Linguistic Obscurity in Joseph Conrad’s Heart of Darkness
Yıl 2023,
Cilt: 17 Sayı: 2, 313 - 320, 29.12.2023
Yunfeı Lıu
,
Zuofeng Zhong
Öz
Joseph Conrad’s Heart of Darkness intensively presents modernist particularity shown in the form of linguistic obscurity. This paper draws on Friedrich Schleiermacher’s hermeneutics to argue that it has latent meanings and is presented through two categories: “silenced language” and “voiced language.” The former reveals the deception, death and hurt brought by colonial conquest. The latter is best exemplified by Kurtz’s Intended typified as an archetype of the Victorian woman, by which Joseph Conrad intends to criticize the self-deception of many in the colonial era. In short, linguistic obscurity respectively reveals Conrad’s critique of colonialism and his concern for humanity from the two different paths.
Teşekkür
My gratitude goes to Dr. An Ning, who gave valuable suggestions to my research and my fellow student, Zhong Zuofeng, who helped me a lot in finding relevant materials.
Kaynakça
- Ahn, S. (2019). The language of age in Joseph Conrad’s Heart of Darkness. Neohelicon, 46(2), 699-716. doi:10.1007/s11059-019-00497-y
- Amara, A. B. (2019). Intertwined traumas: Narrative and testimony in Joseph Conrad’s Heart of Darkness. Journal of Language, Literature and Culture, 66(3), 174-184. doi:10.1080/20512856.2019.1679449
- An, N. (2018). Lao She and Conrad. The Conradian, 43(2), 29-40.
- Brantlinger, P. (2004). Victorians and Africans: The genealogy of the myth of the dark continent. In G. M. Moore (Ed.), Joseph Conrad’s Heart of Darkness: A casebook. Oxford University Press.
- Childs, P. (2002). Modernism: Taylor & Francis e-Library.
- Conrad, J. (2006). The text of Heart of Darkness. In P. B. Armstrong (Ed.), A norton critical edition: Joseph Conrad’s Heart of Darkness. W. W. Norton & Company, Inc.
- Dilworth, T. (1987). Listeners and lies in Heart of Darkness. The Review of English Studies, 38(152), 510-522.
- Dilworth, T. (2013). Dominoes and the grand piano in Joseph Conrad’s Heart of Darkness. The Explicator, 71(4), 325-327. doi:10.1080/00144940.2013.842814.
- Galef, D. (1990). On the margin: The peripheral characters in Conrad’s Heart of Darkness. Journal of Modern Literature, 17(1), 117-138.
- Hasan, M., Muhammad, R., & Ahmed, L. (2021). Imperialism, colonialism and racism in Joseph Conrad’s Heart of Darkness: A postcolonial approach. Acuity: English Language Pedagogy, Literature, and Culture, 6(1).
- Kalua, F. (2014). Locating the ambivalence of colonial discourse in Joseph Conrad's Heart of Darkness. Current Writing: Text and Reception in Southern Africa, 26(1), 12-18. doi:10.1080/1013929X.2014.897462
- Morgan, S. (2007). A Victorian woman’s place public culture in the nineteenth century. Tauris Academic Studies.
- Ophir, E. (2012). Sincerity and self-revelation in Joseph Conrad. The Modern Language Review, 107(2), 341-363. doi:10.5699/modelangrevi.107.2.0341
- Paris, B. J. (2005). Conrad’s Charlie Marlow: A new approach to Heart of Darkness and Lord Jim. Palgrave Macmillan.
- Raskin, J. (1967). Imperialism: Conrad’s Heart of Darkness. Journal of Contemporary History, 2(2), 113-131.
- Ridley, F. H. (1963). The ultimate meaning of “Heart of Darkness.” Nineteenth-Century Fiction, 18(1), 43-53. doi:10.2307/2932333
- Saeedi, P. (2015). Women as epic sites/sights and traces in Conrad’s Heart of Darkness. Women's Studies, 44(4), 537-557. doi:10.1080/00497878.2015.1013216
- Schleiermacher, F. (1998). Hermeneutics and criticism and other writings. translated by Andrew Bowie, Cambridge University Press.
- Singh, F. B. (2007). Terror, terrorism, and horror in Conrad’s Heart of Darkness. Partial Answers: Journal of Literature and the History of Ideas 5(2), 199-218. doi:10.1353/pan.2007.0010.
- Straus, N. P. (2004). The exclusion of the intended from secret sharing in Conrad’s Heart of Darkness. In G. M. Moore (Ed.), Joseph Conrad’s Heart of Darkness: A casebook. Oxford University Press.
- Vandertop, C. (2018). “The earth seemed unearthly”: Capital, world-ecology, and enchanted nature in Conrad’s Heart of Darkness. MFS Modern Fiction Studies, 64, 680-700. doi:https://doi.org/10.1353/mfs.2018.0049
- Watt, I. (2004). Conrad's impressionism. In G. M. Moore (Ed.), Joseph Conrad’s Heart of Darkness: A casebook. Oxford University Press.
- Wen B. & Tang S. (2019). English tenses and voices (1 ed.). Shanghai Foreign Language Education Press.
- Zhuwarara, R. (2004). Heart of Darkness revisited: The African response. In G. M. Moore (Ed.), Joseph Conrad’s Heart of Darkness: A casebook. Oxford University Press.
Yıl 2023,
Cilt: 17 Sayı: 2, 313 - 320, 29.12.2023
Yunfeı Lıu
,
Zuofeng Zhong
Kaynakça
- Ahn, S. (2019). The language of age in Joseph Conrad’s Heart of Darkness. Neohelicon, 46(2), 699-716. doi:10.1007/s11059-019-00497-y
- Amara, A. B. (2019). Intertwined traumas: Narrative and testimony in Joseph Conrad’s Heart of Darkness. Journal of Language, Literature and Culture, 66(3), 174-184. doi:10.1080/20512856.2019.1679449
- An, N. (2018). Lao She and Conrad. The Conradian, 43(2), 29-40.
- Brantlinger, P. (2004). Victorians and Africans: The genealogy of the myth of the dark continent. In G. M. Moore (Ed.), Joseph Conrad’s Heart of Darkness: A casebook. Oxford University Press.
- Childs, P. (2002). Modernism: Taylor & Francis e-Library.
- Conrad, J. (2006). The text of Heart of Darkness. In P. B. Armstrong (Ed.), A norton critical edition: Joseph Conrad’s Heart of Darkness. W. W. Norton & Company, Inc.
- Dilworth, T. (1987). Listeners and lies in Heart of Darkness. The Review of English Studies, 38(152), 510-522.
- Dilworth, T. (2013). Dominoes and the grand piano in Joseph Conrad’s Heart of Darkness. The Explicator, 71(4), 325-327. doi:10.1080/00144940.2013.842814.
- Galef, D. (1990). On the margin: The peripheral characters in Conrad’s Heart of Darkness. Journal of Modern Literature, 17(1), 117-138.
- Hasan, M., Muhammad, R., & Ahmed, L. (2021). Imperialism, colonialism and racism in Joseph Conrad’s Heart of Darkness: A postcolonial approach. Acuity: English Language Pedagogy, Literature, and Culture, 6(1).
- Kalua, F. (2014). Locating the ambivalence of colonial discourse in Joseph Conrad's Heart of Darkness. Current Writing: Text and Reception in Southern Africa, 26(1), 12-18. doi:10.1080/1013929X.2014.897462
- Morgan, S. (2007). A Victorian woman’s place public culture in the nineteenth century. Tauris Academic Studies.
- Ophir, E. (2012). Sincerity and self-revelation in Joseph Conrad. The Modern Language Review, 107(2), 341-363. doi:10.5699/modelangrevi.107.2.0341
- Paris, B. J. (2005). Conrad’s Charlie Marlow: A new approach to Heart of Darkness and Lord Jim. Palgrave Macmillan.
- Raskin, J. (1967). Imperialism: Conrad’s Heart of Darkness. Journal of Contemporary History, 2(2), 113-131.
- Ridley, F. H. (1963). The ultimate meaning of “Heart of Darkness.” Nineteenth-Century Fiction, 18(1), 43-53. doi:10.2307/2932333
- Saeedi, P. (2015). Women as epic sites/sights and traces in Conrad’s Heart of Darkness. Women's Studies, 44(4), 537-557. doi:10.1080/00497878.2015.1013216
- Schleiermacher, F. (1998). Hermeneutics and criticism and other writings. translated by Andrew Bowie, Cambridge University Press.
- Singh, F. B. (2007). Terror, terrorism, and horror in Conrad’s Heart of Darkness. Partial Answers: Journal of Literature and the History of Ideas 5(2), 199-218. doi:10.1353/pan.2007.0010.
- Straus, N. P. (2004). The exclusion of the intended from secret sharing in Conrad’s Heart of Darkness. In G. M. Moore (Ed.), Joseph Conrad’s Heart of Darkness: A casebook. Oxford University Press.
- Vandertop, C. (2018). “The earth seemed unearthly”: Capital, world-ecology, and enchanted nature in Conrad’s Heart of Darkness. MFS Modern Fiction Studies, 64, 680-700. doi:https://doi.org/10.1353/mfs.2018.0049
- Watt, I. (2004). Conrad's impressionism. In G. M. Moore (Ed.), Joseph Conrad’s Heart of Darkness: A casebook. Oxford University Press.
- Wen B. & Tang S. (2019). English tenses and voices (1 ed.). Shanghai Foreign Language Education Press.
- Zhuwarara, R. (2004). Heart of Darkness revisited: The African response. In G. M. Moore (Ed.), Joseph Conrad’s Heart of Darkness: A casebook. Oxford University Press.