Research Article
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Multiculturalism and Identity Erosion in Zadie Smith’s White Teeth

Year 2025, Volume: 19 Issue: 2 , 393 - 405 , 29.12.2025
https://doi.org/10.47777/cankujhss.1654993
https://izlik.org/JA72UK32HW

Abstract

While multiculturalism is widely accepted in numerous nations, it may be regarded as a threat to an individual’s national, cultural, and personal identity, irrespective of their place of birth. This negating property is further exacerbated when one resides in countries governed by imperial administrations. In her novel White Teeth, Zadie Smith explores the ramifications of diversity in imperial Britain by analysing the themes of segregation and categorization, encompassing distinctions predicated on race, gender, cultural sophistication, and religious convictions, including categories such as black and white, male and female, cultivated and primordial, as well as secular and religious. This article endeavours to evaluate the impact of diversity on national, cultural, and individual identity through an analysis of the dispersed identities of different generations depicted in Zadie Smith’s novel, White Teeth, a narrative replete with binary oppositions and bipolarities that underscore the pervasive authority of standardized English classifications within a multicultural society.

References

  • Bentley, N. (2007). Re-writing Englishness: Imagining the Nation in Julian Barnes's England, England and Zadie Smith's White Teeth. Textual Practice, 21(3), 483-504. https://doi.org/https://doi.org/10.1080/09502360701529093
  • Bhabha, H. K. (1995). Cultural Diversity and Cultural Differences. In B. Ashcroft, G. Griffiths, & H. Tiffin (Eds.), The Post-Colonial Studies Reader (pp. 206-213). Routledge.
  • Curry, G. (2007). Zadie Smith’s White Teeth (2000): The Concept of Englishness in the 21st Century. In "Toubab La!" Literary Representations of Mixed-Race Characters in the African Diaspora (pp. 277-298). Cambridge Scholars Publishing.
  • Fanon, F. (1963). The Wretched of the Earth (C. Farrington, Trans.). Grove Press.
  • Hamil, M. (2019). Postcolonial Cultural Hybridity and Cultural Ambivalence in Contemporary Italy: Amara Lakhous’s Clash of Civilizations Over an Elevator in Piazza Vittorio (2008). Journal of Intercultural Studies, 40(2), 141-154. https://doi.org/https://doi.org/10.1080/07256868.2019.1577226
  • Head, D. (2003). Zadie Smith's White Teeth: Multiculturalism for the Millenium. In R. Lane, R. Mengham, & P. Tew (Eds.), Contemporary British Fiction (pp. 106-119). Polity Press.
  • Huggan, G. (2010). Is the "Post" in "Postsecular" the "Post" in "Postcolonial"? MFS Modern Fiction Studies, 56(4), 751-768.
  • McMann, M. (2012). British Black Box: A Return to Race and Science in Zadie Smith's White Teeth. MFS Modern Fiction Studies, 58(3), 616-636. https://doi.org/https://dx.doi.org/10.1353/mfs.2012.0050
  • Moss, L. (2008). The Politics of Everyday Hybridity: Zadie Smith's White Teeth. Wasafiri, 18(39), 11-17. https://doi.org/https://doi.org/10.1080/02690050308589837
  • Pinto-Bailey, C. F. (2014). Women, Memory, Nation: Writing Identities in Three Latin American Novels. Symposium: A Quarterly Journal in Modern Literatures, 68(4), 203-217. https://doi.org/https://doi.org/10.1080/00397709.2014.969665
  • Pope, G. (2015). 'I Tried to Work Out Where I Was': Contemporary Suburbia. In Reading London's Suburbs: From Charles Dickens to Zadie Smith (pp. 161-202). Palgrave Macmillan.
  • Said, E. W. (2003). Orientalism. Penguin Books.
  • Smith, Z. (2000). White Teeth. Penguin Books.

Zadie Smith’in İnci Gibi Dişler Adlı Romanında Çokkültürlülük ve Kimlik Aşınımı

Year 2025, Volume: 19 Issue: 2 , 393 - 405 , 29.12.2025
https://doi.org/10.47777/cankujhss.1654993
https://izlik.org/JA72UK32HW

Abstract

Çok kültürlülük birçok ülkede yaygın olarak kabul görse de, doğum yeri ne olursa olsun bireyin ulusal, kültürel ve kişisel kimliğine yönelik bir tehdit olarak görülebilir. Bu negatif özellik, emperyal yönetimler tarafından yönetilen ülkelerde yaşandığında daha da kötüleşmektedir. Zadie Smith, İnci Gibi Dişler adlı romanında, siyah ve beyaz, erkek ve kadın, kültürlü ve ilkel, seküler ve dindar gibi kategoriler de dahil olmak üzere ırk, cinsiyet, kültürel gelişmişlik ve dini inançlara dayalı ayrımları kapsayan ayrıştırma ve sınıflandırma temalarını analiz ederek emperyal Britanya'daki çeşitliliğin sonuçlarını araştırmaktadır. Bu makale, çok kültürlü bir toplumda standartlaştırılmış İngiliz sınıflandırmalarının yaygın otoritesinin altını çizen ikili karşıtlıklar ve iki kutupluluklarla dolu bir anlatı olan Zadie Smith'in İnci Gibi Dişler adlı romanında tasvir edilen farklı nesillerin birbirinden farklı kimliklerinin analizi yoluyla çeşitliliğin ulusal, kültürel ve bireysel kimlik üzerindeki etkisini değerlendirmeyi amaçlamaktadır.

References

  • Bentley, N. (2007). Re-writing Englishness: Imagining the Nation in Julian Barnes's England, England and Zadie Smith's White Teeth. Textual Practice, 21(3), 483-504. https://doi.org/https://doi.org/10.1080/09502360701529093
  • Bhabha, H. K. (1995). Cultural Diversity and Cultural Differences. In B. Ashcroft, G. Griffiths, & H. Tiffin (Eds.), The Post-Colonial Studies Reader (pp. 206-213). Routledge.
  • Curry, G. (2007). Zadie Smith’s White Teeth (2000): The Concept of Englishness in the 21st Century. In "Toubab La!" Literary Representations of Mixed-Race Characters in the African Diaspora (pp. 277-298). Cambridge Scholars Publishing.
  • Fanon, F. (1963). The Wretched of the Earth (C. Farrington, Trans.). Grove Press.
  • Hamil, M. (2019). Postcolonial Cultural Hybridity and Cultural Ambivalence in Contemporary Italy: Amara Lakhous’s Clash of Civilizations Over an Elevator in Piazza Vittorio (2008). Journal of Intercultural Studies, 40(2), 141-154. https://doi.org/https://doi.org/10.1080/07256868.2019.1577226
  • Head, D. (2003). Zadie Smith's White Teeth: Multiculturalism for the Millenium. In R. Lane, R. Mengham, & P. Tew (Eds.), Contemporary British Fiction (pp. 106-119). Polity Press.
  • Huggan, G. (2010). Is the "Post" in "Postsecular" the "Post" in "Postcolonial"? MFS Modern Fiction Studies, 56(4), 751-768.
  • McMann, M. (2012). British Black Box: A Return to Race and Science in Zadie Smith's White Teeth. MFS Modern Fiction Studies, 58(3), 616-636. https://doi.org/https://dx.doi.org/10.1353/mfs.2012.0050
  • Moss, L. (2008). The Politics of Everyday Hybridity: Zadie Smith's White Teeth. Wasafiri, 18(39), 11-17. https://doi.org/https://doi.org/10.1080/02690050308589837
  • Pinto-Bailey, C. F. (2014). Women, Memory, Nation: Writing Identities in Three Latin American Novels. Symposium: A Quarterly Journal in Modern Literatures, 68(4), 203-217. https://doi.org/https://doi.org/10.1080/00397709.2014.969665
  • Pope, G. (2015). 'I Tried to Work Out Where I Was': Contemporary Suburbia. In Reading London's Suburbs: From Charles Dickens to Zadie Smith (pp. 161-202). Palgrave Macmillan.
  • Said, E. W. (2003). Orientalism. Penguin Books.
  • Smith, Z. (2000). White Teeth. Penguin Books.
There are 13 citations in total.

Details

Primary Language English
Subjects British and Irish Language, Literature and Culture
Journal Section Research Article
Authors

Mustafa Kara 0000-0001-7464-4536

Submission Date March 10, 2025
Acceptance Date September 24, 2025
Publication Date December 29, 2025
DOI https://doi.org/10.47777/cankujhss.1654993
IZ https://izlik.org/JA72UK32HW
Published in Issue Year 2025 Volume: 19 Issue: 2

Cite

APA Kara, M. (2025). Multiculturalism and Identity Erosion in Zadie Smith’s White Teeth. Cankaya University Journal of Humanities and Social Sciences, 19(2), 393-405. https://doi.org/10.47777/cankujhss.1654993

 

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