Hindu Art in The Traditional Doctrine of Sacred Art
Öz
Every sacred art for the traditionalist school (including the names as Renè Guènon, Ananda K. Coomaraswamy, Frithjof Schuon, Titus Burckhardt and Seyyed Hossein Nasr) is founded on a deep metaphysical background. According to the traditional doctrine of sacred art, this world is only an image/copy of a spiritual pattern, and the very existence of this world is derived from its celestial archetypes. Sacred art is the visible and audible form of the Invisible as it helps man to find his own center and kernel of which the nature is to love God. In this presentation, the metaphysical aspects of the doctrine of sacred art in general will be examined and then the angelic origin of art formulated explicitly by the Hindu tradition with regard to the traditionalist school.
Anahtar Kelimeler
Kaynakça
- Blurton, T. Richard (1992), Hindu Art, Cambridge: Harvard University Press.
- Burckhardt, Titus (1967), Sacred Art in East and West: Its Principles and Methods, trans. Lord Northbourne, London: Perennial Books.
- Coomaraswamy, Ananda (1956), The Transformation of Nature in Art, New York: Dover Publications.
- Coomaraswamy, Ananda (1957), The Dance of Shiva, New York: Sunwise Turn.
- Hafız, Muharrem (2012), Kutsal ve Sanat, İstanbul: DM Kitapevi.
- Nasr, Seyyed Hossein Nasr (1989), Knowledge and the Sacred, New York: State of University Press.
- Schuon, Frithjof (1982), From Divine to Human: Survey to Metaphysics and Epistemology, trans. Deborah Lambert, Bloomington: World Wisdom Books.
- Schuon, Frithjof (1984), Logic and Transcendence, trans. Peter N. Townsend, London: Perennial Books.
Ayrıntılar
Birincil Dil
İngilizce
Konular
-
Bölüm
Araştırma Makalesi
Yazarlar
Muharrem Hafız
Bu kişi benim
Yayımlanma Tarihi
30 Haziran 2015
Gönderilme Tarihi
25 Mart 2015
Kabul Tarihi
7 Nisan 2015
Yayımlandığı Sayı
Yıl 2015 Cilt: 2 Sayı: 2
