events. Event Management, 23(1), 109-118. https://doi.org/10.3727/152599518X15378845225384.
  • Williams, K. M., Laing, J., & Frost, W. (2014). Social conformity or radical chic? Fashion, design and events. In K. M. Williams, J. Laing & W. Frost (eds) Fashion, design and events, (pp. 1-23). Routledge.
Toplam 49 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Turizm (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Hacı Mehmet Yıldırım 0000-0003-0718-7296

Gül Gülel 0009-0004-2166-4313

Gönderilme Tarihi 22 Nisan 2025
Kabul Tarihi 19 Ağustos 2025
Yayımlanma Tarihi 16 Aralık 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 28 Sayı: 54

Kaynak Göster

APA Yıldırım, H. M., & Gülel, G. (2025). Fashion or Tourism? A Conceptual review of fashion tourism in Turkey. Balıkesir Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 28(54), 943-959. https://doi.org/10.31795/baunsobed.1681488

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