This paper discusses that the image of the children has a function as vehicles
to reveal the intimate and close relationship between themselves and adults who
victimise children under the oppressive authority for their social and ideological benefits
in McEwan’s novel The Cement Garden. The image of childhood is a social and cultural construction. As Pifer asserts “for novelists this image has undergone radical
transformation since the nineteenth century, when Charles Dickens and his contemporary
Ariès translated the Romantic idyll of natural innocence into touching versions of ‘poor
children’ set adrift in a harsh and inhumane world.”10 As the child image has changed
from period to period, its reflection has been altered in fiction as well.
Children Ian McEwan The Cement Garden William Golding Lord of the Flies
Birincil Dil | İngilizce |
---|---|
Bölüm | Araştırma Notları |
Yazarlar | |
Yayımlanma Tarihi | 1 Mayıs 2014 |
Yayımlandığı Sayı | Yıl 2014 Cilt: 11 Sayı: 1 |
Çankaya University Journal of Humanities and Social Sciences
General Manager | Genel Yayın Yönetmeni, Öğretmenler Caddesi No.14, 06530, Balgat, Ankara.
Communication | İletişim: e-mail: mkirca@gmail.com | mkirca@cankaya.edu.tr
https://cujhss.cankaya.edu.tr/
CUJHSS, eISSN 3062-0112