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Usability Evaluation of Street Art Websites

Yıl 2024, Cilt: 7 Sayı: 2, 305 - 324, 31.12.2024
https://doi.org/10.33721/by.1578190

Öz

This study aims to evaluate street art websites in terms of usability. In the first stage, 31 websites were selected from among 700 graffiti websites listed under the “best list” title of ArtCrimes and through searches using relevant keywords. The usability evaluation was conducted based on predefined criteria derived from the Dyson and Moran usability scale, and the website with the highest usability score was further analyzed in detail using the heuristic evaluation method by subject matter experts. The findings indicate that the evaluated websites lack institutional information and policies regarding reproduction and copyright and provide limited descriptive data about the artworks. The analysis revealed that the platform with the highest score is strong in terms of aesthetic and minimalist design, consistency, and standards but weak in user control and freedom as well as flexibility and efficiency features. This study highlights the importance of usable websites for access to street art and aims to contribute to future research in this field.

Kaynakça

  • +90 (2020, September 25). Grafiti ve sokak sanatı nedir? “Vandalizm mi yoksa bir sanat mı? [What is graffiti and street art? “Vandalism or an art?”] [Video]. Retrieved from: https://www.youtube.com/watch?v=K0X2R0LfOuk&ab_channel=%2B90
  • Bates, L. (2014). Bombing, tagging, writing: an analysis of the significance of graffiti and street art. (Master's thesis). University of Pennsylvania, Philadelphia, PA. Retrieved from: https://repository.upenn.edu/hp_theses/570/
  • Blanche, U. (2018). Street art and photography: documentation, representation, interpretation. Nuart Journal, 1, 23-29. Retrieved from: https://nuartjournal.com/wp-content/uploads/2018/09/05_Blanche_Nuart-Journal-1-1-2018.pdf
  • Bonadio, E. (2017, April 4). Copyright protection of street art and graffiti under UK law. Intellectual Property Quarterly, 2, 1-39. Retrieved from: https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2946360
  • Brumm, A., Oktavia, A. A., Burhan, B., Hakim, B., Lebe, R., Zhao, J., Sulistyarto, P. H., Ririmasse, M., Adhityatama, S., Sumantri, I. and Aubert, M. (2021, January 13). 150 Oldest cave art found in Sulawesi. Science Advances, 7, 1-12. doi: 10.1126/sciadv.abd4648
  • Carletti, L. (2016). Participatory Heritage: Scaffolding citizen scholarship. International Information & Library Review, 48, 196-203. doi: 10.1080/10572317.2016.1205367
  • Conklin, T. R. (2012). Street Art, Ideology, and Public Space (MA thesis). Doi: 10.15760/etd.761
  • Cowick, C. (2015). Preserving Street Art: Uncovering the Challenges and Obstacles. Art Documentation: Journal of the Art Libraries Society of North America, 34, 29-44. Retrieved from: https://www.jstor.org/stable/10.1086/680563
  • Daichendt, G. J. (2013). Artist-Driven initiatives for art education: what we can learn from street art. Art Education, 66(5), 6-12. doi: 10.1080/00043125.2013.11519234
  • Davies, J. (2012). Art crimes?: theoretical perspectives on copyright protection for illegally-created graffiti art. Maine Law Review, 65, 27-35. Retrieved from: https://digitalcommons.mainelaw.maine.edu/mlr/vol65/iss1/3/
  • Dunn, S. and Hedges, M. (2013) Crowds and content: crowd-sourcing primitives for digital libraries. T. Aalberg, C. Papatheodorou, M. Dobreva, G. Tsakonas, CJFarrugia (eds.) Research and Advanced Technology for Digital Libraries. TPDL 2013. In Lecture Notes in Computer Science, vol 8092. Berlin, Heidelberg: Springer. doi: https://doi.org/10.1007/978-3-642-40501-3_41
  • Dyson, M. C. and Moran, K. (2000) Informing the design of web interfaces to museum collections. Museum Management and Curatorship, 18, 391-406. doi: 10.1080/0964777000501804
  • Fotakis, T. and Economides, A. (2008). Art, science/ technology and history museums on the web. International Journal on Digital Culture and Electronic Tourism, 1, 37-63. doi:10.1504/IJDCET.2008.020134
  • Garzotto, F., Matera, M., and Paolini, P. (1998). To use or not to use? Evaluating museum websites. Proc Museums and the web 1998. J. Trant and D. Bearman (eds.). Archives and Museum Informatics, Pittsburgh. Retrieved from: https://www.archimuse.com/mw98/papers/garzotto/garzotto_paper.html
  • Gottlieb, L. (2008). Graffiti art styles a classification system and theoretical analysis. North Carolina: McFarland & Company, Inc., Publishers
  • Graf, A. M. (2018, May). Facets of graffiti art and street art documentation online: a domain and content analysis (PhD thesis). Retrieved from the ProQuest Dissertations and Theses database. (UMI No. 10810618)
  • Iglesia, M. (2015). Towards the scholarly documentation of street art. SAUC - Street Art & Urban Creativity Scientific Journal, 1, 40-49. doi: https://doi.org/10.25765/sauc.v1i1.15
  • Isaac, J. (2017, June 19). Pics or it didn't happen: The artwork formerly known as heritage in Google Street Art. The International Journal of Research into New Media Technologies 2019, 25 , 374–392. doi: https://doi.org/10.1177/1354856517714169
  • Kabassi, K. (2017). Evaluating websites of museums: state of the art. Journal of Cultural Heritage, 24, 184-196. doi: https://doi.org/10.1016/j.culher.2016.10.016
  • Lederman, A. and Jindani, F. (2016, July). Drips gallery: a community-driven graffiti library & archive. Research paper presented at the Society of American Archivists – 2015 Research Forum. Retrieved from: https://www2.archivists.org/sites/all/files/LedermanJindani-ResearchForumPaper2015.pdf
  • Lexico (2023). Street art. Retrieved from https://www.lexico.com/definition/street_art .
  • MacDowall, L. (2006). In Praise of 70K: Cultural heritage and graffiti style. Continuum, 20, 471-484. doi: 10.1080/10304310600987320
  • MacDowall, L. (2015). Graffiti, street art and theories of stigmergy. J. Lossau and Q. Stevens (Eds.). In The uses of art in public space (p. 33-48). New York: Routledge
  • Merrill, S. (2015). Keeping it real? Subcultural graffiti, street art, heritage and authenticity. International Journal of Heritage Studies, 21, 369-389. doi: 10.1080/13527258.2014.934902
  • Nielsen, J. (2012). Usability 101: introduction to usability. Retrieved from: https://www.nngroup.com/articles/usability-101-introduction-to-usability/ .
  • Nilsson, M. (2015). BT media and broadcast research paper ultra high definition video formats and standardisation. Retrieved from: https://www.researchgate.net/publication/331488190_Ultra_High_Definition_Video_Formats_and_Standardisation
  • Nogel, C. N. (2015). Decolonial arts pedagogy and the visual metaphor: the great wall of Los Angeles mural project. (Master's thesis). Retrieved from: https://escholarship.org/uc/item/99m0v13q
  • Nomeikaite, L. (2017). Street art, heritage, implementation. Street Art and Creativity, 3, 43-53, doi: https://doi.org/10.25765/sauc.v3i1.62
  • Novak, D. (2014). Methodology for the measurement of graffiti artworks: focus on the piece. World Applied Sciences Journal, 32, 40-46. doi: 10.5829/idosi.wasj.2014.32.01.301
  • Novak, D. (2015). Photography and classification of information. SAUC - Street Art & Urban Creativity Scientific Journal, 1, 13-25. doi: https://doi.org/10.25765/sauc.v1i1.22
  • Olsina Santos, L. (1999). Website quality evaluation method: a case study on museum. In Proceedings of the 2nd workshop on Software Engineering. USA: ICSE. Retrieved from: http://pages.cpsc.ucalgary.ca/~maurer/icse99ws/Submissions/santos/SantosSubmission.pdf
  • Oomen, J. and Aroyo, L. (201). Crowdsourcing in the cultural heritage domain: opportunities and challenges. In Proceedings of the 5th International Conference on Communities and Technologies (C&T '11) Association for Computing Machinery (pp. 138–149). New York, USA. doi: https://doi.org/10.1145/2103354.2103373
  • Özen Çınar, N. (2015). Usability evaluation of mobile and desktop websites: a study of comparing usability evaluation methodologies (Master Thesis). Retrieved from: https://hdl.handle.net/11511/25018
  • Poole, K. (2020). Arts organizations engaging audiences through street art. (Master's thesis). The ProQuest Dissertations and Theses database. (UMI No. 27999258).
  • Poon, S. (2016). Street murals as a unique tangible cultural heritage: a case study of artifact value preservation. International Journal of Cultural and Creative Industries, 04, 48-61. https://www.researchgate.net/publication/310329387_Street_Murals_as_a_Unique_Tangible_Cultural_Heritage_A_Case_Study_of_Artifact_Value_Preservation
  • Roued-Cunliffe, H. (2017). Collection building amongst heritage amateurs. Collection Building , 36, 108-114. doi: https://doi.org/10.1108/CB-01-2017-0003
  • Ridge, M. (2014). Crowdsourcing our cultural heritage: introduction. In M. Ridge (Ed.), Crowdsourcing Our Cultural Heritage (pp. 1-13). Farnham: Ashgate.
  • Signore, O. (2005). A comprehensive model for web sites quality. Seventh IEEE International Symposium on Web Site Evolution, Budapest, 2005, 30-36. doi: 10.1109/WSE.2005.1
  • Taş, O. and Taş, T. (2015). Ankara’da sokak sanatı: kent hakkı, protesto ve direniş. [Street art in Ankara: right to the city, protest and resistance]. Mülkiye Dergisi, 39, 85-114. Retrieved from: https://dergipark.org.tr/en/download/article-file/1093
  • Tehrani, S. E. M., Zainuddin, NMM, and Takavar, T. (2014). Heuristic evaluation for virtual museum on smartphone. In the 3rd International Conference on User Science and Engineering (i-USEr) (pp. 227-231). Shah Alam, Malaysia. doi: 10.1109/IUSER.2014.7002707
  • Terras, M. (2015). Crowdsourcing in Digital Humanities. S. Schreibman, R. Siemens, J. Unsworth (Eds). In A New Companion to Digital Humanities (p. 420-438). doi: https://doi.org/10.1002/9781118680605.ch29
  • Tulke, J. (2020). Archiving Dissent: (Im)material Trajectories of Political Street Art in Istanbul and Athens. In A. McGarry, I. Erhart, H. Eslen-Ziya, O. Jenzen , and U. Korkut (Eds.), The Aesthetics of Global Protest: Visual Culture and Communication (pp. 121-140). doi :10.2307/j.ctvswx8bm.11
  • van der Hoeven, A. (2020). Valuing urban heritage through participatory heritage websites: citizen perceptions of historic urban landscapes. Space and Culture, 23, 129–148. doi: https://doi.org/10.1177/1206331218797038
  • Vanderveen, G. and van Eijk, G. (2016). Criminal but beautiful: a study on graffiti and the role of value judgments and context in perceiving disorder. European Journal on Criminal Policy and Research, 22, 107–125. doi: https://doi.org/10.1007/s10610-015-9288-4
  • Wacławek, A. (2011). Graffiti and street art. London: Thames & Hudson

Sokak Sanatı Web Sitelerinin Kullanılabilirlik Değerlendirmesi

Yıl 2024, Cilt: 7 Sayı: 2, 305 - 324, 31.12.2024
https://doi.org/10.33721/by.1578190

Öz

Bu çalışmanın amacı, sokak sanatı web sitelerinin kullanılabilirlik açısından değerlendirilmesidir. İlk aşamada incelenen 31 web sitesi, ArtCrimes’in “en iyi liste” başlığı altındaki 700 graffiti web sitesi arasından ve ilgili anahtar kelimeler kullanılarak yapılan aramalar sonucunda seçilmiştir. Kullanılabilirlik değerlendirmesi, Dyson ve Moran kullanılabilirlik ölçeğinden türetilen önceden belirlenmiş kriterler doğrultusunda gerçekleştirilmiş, ardından en yüksek kullanılabilirlik puanına sahip web sitesi konu uzmanları tarafından sezgisel değerlendirme (heuristic evaluation) yöntemiyle detaylı bir şekilde analiz edilmiştir. Bulgular, incelenen web sitelerinin eserlerin yeniden üretimi ve telif hakkı ile ilgili kurumsal bilgi ve politikalar açısından yetersiz olduğunu, ayrıca sanat eserleri hakkında sınırlı düzeyde tanımlayıcı veri sunduğunu göstermektedir. İnceleme sonucunda, en yüksek puana sahip platformun estetik ve minimalist tasarım, tutarlılık ve standartlar açısından güçlü olduğu; ancak kullanıcı kontrolü ve özgürlüğü, esneklik ve verimlilik özellikleri açısından zayıf kaldığı belirlenmiştir. Bu çalışma, sokak sanatına erişimde kullanılabilir web sitelerinin önemini vurgulamakta ve bu alanda yapılacak çalışmalara katkı sağlamayı amaçlamaktadır.

Kaynakça

  • +90 (2020, September 25). Grafiti ve sokak sanatı nedir? “Vandalizm mi yoksa bir sanat mı? [What is graffiti and street art? “Vandalism or an art?”] [Video]. Retrieved from: https://www.youtube.com/watch?v=K0X2R0LfOuk&ab_channel=%2B90
  • Bates, L. (2014). Bombing, tagging, writing: an analysis of the significance of graffiti and street art. (Master's thesis). University of Pennsylvania, Philadelphia, PA. Retrieved from: https://repository.upenn.edu/hp_theses/570/
  • Blanche, U. (2018). Street art and photography: documentation, representation, interpretation. Nuart Journal, 1, 23-29. Retrieved from: https://nuartjournal.com/wp-content/uploads/2018/09/05_Blanche_Nuart-Journal-1-1-2018.pdf
  • Bonadio, E. (2017, April 4). Copyright protection of street art and graffiti under UK law. Intellectual Property Quarterly, 2, 1-39. Retrieved from: https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2946360
  • Brumm, A., Oktavia, A. A., Burhan, B., Hakim, B., Lebe, R., Zhao, J., Sulistyarto, P. H., Ririmasse, M., Adhityatama, S., Sumantri, I. and Aubert, M. (2021, January 13). 150 Oldest cave art found in Sulawesi. Science Advances, 7, 1-12. doi: 10.1126/sciadv.abd4648
  • Carletti, L. (2016). Participatory Heritage: Scaffolding citizen scholarship. International Information & Library Review, 48, 196-203. doi: 10.1080/10572317.2016.1205367
  • Conklin, T. R. (2012). Street Art, Ideology, and Public Space (MA thesis). Doi: 10.15760/etd.761
  • Cowick, C. (2015). Preserving Street Art: Uncovering the Challenges and Obstacles. Art Documentation: Journal of the Art Libraries Society of North America, 34, 29-44. Retrieved from: https://www.jstor.org/stable/10.1086/680563
  • Daichendt, G. J. (2013). Artist-Driven initiatives for art education: what we can learn from street art. Art Education, 66(5), 6-12. doi: 10.1080/00043125.2013.11519234
  • Davies, J. (2012). Art crimes?: theoretical perspectives on copyright protection for illegally-created graffiti art. Maine Law Review, 65, 27-35. Retrieved from: https://digitalcommons.mainelaw.maine.edu/mlr/vol65/iss1/3/
  • Dunn, S. and Hedges, M. (2013) Crowds and content: crowd-sourcing primitives for digital libraries. T. Aalberg, C. Papatheodorou, M. Dobreva, G. Tsakonas, CJFarrugia (eds.) Research and Advanced Technology for Digital Libraries. TPDL 2013. In Lecture Notes in Computer Science, vol 8092. Berlin, Heidelberg: Springer. doi: https://doi.org/10.1007/978-3-642-40501-3_41
  • Dyson, M. C. and Moran, K. (2000) Informing the design of web interfaces to museum collections. Museum Management and Curatorship, 18, 391-406. doi: 10.1080/0964777000501804
  • Fotakis, T. and Economides, A. (2008). Art, science/ technology and history museums on the web. International Journal on Digital Culture and Electronic Tourism, 1, 37-63. doi:10.1504/IJDCET.2008.020134
  • Garzotto, F., Matera, M., and Paolini, P. (1998). To use or not to use? Evaluating museum websites. Proc Museums and the web 1998. J. Trant and D. Bearman (eds.). Archives and Museum Informatics, Pittsburgh. Retrieved from: https://www.archimuse.com/mw98/papers/garzotto/garzotto_paper.html
  • Gottlieb, L. (2008). Graffiti art styles a classification system and theoretical analysis. North Carolina: McFarland & Company, Inc., Publishers
  • Graf, A. M. (2018, May). Facets of graffiti art and street art documentation online: a domain and content analysis (PhD thesis). Retrieved from the ProQuest Dissertations and Theses database. (UMI No. 10810618)
  • Iglesia, M. (2015). Towards the scholarly documentation of street art. SAUC - Street Art & Urban Creativity Scientific Journal, 1, 40-49. doi: https://doi.org/10.25765/sauc.v1i1.15
  • Isaac, J. (2017, June 19). Pics or it didn't happen: The artwork formerly known as heritage in Google Street Art. The International Journal of Research into New Media Technologies 2019, 25 , 374–392. doi: https://doi.org/10.1177/1354856517714169
  • Kabassi, K. (2017). Evaluating websites of museums: state of the art. Journal of Cultural Heritage, 24, 184-196. doi: https://doi.org/10.1016/j.culher.2016.10.016
  • Lederman, A. and Jindani, F. (2016, July). Drips gallery: a community-driven graffiti library & archive. Research paper presented at the Society of American Archivists – 2015 Research Forum. Retrieved from: https://www2.archivists.org/sites/all/files/LedermanJindani-ResearchForumPaper2015.pdf
  • Lexico (2023). Street art. Retrieved from https://www.lexico.com/definition/street_art .
  • MacDowall, L. (2006). In Praise of 70K: Cultural heritage and graffiti style. Continuum, 20, 471-484. doi: 10.1080/10304310600987320
  • MacDowall, L. (2015). Graffiti, street art and theories of stigmergy. J. Lossau and Q. Stevens (Eds.). In The uses of art in public space (p. 33-48). New York: Routledge
  • Merrill, S. (2015). Keeping it real? Subcultural graffiti, street art, heritage and authenticity. International Journal of Heritage Studies, 21, 369-389. doi: 10.1080/13527258.2014.934902
  • Nielsen, J. (2012). Usability 101: introduction to usability. Retrieved from: https://www.nngroup.com/articles/usability-101-introduction-to-usability/ .
  • Nilsson, M. (2015). BT media and broadcast research paper ultra high definition video formats and standardisation. Retrieved from: https://www.researchgate.net/publication/331488190_Ultra_High_Definition_Video_Formats_and_Standardisation
  • Nogel, C. N. (2015). Decolonial arts pedagogy and the visual metaphor: the great wall of Los Angeles mural project. (Master's thesis). Retrieved from: https://escholarship.org/uc/item/99m0v13q
  • Nomeikaite, L. (2017). Street art, heritage, implementation. Street Art and Creativity, 3, 43-53, doi: https://doi.org/10.25765/sauc.v3i1.62
  • Novak, D. (2014). Methodology for the measurement of graffiti artworks: focus on the piece. World Applied Sciences Journal, 32, 40-46. doi: 10.5829/idosi.wasj.2014.32.01.301
  • Novak, D. (2015). Photography and classification of information. SAUC - Street Art & Urban Creativity Scientific Journal, 1, 13-25. doi: https://doi.org/10.25765/sauc.v1i1.22
  • Olsina Santos, L. (1999). Website quality evaluation method: a case study on museum. In Proceedings of the 2nd workshop on Software Engineering. USA: ICSE. Retrieved from: http://pages.cpsc.ucalgary.ca/~maurer/icse99ws/Submissions/santos/SantosSubmission.pdf
  • Oomen, J. and Aroyo, L. (201). Crowdsourcing in the cultural heritage domain: opportunities and challenges. In Proceedings of the 5th International Conference on Communities and Technologies (C&T '11) Association for Computing Machinery (pp. 138–149). New York, USA. doi: https://doi.org/10.1145/2103354.2103373
  • Özen Çınar, N. (2015). Usability evaluation of mobile and desktop websites: a study of comparing usability evaluation methodologies (Master Thesis). Retrieved from: https://hdl.handle.net/11511/25018
  • Poole, K. (2020). Arts organizations engaging audiences through street art. (Master's thesis). The ProQuest Dissertations and Theses database. (UMI No. 27999258).
  • Poon, S. (2016). Street murals as a unique tangible cultural heritage: a case study of artifact value preservation. International Journal of Cultural and Creative Industries, 04, 48-61. https://www.researchgate.net/publication/310329387_Street_Murals_as_a_Unique_Tangible_Cultural_Heritage_A_Case_Study_of_Artifact_Value_Preservation
  • Roued-Cunliffe, H. (2017). Collection building amongst heritage amateurs. Collection Building , 36, 108-114. doi: https://doi.org/10.1108/CB-01-2017-0003
  • Ridge, M. (2014). Crowdsourcing our cultural heritage: introduction. In M. Ridge (Ed.), Crowdsourcing Our Cultural Heritage (pp. 1-13). Farnham: Ashgate.
  • Signore, O. (2005). A comprehensive model for web sites quality. Seventh IEEE International Symposium on Web Site Evolution, Budapest, 2005, 30-36. doi: 10.1109/WSE.2005.1
  • Taş, O. and Taş, T. (2015). Ankara’da sokak sanatı: kent hakkı, protesto ve direniş. [Street art in Ankara: right to the city, protest and resistance]. Mülkiye Dergisi, 39, 85-114. Retrieved from: https://dergipark.org.tr/en/download/article-file/1093
  • Tehrani, S. E. M., Zainuddin, NMM, and Takavar, T. (2014). Heuristic evaluation for virtual museum on smartphone. In the 3rd International Conference on User Science and Engineering (i-USEr) (pp. 227-231). Shah Alam, Malaysia. doi: 10.1109/IUSER.2014.7002707
  • Terras, M. (2015). Crowdsourcing in Digital Humanities. S. Schreibman, R. Siemens, J. Unsworth (Eds). In A New Companion to Digital Humanities (p. 420-438). doi: https://doi.org/10.1002/9781118680605.ch29
  • Tulke, J. (2020). Archiving Dissent: (Im)material Trajectories of Political Street Art in Istanbul and Athens. In A. McGarry, I. Erhart, H. Eslen-Ziya, O. Jenzen , and U. Korkut (Eds.), The Aesthetics of Global Protest: Visual Culture and Communication (pp. 121-140). doi :10.2307/j.ctvswx8bm.11
  • van der Hoeven, A. (2020). Valuing urban heritage through participatory heritage websites: citizen perceptions of historic urban landscapes. Space and Culture, 23, 129–148. doi: https://doi.org/10.1177/1206331218797038
  • Vanderveen, G. and van Eijk, G. (2016). Criminal but beautiful: a study on graffiti and the role of value judgments and context in perceiving disorder. European Journal on Criminal Policy and Research, 22, 107–125. doi: https://doi.org/10.1007/s10610-015-9288-4
  • Wacławek, A. (2011). Graffiti and street art. London: Thames & Hudson
Toplam 45 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Bilgi Sistemleri Kullanıcı Deneyimi Tasarımı ve Geliştirme, Arşivcilik, Depolama ve İlgili Çalışmalar, Dijital Miras, Kültürel Miras Yönetimi (Dünya Mirası dahil)
Bölüm Hakemli Makaleler
Yazarlar

Orhun Uğur 0000-0002-9274-0414

Semanur Öztemiz 0000-0003-1560-8062

Yayımlanma Tarihi 31 Aralık 2024
Gönderilme Tarihi 2 Kasım 2024
Kabul Tarihi 24 Aralık 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 7 Sayı: 2

Kaynak Göster

APA Uğur, O., & Öztemiz, S. (2024). Usability Evaluation of Street Art Websites. Bilgi Yönetimi, 7(2), 305-324. https://doi.org/10.33721/by.1578190

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